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It is the 18th of October, A.D. 2018, 4 PM Mountain Standard Time. I am just south of Indian School Road on Central, at Yoshi’s, a little fast-ethnic-food restaurant whose slogan is “Have a Rice Day.” I’ve just had their Dragon Bowl in the Beef incarnation, so I am full of spicy roast beef and rice and carrot slivers and onion rims and bell pepper chunks, plus thin-sliced marinated ginger which is one of their offered condiments. I washed it down with Pepsi from the fountain.

Here in the American Southwest, if you say “Omma go get some neat,” you think you said “I am going to get something to eat.” So today my double acrostic pokes fun at my Southwestern accent.

Some Neat

Sí is Yes & No is Nein

One may say I’m hai to dine

Minor Food Gods, hear my plea

Elevate me to a T

Sí is Spanish for Yes, Nein is German for No, and Hai is Japanese for Yes. Hai is meant to be a pun on High as well. To be High is to be elevated with the help of chemistry, or romance, or life’s pleasure.

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I am Gary. Harrison Ford is Indy, for obvious cinematic reasons. And Eleanor Roosevelt is Anna, for that was her real first name.

And “Gary, Indiana” is a song and a town. I wonder if other Garys react to the song with the same revulsion I do. As for the town, for the longest time it was an exemplar of how not to deal with industrial waste.

So this page with its whimsical acrostic is an attempt at alchemization. It is a Sweetener and a Lightnesser, if and only if I did the job I set out to do.

Here are the words to the triple acrostic, trochaic quadrameter, ABBA rhyme scheme and all:

Gary Indy Anna

Ginseng chives and belladonna

Aromatics snail on down

Random dips dissolve a frown

Yester-year’s Americana

 

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Many years ago Kimon Nicolaïdes, an art instructor, produced an immensely popular book, The Natural Way to Draw. The book is full of wisdom, including a schedule of drawing exercises, a boatload of drawing examples from raw beginner to accomplished master, and the two words of advice that have yielded for me almost fifty years’ worth of rich reward: “Draw anything.”

A willingness to draw anything is a willingness to fail. Every drawing is an approximation, but some subjects for drawings–layered reflections, for instance–are acid tests of patience and skill. The drawing I provide for this post certainly fails the test. It is clumsy and compositionally shaky. But my next drawing will be better precisely because this one is so flawed. It builds my determination to slow down, focus and consider. The next drawing is always, to some extent, an apology and a repentance for previous drawings.

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What makes this more than a doodle is…nothing. It is just a doodle.

But when I make a doodle, I feel better. While I make a doodle I become calm. Stressless, expectationless drawing yields the same contentment as chewing a nice wad of sweet gum. So for me, to look at the doodle I made is to surround myself with contentment. It is the next quantum shell of passivity.

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Fluid Solid

Falling stars and leaves and woes

Leave a trace of where they go

Under rocks some crawlers dwell

It’s a long way up from Hell. I

Doubt they’re unburnt when they weld

In grade school we learned that glass is not exactly a solid. The teacher called it Amorphous. It can be thought of as a really slow-flowing liquid.

Sand, from which glass is made, seems liquid when it is poured.

The same word that Glass came from also led to the word Glacier. Thus language flows.