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January is finally in the rear-view mirror. Here’s hoping February is better. However . . .

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Here’s a sketch I did during the final hour of my employment at Sedona Winds. I look dispirited. However, here’s how my Facebook update read:

“Last day of work for Sedona Winds included a lot of hugs from residents and staff, some incredulity that I was leaving, and a kajillion wish-me-wells. An award-winning photographer gave me a beautiful signed photo of a segment of our red-rock surrounds, and a sweet lady from upstairs gave me a couple of homemade gluten-free cookies and a couple of storebought gluten-saturated confections. I learned a lot about latter life from these folks and I will miss them mightily.”

Then I went home and to bed, and behold, my left leg started acting as if it had burst a cyst on the side of the knee. Stiffness/worsening pain. By morning I could hardly walk. However, it felt better when I walked around some. Things were looking up. However . . .

I finished packing and my now former Sweetheart, Denise, drove me to Phoenix. The move is emotional as well as physical. Denise and I are parting ways. However, we hold good thoughts for a better future. However . . .

The leg is getting worse. I walked a lot, but it loosened only a little, and stiffened again as soon as I sat down. However . . .

I now have a Limp joke.

How can you not limp and yet walk with a pronounced Limp [O Zen Master]?
Walk briskly and say the word “Limp” every other step. You are now walking with a pronounced Limp.

[WAAAA waaaah . . .]

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gently dream’d

gossamer slipt on her sweet lyrish hips & it set a silver mood
enter distractions & traffic infractions on 8 trucks & also a scooter
next is their exodus & Ah alone at last–alas romance seems to elude
tendered apologies render’d her all at ease now for the crackers & Gouda
less from the strategists more from the magic-kiss’d wishing to circumvent DOOOOOOM
you on the pedestals–we bid you cease menace to us so please/kindly get clue’d

Here is a rare foray into panelized cartooning, which I will dedicate to a blog-follower of mine with whom I’ve traded quips over the front desk where I work. His initials are BS, and that’s no BS. BS, I trust you’re a BLAZING SADDLES fan. Hope so, anyway–it will make this cartoon of mine instantly gettable.

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Thanks to Mel Brooks, on whose coattails I’m riding for this one. Mel, you’re the greatest.

Confession: I drew this in about fifteen minutes using a graphite stick and the seat of my pants. I then almost used a bogus meant-to-intrigue title, “Unavoidable Implications,” with the intention of having people see things that weren’t there. Well, I’ve been Phony-Baloney before with such fudging, and I may well be again (I only hope it’s not as cut-and-dried Phony-Baloney, though), but not this time. This is a tone study, and it emanates as if chiming, so “tone chime” it is.

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For better or worse, here is the final version of a drawing I’ve been working on for more than three weeks. It is based on an illustration accompanying an acrostic poem, “Spectral Sanctums,” I wrote late last year. (Interested? Here is a link: https://onewithclay.wordpress.com/2014/12/30/spectral-sanctums/ )The illustration was of a smaller scale, 8-1/2″ x 5-1/2″, and had no cutlery nor stoneware on the placemat. This one’s 22″ x 30″, the largest-scale drawing I’ve made since the 80s. Here’s a photo Denise took this morning of me holding the drawing:

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My working title for this drawing was “Homage to Bruegel.” Pieter Breugel the Elder had painted landscapes and peasantry and then let you know what was REALLY going on via the title; thus “Landscape with the Fall of Icarus” has the requisite elements of ploughman, shepherd and fisherman vying for attention while poor doomed Icarus’s legs are all that can be seen as Icarus plunges into the sea. Analogously, I have a fork in much smaller scale off the placemat and seemingly on a different trajectory than the place setting. It is meant to compound the “what’s wrong with this picture?” incongruity of a dinner setting against the Cosmos.

But Denise instantly upon seeing the drawing came up with a title that I like much better, so “God’s Dinner Table” it remains.

