Archive

Tag Archives: acrostic

2019 0801 mri stage 2

Last month I had a session inside a torpedo tube, or so the MRI chamber seemed. I got to hear classic rock music and odd, Techno-like machine noises. It lasted about forty minutes, and resulted in over 500 cross-sectional views of my brain. Here is a detail from one of the pages, which I have tinted for dramatic effect:

scan sent to sf

From top to bottom, left to right, the images start at the top of my head and end at about the middle of my eyes. Since I now know almost nothing about brain anatomy I don’t know what structures, other than my eyes and the corpus callosum, are being heightened by the contrast. I knew more in grade school but have forgotten most of what I learned.

In this early stage of my drawing and poem, I’ve done thumbnails of several of the views, and have decided on the acrostic spine, MAGNETIC RESONANCE IMAGING, and seven words and one phrase. The decision on the spine is final, even though the leftmost word, MAGNETIC, has eight letters, and the rightmost, IMAGING, has but seven; and RESONANCE has seven elements since I have RES occupy one line. Most likely I’ll use the final G of the acrostic for both lines of a final couplet, and they will rhyme, but we’ll see.

This is by no means the clunkiest acrosticization I’ve done. Once I used MARS SOUPY AL as my triple acrostic, which is a wretched pun on “marsupial” and ended up needing a line arrangement similar to a freeway overpass to five different highways. But the result was absolutely unique, with drawings of Mars and Soupy Sales and Al Pacino heading the three words, and a duck-billed platypus overlording all three. I was reasonably certain that no one had ever brought the four together, and equally certain that no one would ever know why they SHOULD be brought together, until they had seen the acrostic. And even then I imagine head-scratching and the thought “This is nuts.”  But that’s where the idea for the acrostic came from–the Duck-Billed Platypus is one of the most improbable creations on Earth, seeming to be a cut-and-paste job from several species. My poem, in my humble opinion, was a good analogue, an honorary marsupial.

The acrostic I’m working on above comes from a different place. My working intention is to poetically discuss the way that lump of fatty tissue in our skulls relates to who we are. This subject was well plumbed by the late Oliver Sacks, and if you have never had a look at The Man Who Mistook His Wife for a Hat and Other Clinical Tales it is available in PDF form for a mere $2.50 US, and I also found a used hardcover, good condition,  on the Barnes & Noble site for $2.30. SO well worth it, Friends, and I hope you will find it in the library or elsewhere, if it’s not on your bookshelf already.

The words and phrase I have put into the acrostic already are subject to change, but I hope I don’t have to. If I can make them work in an array of meter and rhyme that makes sense and speaks to the subject I’ve chosen, it will be a lot like a magic trick. Stay tuned, please!

 

2019 0728 hack work

This post is dedicated to Jack Kirby, comic-book artist extraordinaire, who had an astonishingly prolific career. He was the John Henry, Steel Drivin’ Man of comics. And sometimes, and sometimes disparagingly, he was referred to by his colleagues as “Jack the Hack.”

The thing about Hackwork, though, is that it is deadline-driven. Comic books as published in America during most of Kirby’s career HAD to come out once a month, every month, without fail. And the better you were, the more demand for your work there was, and the more deadlines you had. Sometimes the deadlines were so many and so crushing that the quality of work suffered.

Writer Harlan Ellison, whose prolificity was legend, wrote “‘Repent, Harlequin!’ Said the Ticktockman,” a story about the insidiousness of deadlines. Introducing the story in one of his antholgies, he quoted a mogul saying, “I don’t care if it’s GOOD, as long as it’s Tuesday!”

And in the intro to Phoenix Without Ashes, the novel of the Starlost he co-wrote with Edward Bryant, Jr., he told us about something Charles Beaumont told him when he moved to Hollywood, which was that attaining success in Hollywood was like climbing an enormous mountain of cow flop, in order to pluck one perfect rose from the summit–but, alas, after you have made that hideous climb, you have lost the sense of smell.

So this post is also dedicated to all hard-working people who dive in and get it done, day after week after month after year after decade. I want to specifically mention two Facebook friends of mine. One is Tom Orzechowski, who as letterer/calligrapher for the Uncanny X-Men and other mutant-related titles, and whatever else they threw at him, maintained a consistently high level of quality, of artistry, in his work. The other is my work colleague LaShawna Douglas-Muhammad, who worked her way up from line cook to manager for SSP America with class, determination, and sheer hard work. Tom and Shawna are two of my heroes and role models.

