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Monthly Archives: April 2014

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I’m delighted to report the existence of SAID BEAUTY TO THE BLUES, which contains over a hundred poems by the unbelievably droll and incisive bill campana. (Faithful readers of the blog know that I deem him the Funniest Man On Earth.) Bill also designed the cover, a throwback to his high school yearbook, including the duct tape. (That’s a photo, not actual duct tape, Folks.)

In this book you will find the pith of Stephen Crane and the vinegar of H. L. Mencken–but the vinegar is used sparingly and the pith advances great, hilarious storytelling. Go to Amazon if you must for some examples, and I’ll provide you a link to do so, but the best way to sample bill’s spoken (and occasionally yelled) word is via live performance in the Valley of the Sun. (“How hot was it?” he asked the Caffeine Corridor audience of the Valley weather. “It was so hot, I filled my beanbag chair with frozen peas.”) And here, with bill’s gracious permission, is my illustrative embellishment of bill’s “fall programming”:

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Long story short: the best way to Support The Arts, folks, is to get yourself a copy of this terrific book, get yourself into a frozen-peas-filled beanbag chair, and read and laugh and think and enjoy.

Here’s the link, as promised: http://www.amazon.com/Said-Beauty-Blues-Bill-Campana/dp/1938190173/ref=sr_1_1?ie=UTF8&qid=1397598140&sr=8-1&keywords=said+beauty+to+the+blues

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My dad was a Gamblin’ Man, and it negatively impacted both his marriages. He also had an appreciation for the unadorned female form–impact unknown, to me at least. I have inherited both these proclivities, and have found through the school of hard knocks that the healthiest way to deal with them is to own up to them, avoid casinos (three-plus years of gambling sobriety and counting!), and love the one I’m with to the exclusion of others, physically anyway. But I still itch, and I still look, so sometimes I “own my shadow” and take a look at one or the other of them, or, in this case, both.

Here are the words to the Gritlock acrostic:

Gamblers fly high then hit the wall
Rise & shimmy & slip & fall–O
It’s a harrowing story arc
Taut with tragedy; tawdry; stark

Here are the words to the Gridluck acrostic:

Got three squares in the office pool
Righteous fare for a Looky-Lou
Idle eyeful of tawny chic
Dares not touch but he’ll take a peek

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A couple of years ago I was heavily into concocting and submitting four-word film reviews to the website of the same name. I made some online friends and had a blast, but something equivalent to a shift of the Earth’s axis happened when I got divorced, and I lost touch. Bless Benj Clews and his creation for keeping all the reviews intact; I’ve just been back and they’re still there. Above is the first page, with the most-voted reviews of mine floating to the top.

Here are three poems I wrote this weekend to answer a challenge by my friend Joseph A. in our Facebook group Poets All Call. Joe’s challenge was threefold (four, if you count “Have fun!”):

Write an adult version of a childrens’ poem/book.

Write about a really bad cup of coffee.

Write about a cold, rainy spring day.

Have fun!

And here was my response:

the feline in the fedora

two children watched the raindrops paint the window
they sighed with boredom aching for a change
they hadn’t had their fun thus knees unskinned though
they’d trade unscrapedness for something strange.

as if in answer to a summons in came
an oversized and overtopped old cat
and jazzed their glazed expressions when his grin came
to prove contagious making cheeks unflat

he doffed fedora in the act releasing
two things called things who ran the household ragged
and carved the kitchen air with lightning greasing
the wheels of fun though sloppy paths went jagged

the things dived in the hat hat went ahead
and out the door of destiny cat fled

grounds for complaint?
 
i like my coffee liquid,
and non-corrosive too,
assertive but not armpit-strong.
unmerrily we scald along:
the serpent’s fang, the pitchfork’s prong,
the muck from cheech & tommy’s bong,
the nether regions of king kong.
this coffee makes me sick, kid,
but wakes me up, for true.
 
At-Brisk Children
(to the memories of Ogden Nash and Shel Silverstein)

April Showers are sometimes cold.
Take umbrellas unless you’re bold,
Watch the puddles; they’re full of sloshes;
No one any more wears galoshes.
Feel the wind going through your cloth.
Wish your face felt the steam of broth.
Go inside to relax and thrive.
You’ve been COLD, but felt So Alive!

