socorro 02 050515  001-9~2

Today, as most Tuesdays, I conducted “Title Tuesday,” wherein I supply five poem titles for the Facebook group Poets All Call, and anyone who wishes may take a title and run with it.

The deresolutioned drawing above is of the originator of Poets All Call. I sent her an instant message asking her if it would be OK to post the drawing but I have not heard from her. If she says Yes, I’ll put the resolved image next to the deresolutioned one. If she says No–but that is moot. She said Yes.

She is a leader in the best possible sense. The group is full of encouragement and camaraderie, and we all feel free to post challenges. That’s how “Title Tuesday” got started, in the eons.com based percursor to PAC, which was called Callling All Poets. (The three ells in Callling–that’s not a typo. Long story.)

In addition to posting titles, I invite group members to post titles of their own. Two did, five each. Before the afternoon was over I wrote poem #10.

I close with the poems I wrote. Thanks deeply to Socorro, group leader, and Genevieve and Denise (yes, that Denise) for the titles.The titles are in boldface.

is it the same one

a

love came a knockin sunday last
and i ast
“is it the same one as ’71
to ’79 and then over&done?
is it a heart-stoppin reely big dealie one
or will its stripes change jus like a chameleon?”
i knew the answer but blowin off steam
helps tell the diffrence tween substance n dream.

1

love and a river are never the same.
no one is praisable. no one’s to blame.

b

“well, love,” i then said,
“so bare is my thread
that i cannot afford all the knee squats n lunges,
n concrete awaited who’ve taken the plunges,
so scuse me for turnin around on my heel.
there’s no room for argument, wheel nor deal.”

2

some love’s sound and some love’s fractured,
some love’s true, some manufactured.

c

that was sunday. tuesday’s now.
there’s a heartache, i avow.

3

the love arrives unbidden
the love leaves traces deep
some scars are seen some hidden
some fantasies won’t keep
but we are not contriving
when sweethearts win our love
with waking-so-aliving
and feeling like a dove.

d

[silence]

4

[quiescent hum]

the windswept waltz

let us Dance to the Tune of the Amber-waved Breeze
let the Rustle of Wheat make us Weak in the Knees
let the Shiver of Wavelets make Ripples of Hope
and let Two windward Spirits join Souls and eLope.

(chorus)

the Waltz it is Windswept from Hither to Yon
and all Love and all Kindness is Windborne of Dawn.

if our Burdens are Many and Riches eLude
and the Path we must Take has turned Rutted and Rude
we will Face what will Come though our Cloak-cloth is Thinned
and look Forward to Respite on Welcoming Wind.

(chorus thrice)

Morning Star

A sliverous shard of near-New Moon
Tops the predawn horizon. It is a bow
With invisible pulled string and launchable arrow
Aimed by an invisible archer, Diana, huntress.
She aims

Not at the Morning Star, her recurrent companion,
But at consuming Sol whose blaze might engulf them both.

Might becomes Does.
The Morning Star, defeated by superior candlepower,
Disappears against a blue-becoming sky.

the crumbling criterion

it’s a bird
it’s a plane
it’s . . .

well, it’s what appears to be a human being
white male six four one ninety
wearing spandex in primary colors
with a symbol on chest and cape
and airborne with no visible means of support

and he was conceived by a boy and a boy
jerry for jerome and joe for joseph

the criterion was “super”
so first they made his skin hard his legs strong
and the rest of him strong as well
later “super” extended to everything from flight readiness
to gusty freezing breath

“super” may be short for “building superintendent”
or a prefix meaning “big” or “above” or “greater than”

had it not been for friedrich nietzsche
and then adolf hitler
two jewish kids from cleveland may never have given us superman
and such is the power of psychic alchemy
for hitler’s criterion “super” crumbled
and jerry’s and joe’s grew
truth justice and the american way
strong

seasons

salt the spring
then pepper summer
allspice takes a fall
the winter frosting sugar spun
as fabled revels have begun
unto a sprigged unlumbered wall
zing- &
hum-for-
all.

replacements

slice & saw & splice & sew
that’s a brand new knee you know

laptop tablet kindle nook
pulplessly transcend the book

online order flowers
click on st john’s wort–ship
who needs drugstore hours
who needs old school courtship

boots on ground make blood and bones
send in clowns and add the drones
what’d you say? they’re headed here?
nice knowing you. [they disappear.]

