2021 1220 michelle frost omg

Soon after I began soliciting nominees for featured poets in Volume III, returned Valley resident Michelle Frost threw her hat into the ring. So I met her at Jarrod’s, an arts-friendly coffee stop in Mesa between where she lives and where I live, and in two minutes I was enthralled. She spoke of her way-back-when involvement in the Valley poetry scene, her move to Oregon and involvement in Great Northwest poetry, and changes that led to her return to the Valley. She also mentioned some other work she’d done, which I’ve highlighted in the note I made left of the acrostic above, and when she told me she was a professional organizer looking for more clients I said, “I’ll hire you.”

You see, I have been overwhelmed by living-space chaos for months now, and I am more disorganized than the Tasmanian Devil of Looney Tunes fame. Here is what Michelle was going to be dealing with:

And, long story short, here’s the view from where I’m sitting after Michelle worked her organizational wizardry:

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Here’s a transcription of the note by the poem:

“C. Michelle Frost, known to some of her friends as Frosty, is a poet and a professional organizer. She has been in her journey a teacher, a caregiver, a team member at a nursery, and the manager of the Children’s Books Department at a Barnes & Noble. Today she helped me organize my living space. Let’s add ‘Miracle Worker’ to her curriculum vitae. 🙂 “

Yesterday Michelle wrote an Abecedarian poem, which is an acrostic involving all the letters on the alphabet in order. I asked her, after she worked her magic and before she left my apartment, if she had something in the poem that would serve as an exemplary quotation for my page. Upon her recitation of the poem, which doubles down on the abecedarian acrostic with specific-letter alliteration, she got to the Fs and found three words that she said applied to her: Frolicking, Friendly, and Forgetful. But when I was calligraphing those words on the page, Forgetful somehow became “forgetly.” “Whoops!” I said and started to erase. “No, that’s GOOD!” she said abruptly, so “forgetly” remains. That micro-collaboration thrills me.

Here is the poem:

Michelle Frost OMG

Making waves beware a reef
It may be a lacerator
Chafing skin and giving grief–O
Harbors harbor alligators
Ecstasy may make verklempt
Latitude may stir a dog–O
Lyrical as Eminem
Easy as an Epilog

 

The last line alludes to how easy I found it to converse with this poet, C. Michelle Frost. I met her this autumn, yet I can talk to her as easily as if I’ve known her for years. She has the gift of being welcoming. 

This is at least the second time I’ve used “Into Each Life” as a triple-acrostic spine. Curious readers may find another one in my November 2014 archives. Fun fact: Georgia O’Keeffe is featured in the other one as well.

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Into Each Life

Introspection keeps us healthy. Won’t you stick around A. Weil
Notwithstanding automation he’s alive as you and I
Thanatopsis is no way of circumnavigating grief
OnomatopÅ“ia pops to hasten us to G. O’Keeffe

“Won’t you stick around A. Weil” is my first Bad Pun of the day. Andrew Weil is a highly respected and knowledgeable expert on Health. His discussions on nutrition go right down to the chemical-interaction level. He is a valuable resource, but is not the easiest read in the world, because the subject matter itself is complex; but I think anyone serious about their health would benefit from hearing what he says.

Georgia O’Keeffe is a valuable resource as well. She lived one of the fullest lives possible for a woman born in her time, and she left us some incredible images. One of the big thrills of my life is that I was once in the same room with her and Ansel Adams.

If you find this poem, this page, and my intentions hard to fathom, it is not your fault. The first line, pun notwithstanding, is fairly straightforward, and the second line, “Notwithstanding” notwithstanding, isn’t too obtuse. But “Thanatopsis is no way of circumnavigating grief”? Thanatopsis means “a meditation upon death.” Circumnavigating means “sail or travel completely around a thing, especially the world.” What I try to say in this line is thinking about and expressing philosophical notions on the subject of Death is not going to help anyone deal with the grief associated with a particular death. It may be a way of avoiding that grief. And I think it’s important to give grief its proper station, in proper moderation.