 

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the halfscore score

1: starting line

once upon an april
once upon cottonwood
once upon some racers

there was an event
of four subevents
marathon/half marathon/10k/2mile

and the people who came to race
were physically from willowbranch to peterbilt
and psychically from timid to attila

there was no starting gun for the 10k
just a convivial starting voice counting down
and when he got down to go we went

2: water waiters and chipper cheerers

volunteers in matching shirts and grins
dispensed water from the getgo
and walkers like me had time for a friendly passing word

hydration greases the wheels and cools the engine
but absorption by the body maxes at 8oz/15min
you don’t want your tummytank to be a sloshing

and so I was glad to see lots of stations
and sensible small cups and plenty of dropboxes for empties
races have made strides since my heyday

friends family and wellwishers lined the course at good places
three ladies seemed to be dispensing confetti
from a cottonwood tree & I thanked them

3: the theory of relative distance

there is about a mile and a half between start line and 2mi marker
about four miles between the 2mi and the 4mi marker
and about an eon of purgatory between there & the finish line

4: how it went from my end

i woke this morning with a twingey knee
thought rats this ain’t the movie i signed up for
dressed and readied nonetheless

got to the race via sweetheart transportation
got numbered got lootbagged got greeted by curtis
got hydrated got excited got started

was in a tight pack of walkers for a while
passing being passed keeping occasional pace
with a compadre or compadrette

the pack unclumped in a mile or so
i settled into a brisk but unfoolhardy fastwalk
not passing not being passed

little uphills and downhills took us to dead horse ranch park
and the unflats made me want to jog a little but i held back
until i couldn’t but i made the couldn’ts brief

there was a loop that some racers cheated past
didn’t matter; to each their own; when i looped
my fellow frontdesker and racer nancy saw me and helloed

there were live horses and riders at dead horse ranch
and i had to wonder what the horses would think
if they knew the name of where they were

more water more goodfeeling energy more limberstride loosening
jogged a little ran a very little
got airborne now and then for metaphor’s sake

another loop and a long climb through campground
a sign seemed to say norvs beyond this point
and i hoped the norv was not a vicious creature

of course it meant no recreational vehicles
and indeed the upper campground was festooned with tents
and smilers and squinters and dogs witnessed our phenomenon

on the way down i saw a fellow from cottonwood rec center
walking for him is a struggle few of us can imagine
but he has a lion’s heart and walks and walks and walks

a guy about my age and i kept passing each other
jogging and tiring with unmatching crests and troughs
he kept me from going crazy & breaking into a run

home stretch
my dear denise waves and smiles about an eighthmile from the finish
she takes a picture i will cherish

fast nice finishline with the racemeter reading 1:39 and change
handed a cup of water feeling giddy & good
in a warm broth of modest glory

Photo by Denise Huntington

 

The Sonnet that Crowded Midnight

Some “poems” are really essays thin-disguised.
Some essays play with ring-around-the-poesy.
Some Weisenheimers never do get wised;
There’s Curious, and then there’s Downright Nosy.

The digital’s Eleven Forty-Five.
I wrote the title as a challenge, see,
Eleven Forty-Two. And still alive
Are hopes that meaning clears, and bard’s guilt-free.

Eleven Forty-Seven. Less than twelve
Evolving minutes left, and on they tick.
The theme is easy: Time won’t let you shelve
An opportunity, so make it stick!

The crucial final couplet sums it up;
Eleven-Fifty–I can raise my cup.

Started: 11:39 PM, Mountain Standard Time, 10 April 2014
Finished: 11:52 PM, Mountain Standard Time, 10 April 2014

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I was at the gym, finished with my workout, and so I texted Denise: “Bayou lunch?” (I cannot resist a pun.) She answered in the affirmative, swung by and picked me up in her truck, and since I was buying I picked the place: The Schoolhouse. Sitting across from her there, with her hair uncharacteristically swept away from her beautiful brow, I was struck with a thought of a single word: “Athena.” She looked like the goddess–wise, courageous, and ready to strategize a campaign. So was planted the seed of this page.

Here are the words of the triple acrostic:

Dispensing with hist’ry & like parenthetica
Embracing a mythos & sweet sentiment
Neglectful of nine facts & thrill’d by the tenth
It is most behooving & fitful, this scene
Suggestive of battle & spillage of spleen
Emboss’d on a column & set in Helvetica

telling

long ago i read the godfather
and learned of the word and concept omerta
translation: silence
concept: it is dishonorable to inform law enforcement of crimes

when my brother was a guest of maricopa county
and its testosterone-poisoned sheriff
he learned the doggerel phrase
snitches with faces full of stitches
you don’t snitch in tent city
not if you know what’s good for you

don’t ask don’t tell
was a buzzphrase for quite a while

yet journalists and poets are in the business of telling on the world
some are deemed heroes

here is a tale out of school:
this–what i am doing right now–is coming to be
because someone i barely know
but is a “facebook friend”
posted a photo of a woman
and said this is the woman my husband is dating;
what do you think about that?

well i never was my first and kneejerk response
she was telling on him
wow what a can of worms
but then: count on this happening more and more
and finally: tell on yourself
if you mess up fess up
hey–how about not messing up in the first place?