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Monthly Archives: May 2015

Turtle or tortoise? I ran into this alliterative answer this afternoon: “Totally terrestrial Testudines are tortoises.” (The source for this 5-worder is http://www.ncaquariums.com.)

Today I drew a “turtle” based on a friend’s photo found on Facebook. (Alliteration is contagious…) Then I halved “Turtle” to bookend a double acrostic, and having warmed up with halving mayhem, I inflicted impending insidious impact. (Vowel sounds are assonance, not alliteration.)

turtle 051215

Tortoises misnomered meet
Tarryingly in the street
Under streetlamps they compel
Undercarriages to dwell
Run down they won’t praise nor blame
Rather ask you not misname

2012-06-26_11-39-47_983

“The new social media have created a self-awareness and self-absorption that puts the 70s–the so-called ‘Me Decade’–to shame.” –Public Domain

*****

the all-cliché revue

BOOM shakalakalaka BOOM shakalakalaka

DRINK the KOOL-AID
Kum Ba Yah.
DRINK the KOOL-AID
Kum Ba Yah.

I know you are, but what am I?
DRINK the KOOL-AID/Kum Ba Yah.
I cross my heart and hope to die.
DRINK the KOOL-AID/Kum Ba Yah.
And those who don’t can go to hell!
DRINK the KOOL-AID/Kum Ba Yah.
IMHO ROFL.
DRINK the KOOL-AID/Kum Ba Yah.

Now look what you made me do.
NOW look what you made me do.
NOW LOOK WHAT YOU MADE ME DO:
DRINK the KOOL-AID.
Kum Ba Yah.

*****

Review. To view again. First we view with our senses, then we view with our thoughts. It is possible to keep up one end of a conversation using nothing but cliché, quotation, and clichéd quotation. In this century the terms meme and trope have become linguistic common coin. In this century no one need wonder what meme and trope mean: here is what happens when they are searched for.

meme
mēm/
noun
noun: meme; plural noun: memes
  1. an element of a culture or system of behavior that may be considered to be passed from one individual to another by nongenetic means, especially imitation.
    • a humorous image, video, piece of text, etc. that is copied (often with slight variations) and spread rapidly by Internet users.
      trope
      trōp/
      noun
      noun: trope; plural noun: tropes
      1. 1.
        a figurative or metaphorical use of a word or expression.
        “he used the two-Americas trope to explain how a nation free and democratic at home could act wantonly abroad”
        • a significant or recurrent theme; a motif.
          “she uses the Eucharist as a pictorial trope”
      verb
      verb: trope; 3rd person present: tropes; gerund or present participle: troping; past tense: troped; past participle: troped
      1. 1.
        create a trope.

We have been deluged with cute kitty-cats and pithy words-to-live-by. We group-mind ourselves into nonselves. The shorthand of our thoughts becomes ever more semantically empty. Have some Kool-Aid. BOOM shakalakalaka. Kum Ba Yah.

Investigation, using 21st-century search techniques, reveals that “Drink the Kool-Aid” refers to a mass suicide of a religious cult; that “Kum Ba Yah” is an entreaty to the Lord to “Come by here;” and that “Boom shaka-laka-laka” is a chorus lyric in the song “I Want To Take You Higher.”

Have a nice day.

It is Mother’s Day as this is being written. Jane Stoneman, my mother, was camera-shy when I asked to take a picture. But she had no objection to my sketching butterflies. The Butterfly is my mother’s totem creature. So this is an odd portrait of my mother, not from life, not psychological, but metaphysical.

IMG_20150510_084512

And here is another image. This one combines image and text, some hidden.

001-10Here are the words, hidden or not:

Balanced on a thermal puff
Undulant in gardens floral
Tethered to migration’s taxi
Thinned unto endangering
Extralocal through & through
Roving through this continent

001-9~2

My last blog post, “A Ten-Poem Day,” included a scrambled-up version of the above portrait. i’d originally planned to switch images if and when Socorro gave me the go-ahead to post. now, though, I’m inclined to give Socorro a post of her own.

