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Monthly Archives: March 2014

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It was once my habit and joy to caption photos offered as such. I did, no exagge ration, at least six thousand captions in a group called IRONY in a now-defunct social site called Eons. This weekend I went down Memory Lane, metaphorically speaking, with a cheap phone-camera and a posting on Facebook. My caption for this photo was, “When Denise and I went walking this morning we saw two ants on their way to the movies…”

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Last night Denise and I drove to Phoenix to attend Caffeine Corridor, a poetry event held the second Friday of the month at the {9} Gallery in the heart of Phoenix, Arizona. John Spaulding and Jia Oak Baker were the co-features. Jack Evans, Shawnte Orion and Bill Campana were the co-hosts.

At the open mic, I quoted Ernest Hemingway: “What a writer has to do is write what hasn’t been written before or beat dead men at what they have done.” I then read this verse from one of my favorite poems, “The Garden of Proserpine” by Algernon Swinburne:

Though one were strong as seven,
He too with death shall dwell,
Nor wake with wings in heaven,
Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
In the end it is not well.

I then read an excerpt from my pastiche of this poem, starting with this verse, the analogue of Swinburne’s:

Though he be true as taxes
His strength is bound to vanish
To quell with prophylaxis
And Agamemnon banish
To unborn hero’s limbo
Not Scarlett’s Rhettish slim beau
But gone—it’s Tough Stuff, Jimbo,
Don’t fret when you’re unmannish.

(I bowdlerized the verse slightly, changing “Tough Shit” to “Tough Stuff,” having seen a preteen girl in the audience. Perhaps I should not have bothered; subsequent poets dropped F-bombs and other salty language.)

I confess: I am trying to beat a dead man at what he has done. “The Garden of Proserpine” has 112 lines in 14 verses. My pastiche, which has gone by the absurd title “The Compost of Alginate Windburn,” has 128 lines in 16 verses. My attempt is to be at least as metrically precise as Swinburne, and say more, and be more entertaining.
Here’s a link for those who would like to see Swinburne’s poem for comparison: http://www.poetryfoundation.org/poem/174555

Here’s my poem.

Near where the earth is queasy
Far from the mad and clouded
We cast a glance uneasy
With debt charge thus unprowed/hid,
And cast aside defenses
In search of truth’s clear lenses
For Allouette’s tense is
All past us: she’s a-shrouded.

We are stunned with tears divisive
And laughter full of weep
When rulers indecisive
Make ethicists to creep
We are browbeat by a rock star
Who scabbards at the cock bar
With tentacles of mock tar
That count us all as sheep.

Pale, beyond and on it
Are maggots fiercely feeding
On rife corruption. Wan, it
‘S a scene of pain and bleeding;
And reapers scythed and sceptered
Ride wolfish bones they’ve kept furred
Accosting some inept turd
Who wans to write a sonnet.

We have not made pavilions
Well stocked with ammunition
And ordnance by the millions
And powdered superstition
Till love, grown mock-pugnacious
With thoughts grown unsagacious
Bids us be full rapacious
With kills in the quadrillions.

We are not sure of value
And zest is not demure
When winning a new pal, you
Must sell and grin and lure;
And lust, grown vaguely cryptic
Ensorcels us in diptych
Then stings our face with styptic
Once shaven shearly sure.

Though he be true as taxes
His strength is bound to vanish
To quell with prophylaxis
And Agamemnon banish
To unborn hero’s limbo
Not Scarlett’s Rhettish slim beau
But gone—it’s Tough Shit, Jimbo,
Don’t fret when you’re unmannish.

Enacted is a mock eclipse
With cardboard and a flashlight
Betokening apocalypse
Red-needled by the dash light
And clutch and brake and revver
With press of pad or lever
Will, with our help, endeavor
To fire the embered ash light.

Predation is pre-dated
By simple cell division,
When reproduction’s sated
Replete with finished fission,
But soon or late they’ll home in
On prey declared a foeman
Becoming Satan’s showman
Whilst sneering with derision.

The rending of a sinew
The rendering of fat
The bald heart-rending menu
Of lean meat for a Sprat
Can incantations stifle
And able-bodied wife’ll
Take aim with bow or rifle
At all but feral cat.

Despicabilitation
Depends on whom you ask,
In furtive assignation
Bedecked with code and mask,
But wanderlust will fill in
For demoiselle and villain:
A mouth to gather krill in
When nourishing’s the task.

They launch us as a seedling
And soon we grow a sprig
And life’s incessant needling
And reason’s whirligig
Give rise to shoots and branches
And if Hop Sing fair blanches
The Ponderosa ranch is
Not home to cur nor pig.

If only Arch and Jughead
Were here to make their peace
And Betty, nude, her bugbed
Too rasped for lust’s surcease,
The turkey man would carve all
The white meat off and starve ol’
Geronimo, who’d marvel
Whilst signing the release.

