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In the rock opera JESUS CHRIST SUPERSTAR there is this exchange between Jesus and Judas:

JC: Why don’t you go do it?

JI: You want me to do it!

JC: Hurry, they’re waiting.

JI: If you knew why I do it–

JC: I don’t care why you do it.

JI: To think I admired you. Well, now I despise you!

JC: You liar – you Judas

JI: You wanted me to do it! What if I just stayed here and ruined your ambition? Christ, you deserve it!

JC: Hurry, you fool, hurry and go. Save me your speeches, I don’t want to know. Go! GO!!!

As presented in the drama, both Jesus and Judas are conflicted about their roles, one raging, the other despairing to the point of suicide. Yet they did their jobs for the sake of the story.

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Do-ality

The World of ones and zeroes

Has Ne’er-do-wells and Heroes

Ubiquitously interactive

Symbiotic/trans-enactive

(THUS)

Our poor feet step on the ground while the whole world steps on them. They are put in torture devices and their often-overweight owners demand they trudge all over Creation. Truly, it is They who are the Downtrodden.

“Tatum and Shea” is an intersection near where I had my taxes done. Perrier is a naturally effervescent water, which I imagine would at 104 degrees be a perfect dipping sauce for a pair of tortured feet.

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A long time ago a man named Robert Townsend, whose leadership saved the bacon of Avis Rent-A-Car, wrote a book called UP THE ORGANIZATION. In it he spoke of being at a board meeting and being asked to leave the room. He refused, saying that if he left the room, the board would vote him a higher salary, and he was making plenty of money as it was. He warned of the danger of executives making far more than their underlings, calling the phenomenon “gaposis.” In the decades since his published wisdom, unfortunately, hotter heads have prevailed. I (again) recommend a viewing of THE BIG SHORT for a good primer of how greed can bring down an economy.

We’re Starbuck’d for cafe au lait
Whilst scarfing trafe: bon appetit
Our O. C. D. is SO Feng Shui
Our poodles Frou-Fou ou Fifi
Reap-off what’s sown is owner aim
Roped in, the toilers swarm & teem
King-Learingly we chafe & blame
King-Fisherfolk just wax extreme

 

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For the last couple of months I’ve been dismayed by the seeming decline of my drawing ability, even to the extent of wondering if I’d had a mini stroke or some other debilitating event. This morning, though, I had a blinding flash of the obvious: I just haven’t been drawing enough! I’d been comparing what I’ve done lately to a year ago, when I was drawing every day for hours on end. All I need do now, I think, is string together some hour-or-more days.

So today I returned to freehand acrosticizing and gridding. The words are odd, but make some sense. “Freehand” describes a lactating woman’s seduction of her primary care physician. “Gridluck” describes his education.

Very weird, eh? But so is this lyric from then Cat Stevens, now Yusuf Islam:

Mary dropped her pants by the sand/and let a parson come and take her hand/but the soul of nobody knows/where the parson goes . . .

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I’ve just read Al Kooper’s jaw-dropping memoir BACKSTAGE PASSES AND BACKSTABBING BASTARDS. The man who crashed a Bob Dylan recording session and ended up with the organ lead in “Like a Rolling Stone;” the man who not only played for, but named, Blood, Sweat & Tears; the man who produced Lynyrd Skynyrd–all that just turns out to be the tip of the iceberg. Read this amazing book and you’ll learn why Norman Rockwell hugged Al, then painted a portrait of him and Mike Bloomfield of the Paul Butterfield Blues Band.

The words:

A & R spread like an oak

And bad finger defunct a loco

A gig a friend a deal a zoo

Lo! Super Session–quite a coup

Lynyrd Skynyrd paid the fare

Let a legend climb the stair

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Today was a day off from work, and a belated Christmas for the fact that I worked on Christmas and the two days after. I’m still living on a shoestring, so the gifts I had for my daughter, my ex-wife, my mother and my younger brother came mostly from the Family Dollar. I felt bad about, so I did something I almost never do: I gave, not printed copies, but original journal pages, as gifts. The pages I chose for them, all from early 2009, had a particular connection to each of them.

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This one was for Brian. He and I had marathon sessions playing Risk, a game of global conquest. Whenever I rolled the dice as the attacker, he’d exclaim, “LOSE one!”

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This was for Joni. It was done when our beloved dog Bill was still alive and well, and the poem concerns the healing power of human-animal companionship.

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This one was for Kate. One of Kate’s favorite songs is Cyndi Lauper’s “Girls Just Wanna Have Fun.”

Three fewer journal pages for me turns out to be a gain, not a loss. The pages are more valuable as connective tissue than as artifacts.

