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Monthly Archives: December 2013

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Today is the one-year anniversary of the “One with Clay, Image and Text” blog. In the first year of the blog there were 321 posts, which missed the mark of a post per day but not by much. People in more than 70 different countries had a look at the blog, and one memorable day, thanks to the late, great and much lamented Roger Ebert, a single post received more than 1,500 views.

“Well, Isaac, what has you loined?” is what Judah Asimov would ask his son Isaac after they had just finished going to the theater and seeing a movie. Isaac’s father, who took the Asimov family to America from Russia when Isaac was three years old, valued his son’s inquiring mind, and was always encouraging him in his learning. I’ve found his question of great value whenever I do something, or have been through something, that was difficult yet rewarding. So now I ask: what have I learned from this blog of mine?

1) If I live to be 300, I will still be learning how to draw.

Most of my posts include at least one drawing, usually including calligraphy of an acrostic poem of mine, with the drawing serving as illustration. This is a constant challenge, and it reveals certain terrible defects I have as an illustrator, the chief of which is lack of patience. When I take my time I do far better than when I rush things. Here is an example of me not taking my time–from a weekly feature I do for the Facebook poetry group “Poets All Call”:

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And here is an example of a work in progress wherein I am taking my time:

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2) The social media may save the world.

Anyone with computer access and time on their hands has access to immense knowledge, not just of facts but the contents of their fellow world citizens’ hearts. We are in the mid-dawn of a new stage of civilization, and we “ain’t seen nothin’ yet” as far as its potential goes.

3) I sure love checkerboard patterns, spoons, and a soapbox to preach on.

‘Nuff said for now–I’m going to celebrate!

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The latest in my Spoon series was prompted by a challenge from my friend Genevieve L, who manages a drawing group in Facebook. The challenge was to make a drawing of or including water in some form.

Originally, I thought to do a double acrostic, and got as far as this:

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But this seemed a dead end–the triple acrostic would distract from the drawing, and it felt better to have the acrosticist STFU and let the draughtsman do the non-talking.

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This one is crying to be made into a painting ten feet high. Alas, it would need to be photoreal, and none of that Giclée stuff either; that’d be cheating. If fifty grand fell out of the sky into my lap I’d quit my job and spend a year on the project. That’s unlikely to happen, since when I sit outside I’m usually at a picnic table, and if the shade tree didn’t stop the 50 Gs in its tracks, the top of the table would. But it is a nice dream.

This brings up the subject of Patronage and Grants. In his landmark novel Stranger In a Strange Land, Robert A. Heinlein had his Wise Old Owl character Jubal Harshaw yell, “A government-supported artist is an incompetent whore!” I read Stranger more than forty years ago, when I was wet behind the ears and impressionable, but I shouldn’t have taken RAH’s word for it; after all, both Leonardo and Michelangelo enjoyed the patronage of Lorenzo “Il Magnifico” de’ Medici, and if he wasn’t The Government, who was? (Pope Julius? Well, yeah, but “in addition to” not “instead of.”)

So far the only people to buy my artworks or otherwise give me money to create have been private parties. But I did apply for a grant once, so this is no sanctimonious testimonial. And my hero Kurt Vonnegut wrote Slaughterhouse-Five “on Guggenheim money (God love it).”

As for the image, and why the tenors and the eggs and the lock, and why the Spoon is All-Important, not to mention the torn envelope, which wasn’t mentioned, I’m of the opinion that the story the viewer creates of this concatenation stands a good chance of being better than the story I would tell about it.

Support the Arts, folks!