About eight years ago I saw an Internet ad for a social website that said “Under 50 Need Not Apply.” I was 52, and a site for over-50 folks sounded good. That site was the late, lamented eons.com. It was my first experience with social media. I didn’t do Facebook till much later.

One of the first things I found was a poetry group called Callling All Poets, which Socorro had created. I joined it and loved it, participating enthusiastically.

Her username on Eons was Pajarito. We called her PJ. She was, and is, encouraging, uplifting, and motherly. Not for her was the deconstructive critique, nor putdowns of any kind. Anyone wanting input on their writing need only ask; it would come by private message if potentially embarrassing.

Of course, a few times people joined who didn’t subscribe to the ethic of encouragement and uplift. I  remember two in particular. One was scathingly sarcastic; the other one was a legend in his own mind who wanted us all to benefit from his superior approach to poetry, and no other approach would do. Socorro dealt with them both with honest directness, first with a warning and then with the classic heave-ho. She has always stayed a nurturing course.

And when Eons foundered, Socorro took us to Facebook. Now we are Poets All Call, 70 members strong.

I’ve written hundreds of poems expressly for Socorro’s group. It is a nice nesty poet’s haven. And she is a wonderful leader and friend. I’ll always be grateful to her.

socorro 02 050515  001-9~2

Today, as most Tuesdays, I conducted “Title Tuesday,” wherein I supply five poem titles for the Facebook group Poets All Call, and anyone who wishes may take a title and run with it.

The deresolutioned drawing above is of the originator of Poets All Call. I sent her an instant message asking her if it would be OK to post the drawing but I have not heard from her. If she says Yes, I’ll put the resolved image next to the deresolutioned one. If she says No–but that is moot. She said Yes.

She is a leader in the best possible sense. The group is full of encouragement and camaraderie, and we all feel free to post challenges. That’s how “Title Tuesday” got started, in the eons.com based percursor to PAC, which was called Callling All Poets. (The three ells in Callling–that’s not a typo. Long story.)

In addition to posting titles, I invite group members to post titles of their own. Two did, five each. Before the afternoon was over I wrote poem #10.

I close with the poems I wrote. Thanks deeply to Socorro, group leader, and Genevieve and Denise (yes, that Denise) for the titles.The titles are in boldface.

is it the same one

a

love came a knockin sunday last
and i ast
“is it the same one as ’71
to ’79 and then over&done?
is it a heart-stoppin reely big dealie one
or will its stripes change jus like a chameleon?”
i knew the answer but blowin off steam
helps tell the diffrence tween substance n dream.

1

love and a river are never the same.
no one is praisable. no one’s to blame.

b

“well, love,” i then said,
“so bare is my thread
that i cannot afford all the knee squats n lunges,
n concrete awaited who’ve taken the plunges,
so scuse me for turnin around on my heel.
there’s no room for argument, wheel nor deal.”

2

some love’s sound and some love’s fractured,
some love’s true, some manufactured.

c

that was sunday. tuesday’s now.
there’s a heartache, i avow.

3

the love arrives unbidden
the love leaves traces deep
some scars are seen some hidden
some fantasies won’t keep
but we are not contriving
when sweethearts win our love
with waking-so-aliving
and feeling like a dove.

d

[silence]

4

[quiescent hum]

the windswept waltz

let us Dance to the Tune of the Amber-waved Breeze
let the Rustle of Wheat make us Weak in the Knees
let the Shiver of Wavelets make Ripples of Hope
and let Two windward Spirits join Souls and eLope.

(chorus)

the Waltz it is Windswept from Hither to Yon
and all Love and all Kindness is Windborne of Dawn.

if our Burdens are Many and Riches eLude
and the Path we must Take has turned Rutted and Rude
we will Face what will Come though our Cloak-cloth is Thinned
and look Forward to Respite on Welcoming Wind.