The last line has an element of word-playfulness to it. When I say “OnomatopÅ“ia pops” I am exploiting a loophole in our language rules to make OnomatopÅ“ia itself onomatopoetic. At the same time, my use of “automation” in line 2 finds a faint, twisted echo in “OnomatopÅ“ia pops.” and the line as a whole, “OnomatopÅ“ia pops to hasten us to G. O’Keeffe” carries an implication of synaesthesia, which is “the production of a sense impression relating to one sense by stimulation of another sense.” hearing light, seeing sound, smelling touch are all synaesthetic phenomena. Don’t Georgia’s flowers pop? 🙂

 

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This card started with a freeze frame from a movie that had a cityscape. I sketched from the image on screen till I had about 40% of the scape in rough form, then I watched the rest of the movie, went back to the sketch, and faked and finished the rest. It needed a foreground, so the woman showed up and said she needed age, wine, and a drone recording her rooftop solo soirée. I obliged best I could. “Now the Crostic. I am a Crone, no bones about it. And you made me look too good, but I’ll take it. Make the bookends DRONE and CRONE, and put a big tasty Ampersand in the middle. Good. Now keep the words to a bare-bones minimum. Use some dichotomy and some complementary. –You’re done for now, but if you make this into a large-scale painting choose better words. For now, though, just adjust the background a bit for consistency and balance. –That’s enough. –I SAID, that’s ENOUGH!!”

Drone & Crone

Daydreams & rhetoric
Recorders & survivor
Omnivore & seraglio
Nonetheless & deposition
Ecstasy & testosterone

WordPress wished me a Happy Anniversary today. Nine years ago I made my first blog post. By the end of Year Ten, I hope to have done blog post #2000.

Today I offer an unflattering portrait. But it is not to humiliate. I hope it will motivate me to spend 2022 becoming a much fitter version of myself. We’ll see what happens.

This is also a nod to my former co-workers at SSP America. Often when someone would see me coming in and ask how I was doing, I’d say “Not bad for a fat, old guy.” “Oh, stop it,” some would reply. But I kept saying it, because I wanted to own my age and fat and still hold my own in the food-service milieu, where the average age and weight for the worker bees are much lower than 67 years and 238 pounds. Of course, before the pandemic I was both younger and lighter. Time to swing the pendulum back toward fitness and health!

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Fat Old Guy

Fall out of bed and shake a leg
For Life would take you down a peg

And flail and fry and fricasee you
And hear the White Lie “Nice to see you”

Time was I’d be considered Hunky
Today it’s Open Wide For Chunky

.

Note: When I was growing up and much of my focus was on Candy, there was a product called Chunky that was a biggish, ziggurat-shaped chunk of milk chocolate. Their television commercials always ended with a bass voice singing the four-word jingle “Open wide for Chunky.”

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Know This

Keepsakes are not vainly kept
Nothingness has zero depth
Out of Love came You and I
With Caresses meeting Sighs

This image and double-acrostic quatrain is from a remembrance of my favorite book, The Bridge of San Luis Rey by Thornton Wilder. The way I read Bridge, Wilder presented five different kinds of human love as an argument that the Universe did in fact make sense. I try to conduct my life as if that were true.

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Breaking a fast of a night full of dreams In a well-conceived ripping of old-notion seams Haunts a bachelor’s kitchen with ethery steams And wreaks chop-happy havoc on thought-laden streams. In other words, when I woke up after dreaming about friendship and loyalty, with the (not original with me, I’m sure, but there it was, echoing away) phrase “some friendships never die until both friends have died” looping in my head, I lurched into the kitchen, found some items that would suit, and prepared a meal while looking with a strange lens at what I was doing.