HACK Work

Have a Deadline!!! Don’t be sloW
Ah–your Hand flies to & frO
Crank & fizz like PerrieR
KIRBYESQUE IS A-OK

Edit/Add, 6:48 PM: After a text conversation with the hyperkinetic creator of AMAZING ARIZONA COMICS, Russ Kazmierczak, who’s done mountains of quality deadline-driven work of his own, including multiple stints of producing an ENTIRE ISSUE of his fine publication in a mere 24 HOURS, I want to emphasize that the concepts of “hackwork” and “s/he’s a hack” have been often unfairly applied to dedicated, hard-working creatives. Prolificity often results in quality of work much higher than may be attained by waiting for inspiration to strike. Olympic hopefuls realize that being the best means punching that workout timeclock with consistency and high frequency, rain or shine, feel great or feel awful, “in a relationship” or “just got dumped.” It is a quality of Champions.

 

20190727_052155

undertones

up the line from maginot [search “maginot line”]

no & what or nyet & shto [english or russian]

diploid/diptych bun/chignon [twofolds and hair arrays]

exoskeleton & bone [body frames outer and inner]

rigor mortis/combat zones [telltales of death in progress]

What are undertones? For the sake of this texted image, they are hard-to-hear hints of more than meets the obvious notice. One must pay focused attention to receive the hint, and then one must decrypt it. (“Decrypt? As in exhume?” he said in an undertone.)

This is a fear-of-war poem/image/post. The endword “tones” led me to muse about words ending with t that had a long-o last-syllable pronunciation. I was also mindful of previous use of such words or phrases (remembering, for instance, that I’d used “à bientôt” before) because I don’t like relying too heavily on the same words and phrases to solve the rhyme. Suddenly “Maginot” occurred to me, and a floodgate opened.

The Maginot Line was a barrier erected by the French to save their homeland from invasion, thought to be impregnable. It proved to be not much of a problem for the invading Nazis. Flash forward eighty years, and here in the United States of America, there is advocacy for the expending of resources for a barrier to save the homeland from invasion. It seems as though history’s lessons, though not undertoned, sometimes go unheeded.

That’s how the poem got started. Consider the rest of the message of the poem as a muttered warning. You will need an ear for subtlety to hear and correctly interpret the rest of the message. But you need not work so hard if you wish to simply enjoy an attempt at wordplay through juxtaposition, meter and rhyme.

2019 0726 bete fete

Bête Fete

Bent the Dreams that Stuff’s made of
Être Catherine Deneuve
Topicality made treat
Enter Prizes tout de suite

Mercies/Heavens

Morrie hadda get a trach
Eleanor a Bellyache
Roger took a cuppa Tea
Clementine eschewed TV
Ivan doesn’t want to see
Evangelicals unseen
Send us all beyond our means

And Jacques Prevert in the poem “Chanson” (“Song”) said both “We love and we live” and “And we do not know what is life/And we do not know what is love.” Actually he said both <<Nous nous aimons et nous vivons>> and <<Et nous ne savons pas ce que c’est que la vie/Et nous ne savons pas ce que c’est que l’amour.>> The English version of his quotation is my memory of how I translated it back in 1974 in a second-year French class conducted by Gene Eastin at Glendale Community College. I was a different person then, but my fondness for Prevert’s “Chanson,” which I have just reread, remains.

 

2019 0722 chopped sonnets

It is 5:42 PM on Monday, July 22, 2019. I have finished the drawing above but I have not written the sonnet that goes with the image. I haven’t even conceived the sonnet, except for the acrostic and the vague notion that since the title is “Chopped Sonnets” there should be some disjointedness to it. So my challenge, and what I’ll devote the rest of the post to, is to write the sonnet in such a way that the image enhances it, while following the sonnet form of fourteen lines in iambic pentameter, Shakespearean rhyme scheme of abab cdcd efef gg. (May have to settle for near-rhymes since there will be different end-letters.) But if I ever calligraph the sonnet it won’t be in the image. I may try to make the calligraphy work with the image as the second panel of a diptych.

