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20190818_090609

Deborah Hodder has been making wonderful clay sculpture since before the year 2000, when she was given the Emerging Artist Award from the Shemer Art Center and Museum in their show of that year. She has spent this entire century diligently proving that the award was richly deserved. For myriad examples, please do an Internet search on “Deborah Hodder sculpture.”

So this is a fan letter to her, with love, respect and gratitude for her friendship and for her artistry. Many sculptors carve figures with skill and grace. Deborah sculpts souls, and she does it with quiet passion and gentle might. (Note: the phrase “gentle Might” in my poem refers to both Power and Possibility.)

I only wish this page of mine had even a shadow of the dignity and grace that Deborah has. It is barbaric. It is an awful pun on the now-dated phrase “Hotter than a two-dollar pistol,” which alludes to a cheap mail-order firearm that becomes excruciatingly hot when used. (Note that my spot illustration above is of the type of fake pistol which produces a cigarette-lighting flame when you pull the trigger.) And my drawings of her sculpture, and of her, do not begin to do them and her justice. I hope that viewers will see through the crudity to the love and respect at the heart of this thing. More than that, I hope, Friends, that you will do that search and then see and enjoy her sculpture.

Hodder than a 2 Dollar Pistol

Humanity, True Love, conductance, sleep
Of such her sculpture croons, with friendly Hi
Dimension and evolvement lives and keeps
Delineation of a gentle Might
Enshrined and hewn in clay, arpeggio
Reveals 2 us a carnival of Soul

2019 0816 ocelot dreams

Ocelot Dreams

On the plain & off the grid
Creep & pounce or reconsider
Endgames of the vole & grebe
Indefensible arriba
On the go big cats will scram
Theory blesses–practice damns

L’envoi

Bullies preen & boss a lot
Till they meet an Ocelot.

20190813_163429

mallet • palate

mordioux no a&p • and some “leaders” copped a plea • let us face it we’re in hell • left bereft no wares to sell • a euphemistic take’s a trait • that fair ignores the teeth that grate

About the open-mouthed fellow on the right: about forty years ago there was an album by King Crimson called IN THE COURT OF THE CRIMSON KING, and though I haven’t seen the album in many years, I would bet that my drawing is at least a secong cousin to the fellow on that cover.

 

Image

Here are three Graphic Heroes of mine, and they have three things (or more) in common. All are known more for their drawings than their paintings. All shook up the status quo. And all have known prolificity.

About twenty years ago, the Phoenix Art Museum hosted a show featuring Walt Disney, Keith Haring and Andy Warhol. Here’s what David Bryant of THE LIBRARY JOURNAL had to say about the book made from the catalog of that show: “This book is the catalog of the Phoenix Art Museum exhibit of the same title. Brilliantly colorful, this well-designed paperback is full of whimsy, fantasy, and the engaging simplicity of its images, the work of three extremely popular American artist/illustrators. The late Haring regarded Andy Warhol and Walt Disney as two of his art heroes. Kurtz, curator of 20th-century art at the Phoenix Art Museum, gathered the works for this show, many previously unseen. Haring’s exuberant, lovable cartoon art serves as the glue uniting the work of the three artists. Brief but well-constructed essays on Disney, Haring, and Warhol serve to clarify the role of each in American popular culture. Recommended for academic, museum, and public library collections.” My trio is not as household-namey as theirs, but the Kollwitz/Adams/Crumb trio has influenced me enormously, and I hope more art lovers become acquainted with them.