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Turtle or tortoise? I ran into this alliterative answer this afternoon: “Totally terrestrial Testudines are tortoises.” (The source for this 5-worder is http://www.ncaquariums.com.)

Today I drew a “turtle” based on a friend’s photo found on Facebook. (Alliteration is contagious…) Then I halved “Turtle” to bookend a double acrostic, and having warmed up with halving mayhem, I inflicted impending insidious impact. (Vowel sounds are assonance, not alliteration.)

turtle 051215

Tortoises misnomered meet
Tarryingly in the street
Under streetlamps they compel
Undercarriages to dwell
Run down they won’t praise nor blame
Rather ask you not misname

It is Mother’s Day as this is being written. Jane Stoneman, my mother, was camera-shy when I asked to take a picture. But she had no objection to my sketching butterflies. The Butterfly is my mother’s totem creature. So this is an odd portrait of my mother, not from life, not psychological, but metaphysical.

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And here is another image. This one combines image and text, some hidden.

001-10Here are the words, hidden or not:

Balanced on a thermal puff
Undulant in gardens floral
Tethered to migration’s taxi
Thinned unto endangering
Extralocal through & through
Roving through this continent

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A few months and a seeming hundred years ago, I was living in Cottonwood, Arizona, and working at the front desk at Sedona Winds Independent Living Retirement Community in the Village of Oak Creek. Every 3-to-11 shift I worked part of my job was to create a new menu for the next day. When the dining room closed for the day I’d remove that day’s menus from the menu holders and then place the next day’s menus in the holders. We recycled some of the menus as scrap paper. Many of my posted images on this blog were created on the backs of those menu scraps.

One such remained unfinished at the time of my departure from Sedona Winds and subsequently from Cottonwood. I remember it had a swirly, flowing backdrop and some of a triple-acrostic poem entitled “Body of Work.” I thought of it as perhaps 80% finished and in need of a bit more structured image and a good punchline/last line for the poem.

After I finished the Pat McMahon page, I thought “Body of Work” would be a good one to finish. Alas, I have not been able to find it, though I looked every place it could possibly be. (Of course that’s not true, and I’ll probably smack my forehead with my hand when it turns up.) Lacking the original, I set about making another one. The above result bears almost no similarity to the original, nor should it–I’m different now, and have hundreds of hours more pencil work under my belt. The spirit is probably similar, though. It is an admonition to Produce. Not for the first time on this blog, I’ll print Thomas Carlyle’s famous quotation:

Produce! Produce! Were it but the pitifullest infinitesimal fraction of a Product, produce it, in God’s name! ’Tis the utmost thou hast in thee: out with it, then. Up, up! Whatsoever thy hand findeth to do, do it with thy whole might. Work while it is called To-day: for the Night cometh, wherein no man can work.

My grandfather, Paul L. Householder, gives us the other quotation, the one on my image: “Do the thing and you shall have the power.” Daydreams are good only to the extent that they raise yearning to the level of a need to accomplish. Soon or late the daydream must end and work be performed to make the daydream real.

At sixty years of age, my memory is starting to decay. My left elbow thinks it needs oil a la the Tin Woodsman, and my linework, I being left-handed, gets the occasional elbow yip sending my line askew. My eyesight is astigmatic enough to give me two full moons for the price of one. But I will Produce until my night cometh.

cgkill 042215

Whether dancing in diaphanous veils, or infusing a slam performance with her lovely singing voice, Crystal GKill is entertaining and astounding. I had the good fortune to run into her at a writing conference in Phoenix last weekend, and she graciously allowed me to take her picture for the purpose of doing this page.

Here are the words to the acrostic:

Crazed challenges make for a slam with zinG
Creation & performance make her sinG

Yet she’s outside the box, not by the booK
You’ll give her 10 to get another looK

Stirred audiences stand & cheer until

All accolades attest to her fine skill

Tomorrow is a special day. The Emma Thompson Project, Segment 6 of 6, will be published. I will then move on to other matters, and the magnificent Ms. Thompson may breathe a sigh of relief. (I’m NOT a stalker, but I seem to be playing one on WordPress. πŸ™‚ )

