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Incongruous scale has been used by artists from time immemorial to a few hours ago, when a place mat was enlarged beyond easy belief and put inside the orbit of the moon of a gas giant. The intention in this case is transportation away from Earthly, and human, concerns.

Spectral Sanctums

Surface and its tension are at times strange bedfellows
Placematting of orbital proportions and sensoria
Engendered for oblique kinaesthesia foster alien nation
Crucial to a viewpoint less anthropocentric
Tension and its surfaces disconnect intellect
Rationed rashness rekindles much adieu
ALtogetherness will bring us optimal pessimisms

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Cosmos Combos

C: configures space&time: speed of light is C
Oscillations play the temp–atoms dance allegro
Silver’s born in nova’s cosh…pressured, stars go Boom
Matters dark & otherwise; Womb to Zoom to Tomb
Off on hyperbolic jaunts! Conic secs by Lego
Seen through a galactic lens, we are but debris

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Merry Christmas and Peace and Love to all who read these words, be you Christian or otherwise (I’m an Otherwise myself). May we all see a better year ahead.

Velvet Dreams

Vexacious times wear Trouble like a beard
Vicissitudes cause wars, most undeclared
Enchantments give a wish a wheel to steer
Events make crosses children borne must bear
Lieutenancies emerge in Fate’s fell spate
Love’s touch lends voice to scent we taste & see
Legalities help predators predate
Voracious carnivores still spare the pea
Victorious survivors sport the stoma
Ventricular caprice makes tragic trauma
Entranced botanicals enjoy the loam
Enhanced mechanicks find a shop & glom
The SATINED VISIONS steer us through the isthmus
Then make(s) The Presence present(s) here/now/Christmas

Note: “vexacious” and “mechanicks” are deliberate misspellings. They would drive my younger self crazy. I refer him, and you, to the “extended play” version of Ralph Waldo Emerson’s famous quotation about foolish consistency:

“A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall. Speak what you think now in hard words, and to-morrow speak what to-morrow thinks in hard words again, though it contradict every thing you said to-day. — ‘Ah, so you shall be sure to be misunderstood.’ — Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.”

This post is inspired by Stephen Bishop’s song “On and On,” taking its title from one of its lyrics. Two other lyrical sections of the song are also quoted.

The song has stuck in my head for nearly forty years; I like it but it haunts me. I like the rarity of a man singing about a man crying who is not the man himself.  I also like its singer/songwriter, Stephen Bishop, who was billed “Cool Guy With Guitar” in the landmark comedy ANIMAL HOUSE. He was the one whose guitar was smashed to pieces by John Belushi’s Bluto, who handed the severed neck back to him with a sincere but I-had-to “Sorry.”

Toss Up My Heart words:

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Though they’ll have Tito Puente there’ll be an empty seat at Hialeah
Of the 600 outmunitioned almost all died in Crimea
Such odd haphazard history may have you ask What For
Seek ye serendipity becomes my soul’s retort

See Where It Lands words:

Swollen willows weep–it’s offal
Section Eights have FILLED Golgotha
Every time stuff hits the fan
Each soul tries to understand
Evanescence–drifting sands

001Here is the consummate environmentalist. She fearlessly spoke out against the profligate use of pesticides, which she wisely renamed “biocides,” and her successful battle against the propaganda and dirty-dealing of such as DuPont was the single most important factor in the creation of the Environmental Protection Agency. Thanks to Wikipedia, YouTube, and any number of environmental websites on the Internet, her passionate voice may be heard instantly by anyone with computer access. Her message is just as timely as it was in 1962, the year of publication of her Silent Spring, whose title refers both to the loss of birdsong due to pesticide collateral damage and the potential Earthwide silence should the rapists of Mother Earth continue their fell practices.

I am working on a double-acrostic poem and page on her which will be the final needed ingredient for my manuscript of Natural Distractions, the poetry/image collection that I’ve been working on every day. Here is the work in progress:

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ETA on the completed manuscript, and with it the completed Rachel Carson page, is tomorrow morning. Upon its completion I’ll convey it to David Chorlton, a fine environmental defender in his own right, for editorial assistance. Stay tuned! [determined smile]

Yesterday’s post included a page in progress, the double acrostic for which is “Reversals Rehearsal.” By sheer happenstance I put the page in a notepad from four years ago, and found to my amused startlement that back in August of 2010 I’d also done a reversal-oriented acrostic, “Rotarepo Reversal Lasrever Operator.” Here they are together, first the Then page and then the Just-Now (I finished “Reversals Rehearsal” less than three hours ago).

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002Visually the first page seems more tepid and timid than the second one. On the other hand, the second page is more sloppy and jungly than the first one.

Here is the first one’s acrostic:

Rotorepo Reversal Lasrever Operator

Ravel played–fearlessly–upon the cello
Odd glides, and gearless, like a wheeling rap
Tor/Reveals & revs and Engine with a swelled toe
Anticipating fervor from the captor
Rejoindings are from spicy to vanilla
Ecstaticburgh to Dullsville Ajo, AZ to Monserrat
Processes under the aegis of Symmetry go
Oscillantly; the bulrushes wave in the mirror

Here’s the other:

Reversals Rehearsal

Roly-poly M E C H A N I S M S make the world go rounder
Even when you’re plummeting before you hit the ground you’re
Va–RRROOOOMED aloft as gear & motor sync & then enmesh
Exogenous as a woman wearing a caleche
ROUND the buswheels ROUND the corner ROUND the Sports Arena
Schwarzchild radii describe where relatives go tweener
As the whirling world revolves a visual précis
Lets lay & learned folk alike infer a starry sea
Sometimes celestial events turn starmass hyperreal

Curious that both poems involved a revving engine. The “rev” in Reversal, perhaps?

This morning Denise told me something that inspired first the acrostic bookends and then the words within them. This page and this post, therefore, are dedicated to her, with my love.

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Throwing guidebooks in the trash
Rids us of the “have-to” cache
Useful more to sense our aura
Eminent as one adorer
Safe within that two-souled breast
There will grow our Fearlessness

There are some words that seduce the poet through ululation. Ululation is one such. Then there are uvula, Pavuvu, Honolulu–and alula.

An alula, also known as a spurious or bastard wing, is a substructure of the bird’s wing that when flexed changes the airfoil of the wings, raising the pressure differential of upside and underside airflow, which helps prevent the bird from stalling. My first encounter with this word was as a teenager reading Robert A. Heinlein’s “The Menace from Earth.” His protagonist, one Holly Jones, resident of the Moon, liked to fly using her top-of-the-line Storer-Gulls. Controls encircling her thumbs allowed her to flex her alulae.

When the happy mashup of Honolulu and a peregrine falcon showed up on my radar, I could not but celebrate with this page, which is really a celebration of the word alula and its plural alulae.

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falcon alulae

flight is pull & swoop & hula
atmosphere the crafter’s tool
lift her over honolulu
climb with her into the cool
oft aloft: the sky’s bathsheba
never stall–“thumbs” up, meine liebe

In some attempted creative expression the end product offers the creating party a trade, saying, “You don’t get to get me completely–I’m ungettable by my very nature–but I’ve got something you’ve never done before, and you better keep it.” I think this is one of those.

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What Gave

Wizened horseman sought a gig
Wayward daughter worked the trig
Had some talk at 8th & Shea
Hopped a plane unto LA
Added travel slow & rev
And a Stan with last name Lev
Thus the Trickster plays a fife
Tuneful of an orphan’s life

NOTE: The “Stan with last name Lev” is probably Stanislaw Lem in disguise. http://en.wikipedia.org/wiki/Stanis%C5%82aw_Lem