My younger self probably had some connectivity in mind with the triangle-circumscribed word “flax” and a woman trying to net a butterfly. If I had remembered, a far different finished drawing would have been executed. This one is a lot of free-associative groping. I like that I learned that Fl is the symbol for the trans-uranic synthetic element Flerovium. That opened a big cardboard box of weird, interesting stuff, like the term “double magic” and the fact that only 90 or so flerovium atoms have presented themselves for study.
Tag Archives: art
Finishline 20th B: Greta Garbo


I am a fan of the woman who was famous for saying “I want to be alone.” She was alive, she was strangely lovely, and she did it her way every bit as much as Frank Sinatra ever did.
Greta Garbo
Grand Hotel had a capital G
RUSSIA begat Ninotchka
Exit the doomed Mlle Gautier
Then exit the self-eclipsed orb
All PRAISE one magnificent solo
Finishline 20th A: Check Continuum


When I was a night clerk at Sedona Winds Independent Living Retirement Community, I had about 5 hours of work–preparing menus, folding napkins and setting tables, collecting bags of trash and meal trays from outside resident doors, preparing coffee and distributing newspapers, plus other odd tasks–in an eight-hour shift. The rest of my shift my main job was to stay awake and alert in case of emergencies and/or phone calls or visits from residents. So I formed the habit of drawing 15×15 grids, because the N.Y. Times and LA Times crossword puzzles were 15×15. Sometimes I tried my hand at crossword puzzle construction. Two such efforts, never finished, are on this page.
Crossword grids make good backgrounds for artwork, and I’ve used them suchwise many times. Here I have tried to make them more like main characters.
Finishline 19th: eff is for…
Finishline 18th: Lumen Naughty
Light intrigues, dazzles, guides, bathes. This acrostic says that it may also be mischievous. And there is a sub-acrostic, Flash Light, that is poetically a cousin to Flash Fiction: hit-and-run, quick taste, seeyalater.
Lumen Naughty
Let unsophistication reign
Uncultured juvenilia
Metastasizes slim and smug
Evangelism’s High and Nigh
Now Tyrus has become a Ty
Trivia: Baseball Hall of Famer Ty Cobb’s first name was Tyrus. Ty Cobb was in a way the Pete Rose of his generation.
Flash Light
Fossssil
Lanai
Augmenting
Shibboleth
Hatchet
Finishline 17th: Craz I Ness
When I ran across this old drawing with the acrostic “Craz I Ness” my immediate thought was “Needs more Crazy. A LOT more.” So i crzied it up, including having the last two lines cross paths.
Craz I Ness
Cacophonic wail and moan
Rigid blinkless smile of bone
Aerie’s music’s background strains
Zealotries leave marks and stains
Finishline 15th: timor mortis
The initial sketch, done recently, was an exercise: Use of Quiver-Lines to Emphasize Fear. Did it and moved on. Came back and learned that it wanted to be finished. Brought it to this stage of completion. It is not GUERNICA, nor the Sistine Chapel ceiling and walls, but it should tell a story a little bit different with each viewer.
Finishline 13th: spoon duo
Finishline 12th: Gloam & Dome
Long ago an art professor, Scott by name, declaimed to his class, “When you are painting, it is better to make a BOLD LIE than a Timid Truth.” And there is a bit of Bold Truth to that, though this is not a mutually-exclusive, either/or world.
Long before Stephen King wrote UNDER THE DOME, John Brunner wrote STAND ON ZANZIBAR and briefly mentioned “Fuller domes.” And of course Buckminster Fuller, that exceedingly visionary eccentric, had the original notion.
Gloam & Dome
Gopher holes and fumaroles oft perforated the land
Practicing the underground with furrows Meath the sand
Obelisky business sparks imagination too
All the ancient myths in shadow beckon fleet and loom
Makes a zealot want to beat upon a kettled droome
Finishline 11th: oath
Sometimes the impulse to draw springs from a mind’s-eye full-blown vision, with all the conceptual exploring already done. Other times there is a vague notion, of a character or a setting or a quotation, perhaps, and some exploration occurs while drawing. Yet other times the artist just grabs something to draw with and thinks, “I FEEL like drawing, but I have no idea. So let’s just see what happens.”
I have only a slight, tickly notion of what I was thinking when I made the original drawing, which likely happened at least eight years ago. I think I was imagining the taking of an oath of office in a future where doing such would be much more reflective of the person elected, and not straitjacketed by hand-on-Bible or other arcana.
Some day I’ll take a drawing as incompletely formed as this one was, make a hundred copies, and finish them a hundred ways, each as radically different from all the others as reality, including my imagination, allows. It will be an odd hat-tip to Andy Warhol, for reasons obvious and not.