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Dylan has his Mighty Quinn, to which I riff: Come all at sea/Come all on land./You’ve not seen nothin’ like the Ampersand.

I just cannot get enough of this handy symbol. Six years ago, in the first year of my attempt at daily art-journaling, on the 8th of March, 2007, I did this:

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It is no coincidence that the Ampersand is placed close to where the pulse may be taken.

Here are the words, then and now:

Hope Not

Breathing is a part of Life
As are irritation,
Revelation, rest and strife,
Knowledge, information.

Tapestries of taste & sound
Have their place inside us,
Rigorousness may abound
In the world beside us.
Cauliflowered clouds may bloom
Energized unfolding doom.

Hope So

On the other hand
Here is a Mighty Pen

Noting ampersand
Onwarding again.

the mighty ampersand

antitheses unite
metastases to fight
pragmatic schemes alight
snarkiloquent if slight
delectables delight

 

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Here there is not the usual poetry, but rather a celebration of tonality in graphite. It is also celebrates that the original Ampersand design hippogriffed the e-t-c of Etcetera.

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Lynda Barry is a hyperaware, grit-dealing, truth-wielding patron saint of misfits. I have been an adoring fan of hers for over 15 years. (So have Tom Robbins and Matt Groening.) I hope to fill the right side of this work in progress with a poem worthy of her, but that must wait until I finish CRUDDY, her illustrated novel. I started the book when my daughter was eleven or twelve; she’s 23 now. The book slipped through my fingers, back to its owner, Marty K, way back then; he has reloaned it to me. Stay tuned for completion, followed by completion.