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Tempting as it is to designate ER as “Emergency Room” and AI as “Artificial Intelligence,” for this acrostic they are the actual words “er” and “ai,” both interjectory “words to express.” “Er” expresses hesitation, and may be found in any number of the 60s-era DC Superman comics, when Clark Kent says something like, “Er, Lois, I think I left something at my desk. Go on without me.” “Ai” expresses sorrow or fear, and is used by Tolkien at the Bridge of Khazad-dûm when Legolas says, “Ai! a Balrog!”

I have a friend who had a breakup/make-up cycle so persistent he would say things like, “So anyway, after the final final FINAL breakup, there we were…” poor him and poor her.

This is a page about breaking up. Hesitation, then sorrow, then resolution: Never again. Here are its words:

Note the couple lost at sea

Even lost their Golly G

Venom laces all the tea

Ektachrome records ennui

Roaring surf could be so mean/Raging like the winds that keen

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I’ve finally punched through my creative block (it took weeks) and completed and signed the above page, “Left/Lest/Fest/Felt,” an illustrated acrostic poem inspired by Marta, my new friend from Catalonia. I dedicate it to her.

Marta, I wish it were better. I tried too hard; wanted it to be good too much. I tried and failed to make the illustrations obviously relate to their categories. Perhaps I will return to its complexities after I fully re-establish my momentum, but most likely not. I hope the hard work shows.

Here are the words:

Loneliness lets fall the Shadows, fading light to half

Lingers with its lassitude–of Energy a thief

Elements of zesty ZEAL decant with a carafe

Evanescent, maybe; still, in Georgia there’s O’Keeffe

Follow BLISS subjunctively, so hoping you’ll kvell

FATE may spin things SINISTER, as with a grassy knoll

Threat of predatory harm may taint a hand that’s dealt

Therapeutic caution says: obtain a lock & bolt

In part 1, I described taking on a new art/poetry project, getting to the beginnings of the page design, and then hitting a block wall. The wall came up when I looked at what I’d done and found it foolish and amateurish. The acrostic lettering was floppy and scrawly. The end words I’d chosen seemed like seeds for verse idiocy. I got a hint of the worst F word there is in English: Failure.

So I put aside what I had done and tried to loosen up my drawing hand and build up some mojo. One thing I do to practice portraiture is watch a DVD and freeze the frame when I see something I want to draw.

 

 

So here are Karl Urban and Matthew Modine, from their movies BENT and FULL METAL JACKET. I was medium-happy with these, though I should have taken more time with them.

I also worked out  a set of words for the acrostic, thus:

Loneliness lets birds to feed on half

Effervescence gives us a giraffe

Finding a subjunctive scheme’s a goal

Tactile predators will touch a colt

The lines relate, though not sequentially, to Left/Lest/Fest/Felt. Loneliness relates to being Left. A giraffe seems intrinsically Festive. The word Lest is subjunctive, i.e. conditional. And tactility and predation relate to Felt.

The lines got tweaked when I calligraphed them, and became this:

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I also worked on the illustration some, but the results were so bad that I will not reproduce them here. Still, I gave that block wall some of my best punches, and cracks are developing in the masonry. For good or ill, part 3 of this multipost will include the final form of “Left/Lest/Fest/Felt.”

 

 

 

 

Friends, as of 8:27 PM, Mountain Standard Time, May 29, 2018, your humble host has been afflicted with a peculiar form of creative block for more than a week. It is not that I cannot draw or write. It is that when I turn these energies to a certain project, I choke up.

The project is a page that will include a quadruple acrostic. The pillars of the acrostic are the words Left, Lest, Fest, and Felt. The poem is inspired by a blog post of a new friend of mine, a poet named Marta whose blog is called MOMENTS. The magical, enigmatic post talked of sisters Left and Felt, and their influence on women named Laura, Selina and Maria. Here is a link: https://momentsbloc.wordpress.com/2018/02/04/left-and-felt-three-abnormal-women/

I was jazzed and energized by Marta’s post, and also could not but notice that the words Left and Felt, both of four letters, would lend themselves to a double acrostic poem. And then I realized that two additional words, Lest and Fest, if placed between Left and Felt, would imply a transformation from one to the other, one letter at a time.

Excited, I texted Marta for permission to use her post as a springboard for one of mine. She quickly and graciously granted permission. I thought I would have it done inside a week, and within a day or so had gotten this far:

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And then, my friends, I hit a block wall.

(End of part 1)

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So I noticed that Salma is five letters long, as is Hayek. How strange not to notice till now that Frida Kahlo is the same way.

The words relate to her journey as a film actress:

Serendipity/Dogma/Kevin Smith

Alfred Molina/Rivera 4 Frida

Lashback @ repugnant Harvey

May she ever be Rose

And we respect Martha Beck

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Alas, Stephen Hawking is no more. His was a mind for the ages, an imagination that conquered physical straitjacketing. He knew how to explore and navigate the minefield of modern ideas.

And he made dire predictions, notably about what we call Artificial Intelligence. So have I, but I only have pliers and screwdrivers in my mental toolbox, whereas Dr Hawking had not a mere toolbox but a laser-cutting-edge machine shop.

As coincidence would have it, at the time of Hawking’s death I was slogging through FOUNDATION AND CHAOS, written by Greg Bear and authorized by Isaac Asimov’s estate, and it deals extensively with the issue of robotic interference with human history. In it a 20,000-year-old robot, R. Daneel Olivaw, must see psychohistorian Hari Seldon through his trial for sedition and decide which of several courses to take to minimize the long-range effects of the collapse of the Galactic Empire.

