Archive

Tag Archives: Bach

Back in the Spring of 1974, if memory serves, I had one semester of Class Piano at Glendale Community College. My recital piece was Bach’s Minuet in G. A few bars before the end my mind blanked and I froze. Almost instantly it cleared. When I resumed, it was on the beat, as if I’d inserted a rest to build up suspense. The relieved crowd applauded heartily.

Backlit Sonatas

Bonus Footage, mete Duress
Brahms and Bach, relieve our stress
Airs as light as toasted Eggo®
Aspirate our woes allegro
Cantos and concertos drawn
Catch the aspect of a Swan
Knowledged folk, from Quite to Nada
Keep–some can, and some cantata
Languid chords with which we’re blest
Let us f l o a t and pass the test
In a world of Pain and Mess, a
Taste of tunes may decompress

Usually when I select words of seven-letter length for the acrostic bookends it’s because I intend to write a sonnet. Sonnets are fourteen lines. I may well have intended to do so when I originally laid out this page, but when push came to crunch today I used the KISS principle. No matter what you’ve heard before, the civilized KISS stands for Keep It Simple, Sweetheart. This layered, necessarily-murky page needed, I felt, all the Simplicity it could get.

There are two awful puns in the poetry. You, dear Reader, are welcome to ignore them if you wish.

Image

This post will be a blast and a half from the past. Above is the first blast, intact; the remaining half-blast will come from below, which sounds hellish, though I trust it will only seem hellish to those for whom incompleteness is maddening.

The words to the above are these:

Signore Klein, acquitted in absentia
Significantly troubled w/Dementia
Called 4 his fiddlers 3 and scribing ruler
Consanguinizing Euclid Bach and Euler
Encephalitis roped his oblongati
Ensuring flood of each syn-aptic wadi
Now he’s Semi-Conducting Impresario
Near-virtual-almost-but-for Lothario

To my current shame, at the time I made this I thought Ruler and Euler rhymed. They do not. If I ever do a remake of this page (and there are several reasons to do so. One reason is the right half of the acrostic, Ario, doesn’t “lay down” worth a darn) I’ll have Signore Klein call for, not a scribing ruler, but a  double boiler, or somesuch.

The words of the half-page below follow, Why only a half-page, when I have the page complete? Because the page entire is too big for my scanner, and after I scanned top and bottom as separate files, I loved the “fade to black” aspect of the top half, and realized that leaving something out gave the page a needed visual and cerebral boost. If any reader just can’t stand not knowing how the sonnet (it is a sonnet, an acrostic sonnet, and the acrostic is An Intersection) turns out, I will supply the rest of the words in a subsequent comment. But I invite anyone with a poetic bent to complete the sonnet  her- or himself; perhaps it will be better than what I came up with, which begins

A many of us tend to be half nervous
Near crossing paths with those we hadn’t met.
It’s anxiousy, proximity; a pet
Needs toothsinks–or her lips are ultracurvous–
Then as we reach the overlap of X
Essential tension rises to a spike;
Reactiveness depends on if we like
Such eye contact as is. It’s quite complex…

Image.