(chorus thrice)

Morning Star

A sliverous shard of near-New Moon
Tops the predawn horizon. It is a bow
With invisible pulled string and launchable arrow
Aimed by an invisible archer, Diana, huntress.
She aims

Not at the Morning Star, her recurrent companion,
But at consuming Sol whose blaze might engulf them both.

Might becomes Does.
The Morning Star, defeated by superior candlepower,
Disappears against a blue-becoming sky.

the crumbling criterion

it’s a bird
it’s a plane
it’s . . .

well, it’s what appears to be a human being
white male six four one ninety
wearing spandex in primary colors
with a symbol on chest and cape
and airborne with no visible means of support

and he was conceived by a boy and a boy
jerry for jerome and joe for joseph

the criterion was “super”
so first they made his skin hard his legs strong
and the rest of him strong as well
later “super” extended to everything from flight readiness
to gusty freezing breath

“super” may be short for “building superintendent”
or a prefix meaning “big” or “above” or “greater than”

had it not been for friedrich nietzsche
and then adolf hitler
two jewish kids from cleveland may never have given us superman
and such is the power of psychic alchemy
for hitler’s criterion “super” crumbled
and jerry’s and joe’s grew
truth justice and the american way
strong

seasons

salt the spring
then pepper summer
allspice takes a fall
the winter frosting sugar spun
as fabled revels have begun
unto a sprigged unlumbered wall
zing- &
hum-for-
all.

replacements

slice & saw & splice & sew
that’s a brand new knee you know

laptop tablet kindle nook
pulplessly transcend the book

online order flowers
click on st john’s wort–ship
who needs drugstore hours
who needs old school courtship

boots on ground make blood and bones
send in clowns and add the drones
what’d you say? they’re headed here?
nice knowing you. [they disappear.]

One Too Many

Battles of wills do
Make losers and winners
Wars head for hills too
That spark over dinners
Tempests may toss one
From teapot to street
Dustup and loss one
Admits in defeat
Heavy the heart is
Yet beats in despite
Lesson in part is
To win, do not fight.

inky fingers

as a reef is coraled
so a finger’s whorled.

as a soap is sobby
if it is your hobby
to mix ink with brayers
better say your prayers
sure as zings the slinky
fingers will get inky.

as a topping’s fudgy
paper will get smudgy.

as a playboy’s flirty
you will feel so dirty.

like pacquiao after drubbing
you will need envigored scrubbing.

hard to get hands squeaky clean.
don’t you panic. this will mean
no one’s perfect. you may borrow
inky pads for fun tomorrow!

The Colors of Possibility

Sienna and Umber raw or burnt promise
A communion with the earth.
Pthalocyanine blue delivers wintry chill.
The oxides may take you to a lumberjack camp,
So make sure alizarine crimson goes with you as well
For shirts and spillage.

Sky pilots seek the cerulean.
The lead-white-faction risks all for the creamy clouds
That titanium white fails to deliver.

And yellows are tricky. The possibilities
Often elude. Cadmium
Seems to necessarily include
Adulterants. Get your Naples and Lemon on,
And no matter what your painting teacher told you,
The possibilities are not endless
Without Black.

May Be Nothing

That little roughness off the shoulder
The pinching sensation when flexing forward
The premonition the distant wail
That undeliverable mail

A stain that won’t come off a plate
Scratching at 3:28
Dizziness when walking slowly
Dumpster odor full unholy

May be nothing may be little
May be supple may be brittle
May be stumbles may be slips