One Too Many

Battles of wills do
Make losers and winners
Wars head for hills too
That spark over dinners
Tempests may toss one
From teapot to street
Dustup and loss one
Admits in defeat
Heavy the heart is
Yet beats in despite
Lesson in part is
To win, do not fight.

inky fingers

as a reef is coraled
so a finger’s whorled.

as a soap is sobby
if it is your hobby
to mix ink with brayers
better say your prayers
sure as zings the slinky
fingers will get inky.

as a topping’s fudgy
paper will get smudgy.

as a playboy’s flirty
you will feel so dirty.

like pacquiao after drubbing
you will need envigored scrubbing.

hard to get hands squeaky clean.
don’t you panic. this will mean
no one’s perfect. you may borrow
inky pads for fun tomorrow!

The Colors of Possibility

Sienna and Umber raw or burnt promise
A communion with the earth.
Pthalocyanine blue delivers wintry chill.
The oxides may take you to a lumberjack camp,
So make sure alizarine crimson goes with you as well
For shirts and spillage.

Sky pilots seek the cerulean.
The lead-white-faction risks all for the creamy clouds
That titanium white fails to deliver.

And yellows are tricky. The possibilities
Often elude. Cadmium
Seems to necessarily include
Adulterants. Get your Naples and Lemon on,
And no matter what your painting teacher told you,
The possibilities are not endless
Without Black.

May Be Nothing

That little roughness off the shoulder
The pinching sensation when flexing forward
The premonition the distant wail
That undeliverable mail

A stain that won’t come off a plate
Scratching at 3:28
Dizziness when walking slowly
Dumpster odor full unholy

May be nothing may be little
May be supple may be brittle
May be stumbles may be slips

May be the Apocalypse

time never runs out
at worst it runs down
and that not in our lives

life is running out into the rain
it’s cold turning to steam in two hot hearts
it’s connected by hands and driven by feet
careening down a getting-slippery winding ribbony road

life is running out of money and turning to long walks
and then losing the weight that had hung on grimly for years

life is wrung out at the end of an exhausting day
life comes back to the raddled form with nourishment and touch
life is like the tide that changed its purpose
life is sometimes no more than an inside tap on an eggshell

but life is running out
life is on the wane

but this–this thusfar–will always have happened:
all these joyful awarenesses,
all these i-see-you-how-nices…
and that must matter

and every tomorrow is another happenchance
we might be recklessly righteously courageous
we may be timid and await a better other chance
we might savor a favorite might shun the undone

if you got this far
life has not run out
i tell you the instant you read this
congratulations
i see you
how
n
i
c
e

body of work 050415

A few months and a seeming hundred years ago, I was living in Cottonwood, Arizona, and working at the front desk at Sedona Winds Independent Living Retirement Community in the Village of Oak Creek. Every 3-to-11 shift I worked part of my job was to create a new menu for the next day. When the dining room closed for the day I’d remove that day’s menus from the menu holders and then place the next day’s menus in the holders. We recycled some of the menus as scrap paper. Many of my posted images on this blog were created on the backs of those menu scraps.

One such remained unfinished at the time of my departure from Sedona Winds and subsequently from Cottonwood. I remember it had a swirly, flowing backdrop and some of a triple-acrostic poem entitled “Body of Work.” I thought of it as perhaps 80% finished and in need of a bit more structured image and a good punchline/last line for the poem.

After I finished the Pat McMahon page, I thought “Body of Work” would be a good one to finish. Alas, I have not been able to find it, though I looked every place it could possibly be. (Of course that’s not true, and I’ll probably smack my forehead with my hand when it turns up.) Lacking the original, I set about making another one. The above result bears almost no similarity to the original, nor should it–I’m different now, and have hundreds of hours more pencil work under my belt. The spirit is probably similar, though. It is an admonition to Produce. Not for the first time on this blog, I’ll print Thomas Carlyle’s famous quotation:

Produce! Produce! Were it but the pitifullest infinitesimal fraction of a Product, produce it, in God’s name! ’Tis the utmost thou hast in thee: out with it, then. Up, up! Whatsoever thy hand findeth to do, do it with thy whole might. Work while it is called To-day: for the Night cometh, wherein no man can work.

My grandfather, Paul L. Householder, gives us the other quotation, the one on my image: “Do the thing and you shall have the power.” Daydreams are good only to the extent that they raise yearning to the level of a need to accomplish. Soon or late the daydream must end and work be performed to make the daydream real.