 

I’ve owned a banjo for many years. I have never learned to play it, which is a shame I hope to remedy during my retirement; but, meanwhile, it is just plain lovely to look at:

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Faithful followers of my blog know what a thing for Spoons I have. That may be why the banjo I drew below has a spoonlike quality to it:

banjo pick n grin

Shoutout to my friend and classmate Clint Diffie, owner of Boogie Music, for keeping my banjo in recent repair.

“pick n grin” words:

pirouette n pyrotech n background for to sing
indolent idolatry n squeezns in a wringer
corn a-shuckin true n blue a pair of virtuosi
kettle jug n moonshine n the picker plays to win

“banjo” words:

best served with wine or gumbo
adds zest to home or zoo
n. friday, d. mutombo
jurassic classic too

NOTE: n, is for Nancy, d. is for Dikembe. Like the banjo, they made their splash in another time, as did the Jurassic era, but wear well on review.

if-then-else 10042015

If/Then/Else is a phrase familiar to logicians and code warriors. Actions have consequences. There’s a song imagining that Marilyn Monroe got with HENRY Miller instead of ARTHUR Miller. Similarly, I imagine Faisal interacting, not with T. E. Lawrence, but D. H. Lawrence. Who’ll prove us wrong?

I have a lifelong friend (see “Foom-Bozzle-Wozzle,” parts 1 and 2) who has kept a watercolor sketch of mine, purchased by him for $2, above his commode for more than five years. It is in line-of-sight for any man facing the commode as he steps up to it to do his business. My friend says of the sketch, “It speaks to me.” Here is the sketch:

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Birds and spoons have been my copilots in creation for a long time. After midnight last night, I began to sketch yet another bird. “Not ANOTHER bird!” I moaned, and a new triple-acrostic was born:

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Nested dreamers rub a dub
Nooks & crannies join the club
Ocelots take no such stair
Often we bequeathe an heir
Trinkets coveted & loom’d
Taking comfort they’re undoom’d

For good or ill, there will be birds (and spoons) in this journal’s future.

black bolt and karaoke fanboy 090215

Some time before the Jack Kirby show organized by Russ “Karaoke Fanboy” Kazmierczak, I mentioned to Russ that my favorite Kirby-drawn superhero was Black Bolt, leader of the diasporadic Inhumans. Later I found out that Black Bolt’s full name according to Wikipedia is Blackagar Boltagon. Isn’t that awful?

On my birthday Russ presented me with a Black Bolt action figure. (Russ has a thing for action figures.) When you push in his tummy (Black Bolt’s, not Russ’s) his arms come up, making his membranous sidewings flight-ready. For Black Bolt can fly. He can also use that tuning fork on his head to harness electrons, combining them with a mysterious, unknown subatomic particle that emanates from the speech center of his brain. (Black Bolt dares not join the Karaoke Fanboy in song; his unleashed voice shatters mountains.)

Sure he’s preposterous. But so was that clumsy-spoken, tablet-wielding, bush-talking Moses, on whom Black Bolt, I contend, is at least loosely based.

As for the Fanboy, here’s a double acrostic I did of him at the Cholla branch of the Phoenix Public Library, finding, to my delight, that I may return to the same drawing-on-scrap proclivity that served me in such good stead when I was working for Sedona Winds.

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Kirbyphile & He-Man buff
Artist, songster, other stuff
A rustlin’hustler gives a damn
And breaks down doors with splinter’d jamb
O Action Figure–go deploy
O key to living: ROCK that toy

The transcription does not preserve the acrostic, but it’s more coherent.

Russ has a new chapbook out. He honored me by asking me to write the Introduction. Here is an excerpt from my introduction, but be warned: it contains at least one cussword.

William Blake cried in print I want! I want! and then Erica Jong quoted him in Fear of Flying. Philip Jose Farmer wrote “The Lovers,” a landmarkedly explicit work of science fiction, and he also wrote Image of the Beast/Blown, even more explicit, which features two of the weirdest and most frightening women you’ll ever care to read of. Edna St. Vincent Millay wrote “What Lips My Lips Have Kissed,” which is heartbreakingly confessional and revelatory of the need and ache which drives us and drives us away. And Dorothy Parker wrote “Travel, trouble, music, art/A kiss, a frock, a rhyme;/I never said they steal my heart,/But still, they pass the time.” That Dorothy could do anything, including leading a horticulture. (“You can lead a horticulture, but you cannot make her think,” she answered instantly, after she was asked to use the word Horticulture in a sentence.) And she was rumored to have sent a message to her publisher who was nagging her about a deadline while she was on her honeymoon, “Too fucking busy, and vice versa.”

Into the midst of this pantheon of twisted romantics strides Russ Kazmierczak . . .