Recently I read T. S. Eliot’s “The Waste Land.” I don’t pretend to fully understand it. There are helpful footnotes and biographical material in the edition I own (Penguin Classic, The Waste Land and other Poems, edited and with an introduction and notes by Frank Kermode, purchased at the amazing The Book House in St. Louis, Missouri, Eliot’s home town) but the sense of Eliot’s focus choices still eludes me. I see and touch the parts of his poetic elephant without getting a good, wide-angled, aerial-photography look at the elephant itself. Time, research and thought will take care of that, I trust. Meanwhile I’m in the kitchen, a bit sleep-befuddled, under a slight Eliot influence. As I start chopping the potato I think of how much better it would be to say “There’s more than one way to chop a potato” than “There’s more than one way to skin a cat.” Those poor cats!!! (In St. Louis I spent several days in the company of my cartoonist/poet friend Russ Kazmierczak and his significant other, the cat-adoring Missy Pruitt. I like cats myself, but Missy has devoted a portion of her life-energy to the welfare of cats on a scale beyond most of us.) (If T. S. Eliot had never existed, the play Cats would never have existed either, and Paul Newman would never have gotten up in his seat in the audience of “The Late Show with Letterman” and demanded, “Where the Hell are THE SINGING CATS??!” Thoughts don’t come out of nowhere.) (Russ K is a huge Letterman fan. I’m hoping this passage will bring him a smile. Russ is a huge Missy Pruitt fan too. If Eliot were writing this, he would make less sense but be much more eloquent.)

Anyway, I ended up chopping the potato unconventionally. I did half in thin slices of wedges, a third in discs, and the rest just a home-fries chopchop. And I made a staged potatoscape and thought of what potential the right painting of the scape would have in elbowing its way into the Museum of Modern Art.

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Potatoes need company. This one was accompanied by slow-sautéed scrambled eggs, topped by Mexican-style blend grated cheese and surprise guest red-pepper-enhanced hummus, applied to the surface of the melting cheese using a two-spoon technique I invented for the occasion. I’d never used hummus as an ingredient before, and I may not have if I hadn’t been addled by dreams and haunting Eliot allusions, but no regrets: it was just the right amount to add a red-peppery tang. Having eaten, I am now a slightly different person than I was before I woke: slightly better nourished both by foodstuffs and by eerie, arty, Eliot-laced musings. May you, Friends, find just the sustenance and musement you yourself need today!

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I’m in Saint Louis, Missouri, on an adventure. And when I told my friends about it, poet Perry Sams observed that both T. S Eliot and William S. Burroughs were born here. Yesterday that sprang to mind when I went on a pedestrian pilgrimage from where my traveling companions and I are staying to the majestic St. Louis Arch. Suddenly the passage from Eliot’s “The Love Song of J. Alfred Prufrock” superimposed itself on my closeup sight of the Arch: ” . . . To lead us to an overwhelming question . . .” And the Arch was telling me that such as question will be an overARCHING question as well.

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The Arch communicates nonverbally. It may be asking if “What goes up must come down” is valid, or if a gleaming tribute to parabolas is its own reward, or if large-scale focal points of attention may enhance a global psyche. A true Overarching Question might endure over time and cultural change.

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Reader, I invite you to ask your own Overarching Question. You have lived long enough to ponder and wonder. What question keeps you awake more than any other? What issue would make you happiest if resolved?

And I further invite you to imagine putting that question to the Arch Itself, just to see what happens. It costs nothing, and, who knows, the Arch may have something to convey. It certainly spoke to me, though not in words. And it made me smile.

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I am a disbeliever in miracles, though I have some sympathy for my late, great friend Karen W’s Course in Miracles definition of a Miracle as “a change in perception.” But Childbirth does seem miraculous, and holy, to me. It is an essence of hope. It is that fabled Death-Defying Act

That said, if a potential parent doesn’t want to have children, case closed as far as I’m concerned: they absolutely ought not to have children. There should be zero pressure from relatives, and especially there should be zero pressure from significant others, for someone who doesn’t want children to have them anyway. And Contraception ought to be vigorously employed in such cases. The “be fruitful and multiply” edict was initiated when the world population was far fewer than one billion. The more billions we add, the more overall quality of human life goes down.

Sorry about the preaching. May all the childbirths in your life be cause for joyous celebration!

off (offset) set

offspring nascent in the throes
ferment verdant purple rose
fellow mellow friend or ghost

2021 1101 dream of a 10 yr old

Sometimes old dreams float up to the surface of consciousness after more than half a century. This is one such, but it is not a faithful recording of the dream, which did involve being on a strange planet in the dark, but didn’t have any floating triangles. What it is is the collaboration of two dreamers, one a kid, and one that still-kid decades hence.