At sixty years of age, my memory is starting to decay. My left elbow thinks it needs oil a la the Tin Woodsman, and my linework, I being left-handed, gets the occasional elbow yip sending my line askew. My eyesight is astigmatic enough to give me two full moons for the price of one. But I will Produce until my night cometh.

Long ago I was boyfriend to a girl whose birthday was May 3rd. Longer ago than that the pre-disco Bee Gees had a song called “First of May.” I misheard the lyrics, thinking they were “But you and I/Our love will never die/The guests will cry/Come first of May.” So I imagined that, reunited, this couple who loved since they were small and Christmas trees were tall would be wed on May Day. Further, I applied the misheard lyrics to my romantic situation and made the slight change to the third of May, fantasizing that I would marry my sweetheart on her birthday.

Well, Friends, I got a lot wrong. The correct lyric: “But guess who’ll cry/Come first of May.” The song is not about a wedding, but of a love lost and irretrievable. And the metaphor extended to my romance-in-progress. It was doomed. The last letter I got from her, the one saying goodbye, included the inexorably final phrase “that we will always be almost, but not quite, what the other needs.” The last four words of the letter were “Go carefully. Always, M________”

I went, carefully sometimes, a Fool For Love others. I remember M________ fondly, with just the slightest pang. I remember correctly some words of Dylan Thomas: “Though lovers be lost, love shall not…” And I declare that some day the guests will cry.

pat mcmahon 043015

Kids in the Valley of the Sun growing up in the late Fifties (or Sixties, or Seventies, or Eighties) were in a sense the luckiest kids on Earth. There was something on TV that was special beyond belief. Early on it was called “It’s Wallace?” and its name changed over time, but it was where you could see not only great cartoons but a fine ensemble cast. There was Wallace, the host–wore a polka-dot shirt and a funny hat, liked to sketch on an easel with Magic Marker, congenial and yet subversive–and there was Ladmo: tall guy, tall top hat, outrageously huge tie, rubber longface, sweet and gullible. And there was an insufferable Scottsdale upper-cruster with blonde locks, sometimes Dutch-boy straight, sometimes curly, dressed in mutant Little Lord Fauntleroy garb. That was Gerald. There was a delusional unsuper superhero who claimed to be able to rip apart phone books and crush uncrushable objects–but even the Ajo (population low, low, low) phone book was too much for him, and while he did manage to crush a Hostess Fruit Pie in his bare hand, it took all he had to do so. That was Captain Super.

And there was a salty old lady in a shawl with a glad eye for a gray-haired Phoenix cop. She told fairy tales that were not only fractured, but twisted. That was Aunt Maud. And a Gunsmokey guy without a clue. That was Marshall Good. And a dissipated, dispirited clown who demoed his bag of tricks, like a triple-take with nyuk-nyuks. That was Boffo the Clown, also known as Ozob the Clown. And there were many others.

All but the first two mentioned were performed by Pat McMahon, who, more than a decade before Saturday Night Live came to be, brought a Sybil-like spectrum of zany personalities to the service of sketch comedy. He had endless energy and he could improvise like nobody’s business. As Gerald he responded to boos from the kids in the studio audience with the pristinest of prissy hissy fits. “Public School brats!” he’d rage.

There were dozens of other characters. One attained national prominence via Steve Allen–the gargantuan-eyebrowed, juvenile-delinquent-haired Hub Kapp, who with his Wheels performed on Mr. Allen’s show in 1964. Interested parties need only do a search on “Steve Allen” “Hub Kapp” to find a video of their performances.

After Wallace, Ladmo and Gerald-et-al folded up their TV tent and transitioned to legend, Mr. McMahon had–and has–an enormously successful career as pitchman (examples: HBO, Ottawa University, Lennar Homes) and radio (KOOL 94.5) and TV-show host (Arizona TV). His body of work is enormous and impactive. One impact is on me, who at 60 years of age still have enough kid in my heart to think of Mr. McMahon’s endlessly inventive shenanigans and smile–and chuckle–and laugh out loud. So I mustered all the wherewithal I had to do this page of him.

Funny how this makes two limerick acrostics in a row. The limerick form does suit the subject’s Irishness. I was only able to directly reference two characters, but “Alakazam” evokes Wallace’s summoning of Captain Super with a magic wand. However, the Secret Word was not Alakazam, but “JUSTICE!”