May be the Apocalypse

time never runs out
at worst it runs down
and that not in our lives

life is running out into the rain
it’s cold turning to steam in two hot hearts
it’s connected by hands and driven by feet
careening down a getting-slippery winding ribbony road

life is running out of money and turning to long walks
and then losing the weight that had hung on grimly for years

life is wrung out at the end of an exhausting day
life comes back to the raddled form with nourishment and touch
life is like the tide that changed its purpose
life is sometimes no more than an inside tap on an eggshell

but life is running out
life is on the wane

but this–this thusfar–will always have happened:
all these joyful awarenesses,
all these i-see-you-how-nices…
and that must matter

and every tomorrow is another happenchance
we might be recklessly righteously courageous
we may be timid and await a better other chance
we might savor a favorite might shun the undone

if you got this far
life has not run out
i tell you the instant you read this
congratulations
i see you
how
n
i
c
e

body of work 050415

A few months and a seeming hundred years ago, I was living in Cottonwood, Arizona, and working at the front desk at Sedona Winds Independent Living Retirement Community in the Village of Oak Creek. Every 3-to-11 shift I worked part of my job was to create a new menu for the next day. When the dining room closed for the day I’d remove that day’s menus from the menu holders and then place the next day’s menus in the holders. We recycled some of the menus as scrap paper. Many of my posted images on this blog were created on the backs of those menu scraps.

One such remained unfinished at the time of my departure from Sedona Winds and subsequently from Cottonwood. I remember it had a swirly, flowing backdrop and some of a triple-acrostic poem entitled “Body of Work.” I thought of it as perhaps 80% finished and in need of a bit more structured image and a good punchline/last line for the poem.

After I finished the Pat McMahon page, I thought “Body of Work” would be a good one to finish. Alas, I have not been able to find it, though I looked every place it could possibly be. (Of course that’s not true, and I’ll probably smack my forehead with my hand when it turns up.) Lacking the original, I set about making another one. The above result bears almost no similarity to the original, nor should it–I’m different now, and have hundreds of hours more pencil work under my belt. The spirit is probably similar, though. It is an admonition to Produce. Not for the first time on this blog, I’ll print Thomas Carlyle’s famous quotation:

Produce! Produce! Were it but the pitifullest infinitesimal fraction of a Product, produce it, in God’s name! ’Tis the utmost thou hast in thee: out with it, then. Up, up! Whatsoever thy hand findeth to do, do it with thy whole might. Work while it is called To-day: for the Night cometh, wherein no man can work.

My grandfather, Paul L. Householder, gives us the other quotation, the one on my image: “Do the thing and you shall have the power.” Daydreams are good only to the extent that they raise yearning to the level of a need to accomplish. Soon or late the daydream must end and work be performed to make the daydream real.

At sixty years of age, my memory is starting to decay. My left elbow thinks it needs oil a la the Tin Woodsman, and my linework, I being left-handed, gets the occasional elbow yip sending my line askew. My eyesight is astigmatic enough to give me two full moons for the price of one. But I will Produce until my night cometh.

Long ago I was boyfriend to a girl whose birthday was May 3rd. Longer ago than that the pre-disco Bee Gees had a song called “First of May.” I misheard the lyrics, thinking they were “But you and I/Our love will never die/The guests will cry/Come first of May.” So I imagined that, reunited, this couple who loved since they were small and Christmas trees were tall would be wed on May Day. Further, I applied the misheard lyrics to my romantic situation and made the slight change to the third of May, fantasizing that I would marry my sweetheart on her birthday.

Well, Friends, I got a lot wrong. The correct lyric: “But guess who’ll cry/Come first of May.” The song is not about a wedding, but of a love lost and irretrievable. And the metaphor extended to my romance-in-progress. It was doomed. The last letter I got from her, the one saying goodbye, included the inexorably final phrase “that we will always be almost, but not quite, what the other needs.” The last four words of the letter were “Go carefully. Always, M________”

I went, carefully sometimes, a Fool For Love others. I remember M________ fondly, with just the slightest pang. I remember correctly some words of Dylan Thomas: “Though lovers be lost, love shall not…” And I declare that some day the guests will cry.