And what of the Titanic?
It took a body blow
And fell, hydrodynamic,
To ocean’s floor, laid low.
We never learned that lesson.
Our hubris got a guess in
That flukes occur, so dress in
Your camo: time to go.

And so we’ve gone, repeatedly,
And so we will till dead,
We preen so undefeatedly!
We’ve striven, driven, bred!
But anguish nips our ankles
And peace with honor rankles,
The world puts paid to prank else
It turns to char instead.

The winter’s tale is done now.
The snow has covered all.
We’re freshly out of fun now.
The hallmark lacks a hall.
So if we are degraded
As biomass, and shaded
With taupe since light has faded
Cache out your wherewithal.

And all will be forgotten
As weird ralphcramdenness
As passions misbegotten
That burned in randomness
And cosmic fuzz prevailing
Will still the gnashic wailing
And lose our ships unsailing:
Abducted, ransomless.

Did I beat him? I think the best answer is No and Yes and It Doesn’t Matter. The attempt stretched me as a poet. I’m happy to suggest such an attempt to all my fellow versifiers, including you (yes, you!)…

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About a year ago, give or take a few months, my daughter Kate and I were having burgers at the 5&Diner off Colter and 16th Street in Phoenix. The above prototype page would not exist were it not for the conversation we had. I hope this develops into something steady, but realistically, maybe not.

everyone was baseball today
from residents of peoria
to the guy with the russian accent hawking his sno-cones
from the chewers of gum who wish it were tobacco
to the neverplayagain first base coach whose skin is naugahyde

everyone was baseball today
the guys singing the national anthem mispronounced ‘perilous’
just as they must
the bigshot with the 242mill contract got picked off third whilst daydreaming
(on an island? on a magazine cover? in a desirable woman?)
the dutiful dugout guys signing autographs sometimes warm up to a kid with a sharpie
the ump easing into a chatup with a guy who’s lucky just to be at spring training
and will soon be gone forever

CRAK! went bats a-r-c went the white pillish sphere hustle! went young legs turning a double play
cleated-up-green-grass wafted over us down the third base line
the sky was baseball the woman with the twofoot lens was too and the cheap-food vendors
and we all grinned with baseball today

Seven-odd years ago I did a page contemplating obsolescence and the fight against it. My first line was “Tyrannosaurus Rex was once a Large & Sexy Beast.” The page entire looked like this:

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A couple of days ago I posted a picture on Facebook that my Sweetheart, Denise, took of me after I’d worked a graveyard shift and then slept a few hours, acquiring an epic Bed Head. Here is the picture:

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I labelled it “Celebrities Without Their Makeup (Non-Celebrity Edition).” Got over 30 Likes and this echoic comment from my dear and Magic friend Mary: “Sexy Beast.” So if my arms start shortening, I’ll know I’m in real trouble.

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Part of the miracle of life is that the tiniest intact artifact, one single living cell, contains the blueprints of the entire living thing. Part of the wonder of the life-death oscillation is that though dead a leaf may tell details great and small of the tree it fluttered from. Part of the joy of mathematical expression is found in the concept of Fractals. This is the remnant of the hundreds of thousands of words I need to say to do the subject justice. [pensive frown]

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This started out as the sketching equivalent of a piano finger exercise, with two grids and light, medium and dark tones. It felt like it needed some text-as-image. “Mental Blocks” was chosen for its acrostic potential. The inner trickster mandated that the words be reversed and the right-side word be turned upside down. Then things happened fast. Words were chosen to create a puzzle that might make for a mental block. The puzzle is this: given the words that are completely readable, and the constraint they follow, can the solver determine EXACTLY what the rest of the words are?

Finally, with erasure and redrawing, the rest of the image materialized: a figure chained by words and blocked by grids, wondering how to solve and be released. There are a couple of drawing problems–I’m especially unhappy with the visible hand and its shadowing–but I’m happy with it as a sketch of an idea. (Maurice Sendak, in the introduction to THE PHANTOM TOLLBOOTH, once praised Jules Pfeiffer for his ability to draw an idea. That’s what I want to do, and often don’t succeed in doing.)

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There are two related but distinct sets of words on this page. Here is the first:

a mutter comes from cosmic convolutions
a sigh may be celestial sometimes
for fists & guns a lack of quick solutions
ensures no lack of tears nor fire nor rhymes

Here is the second:

Lamps have shades & lifts have load
Images & rocks erode
Gophers dig & bunnies hop
Humans flash & strobe white/hot
Thus we kill & mourn the moth

When I was building the image I thought of my erstwhile Drawing & Composition sensei, Darlene Goto, whose two main sets of words/advice for her students were “Darker darks!” and “Use a full range of value.” Ms. Goto, thank you.