FOUNDATION AND CHAOS was written in the late 20th Century, but its themes are remarkably fitting for 2018 Trump-regime America.

And here in that America, people buy for peanuts a hand-held device that contains a bit of artificial intelligence named Siri. She invites us to ask her questions–any questions. And she learns from us, each of us who use her, more about our likes, our needs, and our appetites. One of many scary prospects is that Siri may come to be regarded as someone who knows what we want better than we do, and will cleverly guide our destinies…

Here are the words to the acrostic.

Deities that used to be Jehovah Ra or Zeus

Evolved with technologic flair into our new A.I

And Ms. or Mr., Dr., mein Herr, Madame et Monsieur

Decentralize identities with entities Bi-Bi

Look not to Rimbaud, Rambo, Rousseau, Reeve nor Richelieu

You need to save yourselves with arms like piercing cyber-sais

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Long ago–more than FIFTY years ago, that’s how long–Bob Dylan wrote “Mr. Tambourine Man,” including these words: “Yes to dance beneath the diamond sky with one hand waving free/Silhouetted by the sea/Circled by the circus sands…”

The phrase “Yes to dance” is positive and powerful. Here in the Valley, there is an ageless, mischievous couple, the poets Neil Gearns and Heather Smith-Gearns, for whom Neil speaks every single Friday on Facebook with the delightful phrase “Its Friday and on Friday we dance.” They have been saying Yes to dance, and Yes to each other, for many years.

So it is my attempt to return to a state of positivity, in the wake of the perfect storm of negative things out in the world and in my recent life, with this page, and these acrostic lines:

you’re relishing, not suffering, your bouts of o.c.d

ephemeral impulsiveness is so your cup of tea

since this is so, your Ginger Rogers feet need no persuasion

so let them glide and smooth their soles with gentle dermabrasion

to live is complicated but to soar is a b c

one loving soul two nimble soles three partners come to be

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Prefatory note: I’ve just been through a breakup. No fault is assigned. I posted about the breakup on Facebook, and dozens of friends offered support and kind words. “Make a clean break,” said felinophile and caring friend Sandra. “Turn your angst into art,” said superbly talented, recent-award-winning artist, and dear friend since high school, Beth. “Make art your key love,” said sweet-natured sculptress supreme Deborah. And so this blog post comes to be.

The poem below partakes of several relationships I’ve had but tries not to be specific about who did what to whom, but also tries to avoid being a jumble of ambiguous mush. The three epigrams are of songs that the inner jukebox in my head has been playing in Scramble mode off and on since the breakup, three days and an eternity ago.

To All the Girls I’ve Loved Before
Who traveled in and out my door
I’m glad they came along
I dedicate this song
To all the girls I’ve loved before…

From “To All the Girls I’ve Loved Before”
Lyrics and music by Hal David and Albert Hammond
Performed by Willie Nelson and Julio Iglesias

YEEAAAHH…now I’m rolling down California 5
With your Laughter in my head…
GONNA HAVE TO BLOCK IT OUT somehow
To survive,
‘Cause those dreams are dead,
And I’m alive.

From “I’m Alive”
Music, lyrics and performance by Jackson Browne

Moons and Junes and Ferris wheels
The dizzy dancing way I feel
When every Fairy Tale comes real
I’ve looked at Love that way…

But now it’s just another show
You leave ‘em laughing when you go
And if you care, don’t let them know
Don’t give yourself away…

I’ve looked at Love from both sides now
From Give and Take, and still somehow
It’s Love’s Illusions I recall
I really don’t know Love
At all.

From “Both Sides Now”
Music, lyrics and performance by Joni Mitchell

Collapse of a relationship! Clench fists hang head and sob
Concoct an explanation for the heart that lost its throb
Could be that there was too much scorn upon the daily cob

Lost hope and lost respect will lose the grip of what’s held dear
Loose talk and snarky attitudes make closeness disappear
Left unattended, intimacy withers, it is clear

Entanglements then trip the feet a home becomes a cage
Enlightenment occurs to one or both to disengage

And fancy explanations all add up to Just Don’t Wanna
And then the nearness stifles like an overheated sauna

Now come finalities and benedictions–one last look
New possibilities are on the next page of the book

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Yesterday and today I watched a documentary about the making of Man on the Moon, Jim Carrey’s portrayal of Andy Kaufman/Tony Clifton. While watching I made a couple of sketches of him. After that I watched something my girlfriend Melony sent me, a YouTube video of Carrey with “ILLUMINATI” in the clickbait headline. (Carrey was schticking on ”llluminutty,’ forming a hand-triangle in front of his “Mocking Tongue.”) Then I did this page, deliberately as a preliminary sketch and not as a finished work, on torn, ink-stained paper.

Here are the words:

Juxtapose a rubber face with schtick on NBC

Just suppose FIRE MARSHAL BILL and you are lost at sea

Juggle poses Andy Kaufman style–the crowd will ROAR

Introduce some paint to canvas–then your soul will soar

Iterative and immersive rising up to be

Multimegauniversal personality

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g l i m p s e d

gainsaid are the scarlet scoffers

all chagrined and aloe tropicked

spillways make decanted offers

plump seditionists thus topicked

Here is play with the acrostic form to third-time “glimpsed” and so make of it a motif. That the text makes sense, with a sly, subversive message that invites reader participation, is a bonus; but the priority is the image and what it evokes.