Recipe for Success

Pour 3 cups of Alakazam
Add Maud-ified Honey Baked Ham–a
Teaspoon of Scoff…oh,
Mix well–fold in Boffo
Chill–heat–serve–enjoy: it’s Hot Damn

Yesterday I was looking at the Rotten Tomatoes movie-review website and the movie poster for  the comedy documentary MISERY LOVES COMEDY came up. It features the co-creator of SEINFELD (and admitted model for the character George Costanza), Larry David. He has a beautiful, open-countenanced grin on his face, and I was drawn to drawing it. As I drew it occurred to me that his name lends itself to a double acrostic of five lines. The next thing to occur was that a limerick has five lines. I’ve written hundreds of limericks. Why not one more?

Well, one reason why not, in this case, is that DAVID is a lousy right-side bookend for a limerick’s double acrostic. D and D end letters can easily be made to rhyme, but not with the third partner, A.

But LARRY, while a challenge, is doable. Many French words end in L and are pronounced with a long A. L and A and Y are mutually rhymeable. And with Cirque du Soleil partaking of skewed thinking, as does Larry David, the rhyming became an easy L A Y indeed. (Bad pun of the day. I am sorry, a little bit.)

And if my portraiture misses the mark a bit (I don’t think it does, but I’m not the person to ask; you are) I can always claim I didn’t draw Larry David, but David Larry. Same goes for the content of the limerick if it’s not such a good match.

Deriving from Cirque du SoleiL
Anonymous Nays to ye YeA
Vault over the barrieR
Inviting the carrieR
Deliver canned laffs to the fraY

david larry 042815

Last April I was such an enthusiastic participant in National Poetry Writing Month that I wrote 44 poems in 30 days, posting them on this blog. This time around I did not participate, though of course I’ve written some poetry this month, including “the apotheosis of abigail van buren,” posted yesterday. Now I find I’m vaguely tempted to do 30 poems in 5 days. Let me not do so, please, O Muse. Let me just write one GOOD poem.

It’s 7:29 PM, local time. I have no idea what I’m about to write. I’ll stop at 8:00 PM.

WUTM Radio

Awaken. Stretch. Remember how clumsy you are.
Drain. Aim. Tidy up. Flush. Lave.
Yawn. Coffee–now. Scoop twice. Careful. Fill reservoir. Press and wait.

Pour. Not too much. Tear open two packets. Spill granules. Untwist cap. Pour.
Walk with care. Install fundament in plushness. Lift. Sip–too much. Cough.

Sip . Sip. Sip more. Sip. Sip. Greet.
The cat slinks. The tube intones. Stroke the cat. Listen to the news.
Sip and then some. Drink. Boot up.
Read. Frown. Snarl. Click ‘Reply.’ Percuss.
Read. smile. Click ‘Reply.’ Woo. Airkiss.

It is most blues songs. The blue is a powder blue today.

Woke up this mornin
And the sunshine squint my eyes
Yeah I woke up this MORnin
And the sunshine shoehorn pries
Got a fuzz goin on in my head o baby
And a NEED for a fresh pack a lies

long ago nathanael west wrote “miss lonelyhearts”
the title character was a disillusioned young man
in the employ of a local newspaper
that paid him to manufacture advice

and the human misery revealed in the letters he got
and the futility of whatever advice he dispensed
drained his soul
and then felled him

some time later twin sisters became advice columnists
one called herself “ann landers” and the other “abigail van buren”
and friends called them “eppie” and “popo”
their first names were really pauline and esther

they are gone now
“dear abby” lives on in the person of pauline’s daughter
and her column is still in newspapers
though pulp-paper print media are on their way out

we cannot avoid getting advice nowadays
lose that belly fat or up your orgasms using this one stupid trick
(careful–it may be the same trick)
and we are behavior-tracked so much our desires sublime and base are low-hanging fruit

so dear abby is become a virtual god
and her deificity is on the wax
so much so that live long enough
and she’ll tell you not to read nonsense like this

cgkill 042215

Whether dancing in diaphanous veils, or infusing a slam performance with her lovely singing voice, Crystal GKill is entertaining and astounding. I had the good fortune to run into her at a writing conference in Phoenix last weekend, and she graciously allowed me to take her picture for the purpose of doing this page.

Here are the words to the acrostic:

Crazed challenges make for a slam with zinG
Creation & performance make her sinG

Yet she’s outside the box, not by the booK
You’ll give her 10 to get another looK

Stirred audiences stand & cheer until

All accolades attest to her fine skill