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Monthly Archives: January 2014

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SYNOPSIS: Your narrator began composing a sonnet that had the further restriction of the double acrostic QUINTESSENTIAL BREATHLESSNESS. Four lines into the sonnet he questioned the wisdom of continuing, citing “wonkiness.”

Fourteen lines into the sonnet, it is finished, and I am glad I saw it through, though seeing it through involved a partial de-wonkitization of the fourth line. Nor am I at all certain that this is the final version; but there is enough good in it as is to make me proud and happy: it makes ultimate sense, it all ties together with the final couplet, and it tells my peculiar truth.

Again and again I learn that to see an attempt through to a state of completion is valuable and important. Why do I keep UNlearning it? Probably because it is so often easier to quit than to continue. “Who needs THIS [stuff]?” we are so prone to ask, and it is important to ask; but this time the answer was, “I do.”

Here is a transcription of the words:

Quick learner, thou art never long a newb
Upscaler, we must bid thee au revoir
Inamorata, neither time nor tube
Needs mention when you meet a partner’s Ma
There’s more to life than having needs be met
Encyclicals have ne’er made turmoil smooth
Strife’s ruled the rooster; Inquisition, shtetl
Some hurts may take a Miracle to soothe
Ephemeral events may carve out basins
NOW is YOUR time, you whose desire grows
The chest of hope has room, so put your lace in
It’s HEART that puts the Romance in the rose
As Living teaches, we’re conferred degrees
Lush vistas will reward the one who Sees

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Night before last I was astonished to realize that I probably hadn’t written a sonnet in over a year. “Better write one then.” So I took an index card and drew a rectanguloid and subdivided it to accommodate the fourteen lines I’d be composing. I compounded the challenge of producing fourteen lines in iambic pentameter with the Shakespearean rhyme scheme abab cdcd efef gg by bookending the linegrid with two fourteen-letter words, choosing “breathlessness” for both its punchliny romance and its end-rhyme-friendly superfluity of ees and esses. In short, I created a puzzle for myself that my sonneteer’s training, begun in earnest in 2007, would enable me alone among the citizens of Earth to solve.

Four lines into the sonnet’s composition I was brought up short by the absurdity of the endeavor. To lie in the Procrustean bed I’d made was possible, but what kind of coherence would there be, given the wonkiness of the first four lines? Was it worth finishing?

We’ll find out in Part Two, friends…

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This image began with an exercise: look through a newspaper supplement and draw all the faces. The faces turned out to be mostly smiling, so the suggestion was that joy was in the air, and that it was jumbly–Jumble of Joy. Unfortunately, J as an end-letter doesn’t fly much outside the Mideast. Fortunately, J as an end-SOUND is all over the English language, so a little spelling-flexibility–nowhere near what is seen in much of hip-hop–took care of the J issue.

Here are the words:

Jurassick sparks won’t tree-fly if you vej
Umbrellas willn’t get you through a hej
Metropolises bulge & overflo
But Sparseville FREEZES: forty-2 belo
LIFT HIGH your Heart, for THIS will be the day
Enchantment rocks–IF you come out 2 play

More of the same platitudinous crap I’ve been ladling for years, granted. My only defense is it’s true…

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A belated (or be-earlied, if you celebrate the Chinese New Year) to you all.

Here are the words to the pseudo-haiku:

cleanslateku

january first
(reboot opportunity)
two thousand fourteen

Here are the words to the threefold acrostic:

THE EARTH & THE SPOON

The local SPACE & TIME become a sheathe
Enamel writhes & metal base enwreathes
A surface vessels & en-Abels slurp
Recall of stirs & Dempsey vs. Firpo
The mother & umbilicus part so
Here thrive a sun & son & song: très bon

Note two important corrections made on the last line. Shame on me for disagreement of subject and verb, and more shame for not having used accent grave originally…

And yes, dear readers & viewers: I am still stuck on spoon. [wry smile]

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Today is someone’s birthday. That’s always true; but today is the birthday, not only of my sister-in-law, not only of one of the friendliest residents of the retirement community where I work, but also of the woman who was my high school and college sweetheart. And since the page above, done near the end of the year, refers to her, and I’m thinking of her, now seems a good time to post this page.

Here are the words to the treble acrostic:

Caught in the rectangle seven now wait
One sop on Time couldn’t wait for the eighth
Syllogized vector sums wither inchoate
Inching tangentially wouldn’t you know it
Nillie alongside her Porche wears a bra
Even if doffable next Mardi Gras

It has been more than thirty-five years since I was an engineering student, and the meager knowledge I gathered then, about trigonometric functions and analytic geometry and integral equations and other such arcana, mostly withered. But the language of the mathematics stayed with me as a sort of circumstantial evidence that I am better off manipulating word arrays than differentials. Still, since I never punched through the walls between me-then and a master’s degree in systems and industrial engineering, there’s a dim yearning to get back to it and finish what I started. Alas, life is probably too short for me to do so.