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face-a-doodle-do

some look glum but aren’t
some look grim and are
some reveal and some conceal
and some are just so far

saw a mad one shuddered
saw a doll admired her
squint in the mirror makes clearer and clearer
age always makes us look tireder

changing with weather and shadows
moods and events lifestyles races
what a kaleidoscope much more than i’d a hoped
fashion or freak show of faces

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Tonight PBS took us to the New York Metropolitan Opera and a performance of THE MARRIAGE OF FIGARO. You don’t need subtitles to be able to tell there’s a whole lot of Silliness going on. And yet Figaro and his antics have been gracing stages worldwide for more than 200 years. So I find to my considerable comfort that Silliness and Staying Power are not mutually exclusive.

Here I’ve done something quite Silly. The title’s two puns, there’s a Pathet-ically obscure reference, a human Mickey Mouse wears Mickey Mouse ears and a tie festooned with Minnie Mice, and there’s nothing but name-dropping in the lower right hand corner. But: there’s tricky asymmetric balance. There’s a pulse in it of letter size variance and oddly “coincidental” alignment. And there’s a relaxed unforcedness to it that implies an omnipresence of freedom. There’s subtler stuff I won’t describe but I hope will be discovered. So it exists and I deem it worthy of a viewer’s attention. A few days later, though, I may well wonder what the Hell I was thinking . . .

thyme out

there’s no such thing as the Pathet Lao
howbeit Romeo where art thou
yet SPICE invigorates sweet & tart
mercator fibs but o boy can he chart
enticed inducements wave & dart

tie min

tandy, jessica/novak, kim
ian, janis & hendrix, jimi
elfman, danny or elfman, jen

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This post/dispatch is being generated from a hotel room in Flagstaff, Arizona. The image suffers some by being neither scanned nor photoedited; but since it covers some unpretty truth, perhaps it’s so much the better.

Game Changer

Guys had shop and girls Home Ec
Astrophysicists went tech
Anthropologists did Mecca
Artists felt the figures beckon
Modern work’s on shaky decking
Miss a paycheck reap the wreckage
Endtime horsemen’s horses nicker

Sumup: All are born unemployed. Some become unemployed. And all eventually have unemployment thrust upon them. The silver lining is that we are more than our jobs, and meeting the challenge of learning that fact yields a far more spiritual reward than “Pay to the order of…”

Using the problem-solving compulsion of a materialistic Westerner, it is easy to demonstrate the sound of one hand clapping. One needs only clap the four fingers against the thumb pad and hand heel. It sounds like the underwater applause of diaphanous tail fins. (No, it doesn’t. Maybe the emerging koan is now “What is the sound of underwater diaphanous-tail-fin applause?”)

At any rate, yesterday I started a doodle, got what I wanted from it, and abandoned it. Today I was looking at the pomegranate tree by the driveway and lines metrically near-identical came. I unabandoned my doodle and added a title and the two lines to it. The result is a quasi-koan, though I’d love to hear arguments that it is not.

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A week ago my dear and wonderful friend of more than twenty-four years, Karen Wilkinson, was alive and well. Friday she was stricken and felled by a brain aneurysm. Monday they removed life support and, I infer, harvested what organs of hers they could use.

While she was still not technically dead, I tried feebly to do creative things. Here’s what I did on Sunday the 4th:

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The would-be poem seems finished but is not. After Karen died, I tried again, and wrote what I intend to read at the Caffeine Corridor poetry event tomorrow night:

fiddle away over and out

there was this girl in a jeans skirt in the spring of 1990
librarian glasses and face and demeanor like talia shire in rocky
but with a violin that spoke for her
boldly stepping into the sound of the livingroom band she’d just joined
and the girl and her fiddle turned three needy guitars into contrapuntal gold
at times trumping them with platinum

years later “roller derby queen” by jim croce reached new heights
when during the instrumental the sound crescendoed
and the fiddle did a trick of stringzipping into the stratosphere
followed by a beat of complete and magic silence
followed by the resumption of the raucous rollicking sound

the girl and her fiddle went with her piano-playing pal to jazz camp
and they grinned and grinned on their return

elsewhere in 2007
much of the band went to a cabin near grand lake colorado
played and played and sang and danced and snored and hiked and played and played
the promised moose never showed but the music flowed and made all all right
and the fiddler bent and swayed with that music and folded her excellence into it

her face focused transcendence
her rosined bow a dervish

sometimes she’d take the fiddle away from her chin and sing
because she wanted to hold voice-hands with the rest of us

and through a miracle of wishful thinking and overdub
i hear her voice and fiddle now together