chopped sonnets

consolidating dance and thought is chess
conquistadores shifting ebbs and flows

hop, skip, and capture, give the king distress–o
hung royalty thrills groundlings ever so

our couple wants to dance the checkered plain
own conquests of dexterity and sheen

push pawnlike through the midground yet unslain
promoted on the eighth rank to a queen

perhaps they’ll then diagonally bite
pawns of the enemy, then pirhouette

en pointe across and check and bait and sleight
entangling lesser talents in a net

disdain and competition mongst the pieces
define the omnivores with exegesis

It’s now 6:32 PM, Mountain Standard Time. Not sure I’m happy with the sonnet, but am 100% sure I’m happy it is done. 🙂

2019 0722 mass sieve

Mass Sieve

Matrices • fleur de lis
Anaconda • bonhomie
S
upersaturation • Luv
Semipermeable Dove

As with many of these, it started with a pun. Massive became Mass Sieve. But a moment’s thought yielded the question: What IS a Mass Sieve? Mass is all the wavicular activity in matrices of the four forces of the non-apocalypse that brings everything to be. We could think of the sieve as that which is not mass but acts on it: gravity, the two nuclear forces, and electromagnetism.

My word choices came from a desire to have rhyme, reason and meter to them when read aloud. “Matrices” comes from a chapter in a math textbook: the chapter title was “Matrices and Determinants.” As I recall, it is a means of solving algebraic equations involving polymonials. A simplifying method, putting the coefficients in an array and doing…some calculations along the…diagonals? Geez, I used to KNOW all that stuff. Time humbles us.

“Fleur de lis” is to get the line to end with an S yet have the end-sound be a long e. Anaconda–I just love that word. It means a certain snake, and the word is long and rhythmic, just like a snake.

I love “bonhomie” too. It’s good luck that it fits.

“Supersaturation” is from chemistry class. Dissolve salt in water. The solution is saturated when no more salt will dissolve. But heat up the water and you can get more salt to commingle with the now-more-energetic molecules. SUPERsaturated! Put it in the fridge and crystals will form.

“Luv” is an alternative spelling of Love that came out of the late 60s of my youth. I had already discarded candidates like “Kiev” and “Asimov” because syllables. “Rev” and Vav” and “Lav” weren’t as good as “Luv” because a) fourth-line rhyme would be clunky b) the anachronistic aspect of “Luv” introduces the dimension of Time, and no cosmic force may act if it has zero time in which to act.

“Semipermeable Dove,” the final phrase, just feels magic. A Semi-Permeable Membrane is the mechanism for oxygen exchange and other vital functions, enabling life itself. The Dove is a worldwide symbol for Peace. Mass In; Peace Out! 🙂

2019 0721 rose rose rose rose

In the Boy Scouts, and in a human-relations camp called Anytown that I attended in June of 1971, there was a campfire song, and it’s especially compelling when sung as a round. There are at least two fine versions on YouTube, and I invite you to go from this post to a search for the video version of “Rose Red” to enhance your listening pleasure.

It has changed over the centuries. In its original form the word “marry” is short for “by the Virgin Mary” and means “yes indeed” or “of course” or “you bet.” The word “an” is an archaic way of saying “if.” “Thoult” is a contractual form of “thou wilt.” Isn’t that lovely?

“Rose, rose, rose, rose,
Will I ever see thee red?”

“Aye, marry, that thou wilt,
An thoult but stay.”

I have quoted three other Rose songs, one made popular by Nat King Cole. The Grateful Dead did a sort of sequel. But long before that was “The Yellow Rose of Texas,” which like “Rose Red” has changed over time. For its curious history see Wikipedia.

I was tempted to excerpt Dorothy Parker’s acid poem “One Perfect Rose” on the card but a) it’s not a song b) I ran out of room. (It can be argued that I had ALREADY run out of room–this is one crowded card!) But here we are in the non-image portion of this post, and herewith as a special feature is the final stanza of Ms. Parker’s poem:

Why is it no one ever sent me yet
One perfect limousine, do you suppose?
Ah no, it’s always just my luck to get
One perfect rose.

Lastly we come to the quadruple-acrostic I composed for the image:

rose rose rose rose

river, share a rarer mirror
only show soupçons of cheer. o
slip downstream to see with sighs
every petaled fettled prize

 

“In my hour of darkness, she is standing right in front of me/Speaking words of wisdom/Let It Be…” Paul McCartney

“Nada, nada, nada, nada.” Ernest Hemingway

20190719_050616

If Death gives me a ghastly look of uttermost disdain

I may take my immortal soul upon an Astral Plane

No Immortality’s too sure for us to be remiss

Necrology may get ourselves a sudden freakish Kiss