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Behold Bart Turner, mainstay of the Glendale Arts Council. In this photo he is in the act of bucking the tradition of not making any presentations nor announcements during Opening Night of the annual art show, and I’m glad. Among other comments, he gave some history of the show, whose first incarnation was in 1963, and outside, and used clothesline to display some of the artwork. Later I asked him for a one-sentence quote for blog publication. His charming companion said, “Bart doesn’t do one-sentence quotations…” but after some thought Mr. Turner said, wisely and accurately: “Our show is a favorite of Arizona artists.” He then added, “Tell them to Like us on Facebook,” so it turns out his charming companion was right.

Speaking from authority, since I am an Arizona artist, the show IS a favorite of Arizona artists. Each year they pick a juror who has proven herself or himself to be an artistic force to reckon with. After the jurying, a preview opening is held that features not just the juried-in entries, but all entries deemed acceptable for jurying. The venue is the historically significant Sahuaro Ranch Park Fruit Packing Plant. The show lasts about four weeks in what is usually extraordinarily balmy weather for January.

Sorry, Mr. Turner–I am not going to tell my independent-minded readers to Like the show on Facebook. I will, however, invite them to check out the Glendale Arts Council Facebook page for themselves, and will provide this link to do so: https://www.facebook.com/pages/Glendale-Arts-Council/147185502008516

Lastly, since this is and always has been a Blog for the Aggrandizement of Gary W. Bowers, here’s some related me-stuff:

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Here’s my “Planes and Plenum.” Note the blue and green stickers. Blue means it’s in the show; Green means it’s getting an honorable mention.

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Here is Martin Klass, a man I have known for more than 50 years. Though we are not always friends, for this picture he friendlily and obligingly scrunched a little, while I stood on tiptoe, making me appear to be taller than he. Marty’s mom, Betty, 90 years young and a saint of a woman, was also in attendance.

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Here is the young man Marty calls his “nephazoo,” Tom. The name on his tag, Tom Klass, is not the one he was born with, but that’s a long story, untold here. Tom is a caregiver for Betty, and an excellent one at that.

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Here are a trio of ladies, 2/3 of whom I have known for a long time. The one in the middle is the brilliant artist Marilyn Michelle Klass, daughter of Marty. To her right is her mother, Dorine; to her left is her friend, Emily, who, though not named after Emily Dickinson, is familiar with that wonderful poem which wonderfully begins, “Hope is the thing with feathers…”

Long story a little longer: it’s a good show, with a wonderful variety of styles, viewpoints, and media, and well worth seeing, and I hope you do.

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Today I’ve been looking at an extraordinary book. The title page says

THE WAY OF LIFE
Lao Tzu

A new translation of the
Tao Té Ching
by R. B. BLAKNEY

The translator, thousands of years after the gathering editing of the verses that comprise her translation, reveals with clarity the elusiveness of the meaning of the words she translates. Her introduction to the text is a nimble demonstration of her own journey to her own Way. Her gift to me-the-reader is the freedom to NOT seek a final answer in these ancient words, but rather to, by reflecting on them and then living by personal truth, discover yet another, truer Way.

All this may seem to have little to do with my image. Paradox is, it has nothing and everything to do with it. When I created the image I sought something; I found it partly through my own efforts and partly through what the image-in-progress revealed. Since what I found was inexpressible in words, and will mean something different to you than it does to me, the image is the best hint of its meaning.

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As a loyal son of Glendale, Arizona, I’ve entered their annual juried art show whenever I’ve been able. I started in 1975, with two entries. My acrylic painting didn’t get in but my watercolor self-portrait did. And since then I’ve managed to get some acceptances in each of the five decades I’ve been entering. The best I’ve done is a second-place for sculpture/3D, in a show juried by Brady Roberts, then Curator of the Modern Art sector of the Phoenix Art Museum. The worst I’ve done is total rejection of three entries. Usually, as with this year, it’s in between, with both the Thrill of Acceptance and the Agony of Rejection.

So, dear readers and friends, if you don’t have anything better to do this Friday evening, and you’re in the neighborhood of Sahuaro Ranch Park in north Glendale, and you are willing to trade $25 for topflight hors d’oeuvres, wonderful soft music, white and red wine, and the best artwork Arizona has to offer–see you there!

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This is posted in haste on a borrowed laptop. It shows a woman warrior grappling with Death. The woman is derived from Cordwainer Smith’s D’Joan from his amazing story “The Dead Lady of Clown Town.” Smith derived D’Joan from Jeanne d’Arc, better known to people like me as Joan of Arc.

I may come back and add a transcription and/or annotation, but I felt a need to post NOW, but I have to leave for work in TWO MINUTES OR SO. Hope this pleases…