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A few posts ago I featured my Village Gallery colleague Ricki Losee and mentioned that there was one other artist that I hoped to do a page on. Here is the page, and here is she. Patty Hoisch is a person whose talents include songwriting, song performance, lapidary, jewelry design and meeting management–and I’m just scratching the surface here. She is also patient and gracious, even in the face of a horrible pun perpetrated in her name: I asked her if she were familiar with STAR TREK: THE NEXT GENERATION; she said yes; I then suggested she get a ST:TNG Patrick Stewart action figure, “…so you can be Hoisch by your own Picard.” She should have done me grievous bodily harm; instead she smiled, politely but sweetly.

She has a website, Wild Hare Arts, which showcases her beautiful creations. Here is a link: http://wildharearts.com/

Here are the words to the quadruple acrostic:

When a happy whispered Aaaaah
Infiltrates a cloister’s spa
Let coquettish smiles appear
Delicately chart [or chase] a sphere

In the background of my drawing is a page of the sheet music she wrote for the cello part of her song “Shadow on the Wall.” Her husband Tom plays electric cello, and the two of them make beautiful music together.

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Here is a page with three prominent words. Each of the words may serve as both noun and verb. The three together, as verbs in the imperative, may serve as three simple instructions with optional complication: Puzzle [out truth through experience]; Play [with concepts and correlation]; Ground [your puzzling and playing with a goal-seeking algorithm]. The three may also be read as two ganging up on the third: PuzzlePlay Ground or Puzzle Playground. We’re going to squeeze these words for all they’re worth here.

I’m at a point in my journey as an artist where I feel everything I’ve done so far, and especially what I’ve done in the last seven years, has gained inertia and inevitability so that new work demands to be done independent of my will to do it, along a path I have less and less control in deviation. Example: I’ve been making crossword puzzle grids for months now. I’m not getting any better at making them, but something in the core of my art identity demands that I keep making them, night after night. Sometimes I use the grids to replicate the crossword patterns in the newspaper, so that I don’t mark up the newspaper to solve the puzzle, but this is happening less and less lately. And there’s a growing sense that soon I’ll be going 3D with resin or PVC, making cubes and other volumes that contain text-units (i.e. alphanumerics), and writing poetry more suited to three-dimensional space; hypercrostic poetry, if you will. Perhaps the hundreds upon hundreds of acrostic poems I’ve done have been merely preparative prelude to what I will be doing. It seems daunting/impossible to do what I’m describing, though.

True story: some years ago a friend of mine had a dream about me. In the dream I was painting three-dimensionally. –Maybe I’m just remembering her telling me about that dream, and now imagining what it would be like, best I can. (I don’t really have to imagine: Philip José Farmer described a means of doing so, as practiced by his protagonist Chibiabos Elgreco Winnegan, in his Hugo-Winning novella “Riders of the Purple Wage.” It is preposterous and wonderfully, wildly imaginative.)

Howbeit, here are the words to my unhyper acrostic:

Party’s dull–perhaps it needs some ZING
Ugly lull–small hope that most’ll linger
Ziggy Stardust’s not along–nor RINGO
Zebra stripes don’t translate to Urdu
Let’s a Maze–a labyrinthine BOON
Enter energy to knit a wound

 

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And in conclusion, here’s something written in response to a challenge that reads, and I quote, “Write a poem about the Dalai Lama’s lost weekend.”

hello, dalai

who’s that guy at the bar
oh it’s me
lama lama ding dong
hey tarbender
gimme one with everything bwah hahahaha
ackshully
i’ll have a sloe gin fizz
but make it fast

[three drinks later]

hey babe
lao me to innaduce myself
i’m the fourteenth reincarnation
of the big eightfold cheese
of tibetan buddhism

no i don’ have a light
unless enlightenment counts
oh okay seeya

[three drinks later]

row row row yer bodhi
genly down the streeeet
mellowly mellowly mellowly mellowly
lives are too discrete

[three drinks later]

hey babe
lao mi to induce myselv
i’m the lama yer dreams
and i’m up for grabs
and when i undress
i disrobe

hey whey ya goin??!

geez
who yagodda drink to get a screw around here

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About a year ago, give or take a few months, my daughter Kate and I were having burgers at the 5&Diner off Colter and 16th Street in Phoenix. The above prototype page would not exist were it not for the conversation we had. I hope this develops into something steady, but realistically, maybe not.

Seven-odd years ago I did a page contemplating obsolescence and the fight against it. My first line was “Tyrannosaurus Rex was once a Large & Sexy Beast.” The page entire looked like this:

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A couple of days ago I posted a picture on Facebook that my Sweetheart, Denise, took of me after I’d worked a graveyard shift and then slept a few hours, acquiring an epic Bed Head. Here is the picture:

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I labelled it “Celebrities Without Their Makeup (Non-Celebrity Edition).” Got over 30 Likes and this echoic comment from my dear and Magic friend Mary: “Sexy Beast.” So if my arms start shortening, I’ll know I’m in real trouble.

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Part of the miracle of life is that the tiniest intact artifact, one single living cell, contains the blueprints of the entire living thing. Part of the wonder of the life-death oscillation is that though dead a leaf may tell details great and small of the tree it fluttered from. Part of the joy of mathematical expression is found in the concept of Fractals. This is the remnant of the hundreds of thousands of words I need to say to do the subject justice. [pensive frown]

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There are two related but distinct sets of words on this page. Here is the first:

a mutter comes from cosmic convolutions
a sigh may be celestial sometimes
for fists & guns a lack of quick solutions
ensures no lack of tears nor fire nor rhymes

Here is the second:

Lamps have shades & lifts have load
Images & rocks erode
Gophers dig & bunnies hop
Humans flash & strobe white/hot
Thus we kill & mourn the moth

When I was building the image I thought of my erstwhile Drawing & Composition sensei, Darlene Goto, whose two main sets of words/advice for her students were “Darker darks!” and “Use a full range of value.” Ms. Goto, thank you.