Meanwhile, all but one of the images that follow may be considered in the same vein that a rocker’s bootlegs may. They are unofficial, not part of the Project, just “I didn’t go yet” loosening-up. The page with the sonnet, though, will play a part in Segment 6. If I can wrestle the sonnet into a less forced-seeming array, I will. But if not it will be on the final image word for word. It is a more ambitious job of wordsmithing than the one I did for Theodore Sturgeon: fourteen lines, iambic pentameter, double acrostic saying EMMA THOMPSON IS EXTRAORDINARY, mutant Petrarchan rhyme scheme, with exactly one of her past, present or future movies or series resident on every line. The extraordinary Emma Thompson, intuition says, must have an extraordinary sonnet.

emma fonts 041415emma costars 041415emma roles 041415

emma thompson is extraordinary 041415

My sincere apologies go out to Emma Thompson. In trying to learn her face I’ve brutalized it, taking Kimon Nicolaides’s advice to not be afraid to overwork a drawing in order to learn. Then I did another face study which was UNDERworked. Meanwhile the acrostic poem I cobbled up is full of vagueness, that nonspecificity that may not apply to Emma Thompson much but does not not apply to her. In my defense, Ms. Thompson, the final image and poetry will benefit from these early egregiousnesses.

That said, I did find a cracking good quotation from Meryl Streep that says a lot about the real Emma Thompson as reported by the real Meryl Streep. Therefore, along with what I’ve learned by falling on my face with my versions of her face, plus the inclusion of the all-important word Wit in the acrostic, I’m compelled to declare victory in the execution of stage 2 of 6 of The Emma Thompson Project.

001-5Quoth Meryl Streep regarding Emma Thompson: “She works like a stevedore, she drinks like a bloke, and she’s smart and crack and she can be withering in a smack-down of wits, but she leads with her heart.”

Words to the THOMPSON EMMA double acrostic:

The screen & stage enjoy her vital flame
Her honesty–an ethical gendarme
Harmonics with some dissidence the theme
Outstanding nuanced capturing the aim
Might find her as a widow on a farm
Morose and grappling with her self-esteem
Perhaps a crisis or a death may loom
Perhaps a challenge to her wit & charm
Swept by the wind or by a careless broom
Old–young–carefree, or full of belladonna
No telling what the consequence of karma
Nor even what variety of fauna

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Having drawn (bp) a successful conclusion to The Stan Getz Project, this reporter decided to stay on the horse, and so begins The Emma Thompson Project. Why Emma? Short answer: her brave smile.

A legal pad is a good place to begin. It’s cheap and safe. When you’re getting to know a face, it pays to try several times.

“Thompson Emma” is better acrostic fodder than “Emma Thompson” would be, but this is just get-acquainted time and, in the course of learning about Ms. Thompson’s life, a more apt acrostic may present itself. As I’ve said before, Art Spiegelman’s MetaMaus taught me the value of rough drafts for concept exploration.

Since this project is on spec, i.e. uncommissioned, there is no deadline and are no pre-agreed parameters. My main goal is to produce an image that, were Ms. Thompson to see it, will cause her not to smile bravely, but to grin happily.

More to come anon, Friends!

judy and chicken

POP goes the culture

Prepare for Judgment Day sang Judy Garland
Onstage in fishnet, tux and tilted hat
Perhaps a southern gentleman named Harland

got bucketed with her & chicken fat
one never knows & that’s how rumors start
evangelizing scandal grists the mills
so Liz & Nicky/Eddie/Dick take part

take center stage take umbrage & take pills
how tragic for a Marilyn or Janis
eclipsed not just by death but also boredom

Comes Jerry Springer’s antics to unman us
until we’ve seen it all in all its whoredom
let’s
take
up
rumor-mangling and pray
elation puts the brakes on Judgment Day

At this point I’ve learned enough about Stan Getz’s face to picture it and describe it without looking at a photo: Pale. Nose slightly aquiline. Short but not weak chin. Deep-set eyes, with sockets sloping upward toward the middle of the face. Ears small but protrusive. (Birth trauma trivia: Stan’s poor mom, Goldie, had 35 hours of labor. The doctor went in with forceps. Stan’s head was so big one of his ears was almost torn off and needed suturing. The doctor said they couldn’t leave with Stan until they’d paid an additional $52–a huge sum of money in 1927–for the ear work. “$52?” Al Getz gasped. “That’s too much. You can keep him.” Then he paid up.)

Here is a first take on a solo headshot of Stan Getz. There will be four more.

stan getz 030615

Words:

Smoothened F then sharpened G
Talk with tune of what will be
Anthemed improv free of rust
No one’s catspaw no one’s klutz