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the brave gunmetal-glazed bird // this bird began as an intangible idea of defiance / and then whirled around as clay on a potter’s wheel /her vase shape changed with the slice of a needle tool and the folding-in of her body / with sculpted neck and vestigial wings and tail feathers added / and her head formed of pressure of clay against thumb / the blunt end of the needle tool making eyepits / her ungainly beak a folded rhombus of clay slip&scored to her head / and her head slip&scored to her neck / and tilted back so she could give her wild eyes / to heaven

Here are two of my recent bird sculptures. One is glazed, one unglazed, and I may leave the unglazed one as is because it is nicely ghostlike in contrast to its mate. If my diabolical plans come to fruition, they will be worth at least $1000 US each in less than two years. But I’d be glad to sell the both of them TODAY ONLY for a grand total of $100.00 plus shipping (free delivery in the Phoenix, AZ area, though). Any interested party may either leave a comment on this post or e-mail me at onewithclay@hotmail.com. Deadline is midnight Mountain Standard Time today, May 29, 2023. Support the Arts, Friends!!

Last Saturday I put my hands on clay for the first time in forever. And I resumed my Weird Bird series with this “Scorpion Bird,” so named due to the resemblance of the beak to a scorpion’s tail and stinger. I return to PIP Coffee Plus Clay this Wednesday to put final touches on it, and then it will go in the oven. Here’s hoping 2023 will be the year of becoming fully One With Clay again!

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These are two birds I sculpted yesterday.

And here are some lines sculpted by Neil Young long ago, for his song “Birds”:

Lover, there will be another one
Who’ll hover over you beneath the Sun
Tomorrow, see the things that never come
Today…

It is an oblique, haunting song about separation. In the subtext is the notion that the one being abandoned will be, ultimately, better off. The phrase “It’s over” occurs four times.

I wasn’t thinking of “Birds” when I did these, but it occurs to me that these two may be best off as friends.

Today I left work early and went to Sahuaro Ranch Park, where my sculptured bird is on display as part of the 57th Annual Glendale Arts Council’s Juried Show. I found my bird, “Cockeyed Optimist,” on a little pedestal:

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Less than an hour later I was sitting in front of the entrance of the library just north of Sahuaro Ranch Park, and a peacock walked by and then stood in front of me:

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As for being Tubered, I have been on this planet for more than 65 years, and only today learned that the word “tuber” comes from the same source as “protuberant.” It delights me that “tuber” is bookended by “pro” and “ant.” Just waiting to be unearthed by a word-digger in need of sustenance! 🙂

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Today in the mail came the news that one of my entries for the 57th annual Glendale arts Council Juried Fine Arts Competition was selected for inclusion in the show.

My delight at being included is made more savory by the fact that this acceptance makes SIX consecutive decades that I’ve gotten in at least one year. Way back in 1975, when I was an art student at the University of Arizona, my artwork was included in the show for the first time. Kept plugging away during the 80s, 90s, 00s, and 10s, with an acceptance/rejection rate of maybe 60% or so for the years I entered. Some years I struck out completely. One year I went 3 for 3.

I grew up in Glendale, Arizona so I try to enter the show when feasible, being a loyal son of Glendale.

The birds above were not entered, but were made along with the entries (also clay sculptures of birds) in the same “Beyond Basic Wheel Throwing” class I’ve been taking at the Thunderbird Center for the Arts, instructed by master potter Jon Higuchi. If you want to see the bird that is in the show, please make your way to the Fruit Packing Plant at Sahuaro Ranch Park, just north of Glendale Community College. A display of all entries will be there January 11th and 12th, and the pieces in the Juried Show will be available to view from the 14th through the 26th, 10AM to 5PM. Stay tuned for a future post of the show itself, Friends!

Here’s a Stephen Crane poem in its entirety, courtesy of the Poetry Foundation:

 

A Man Said to the Universe

A man said to the universe:
“Sir, I exist!”
“However,” replied the universe,
“The fact has not created in me
A sense of obligation.”
****
Three things strike me, fifty years after I first read, and was enamored with, this poem. Third, the Universe is conversing with the man as if the man were NOT part of Herself. Perhaps the man feels lonely and he has codified his loneliness, and sense of rejection, into this imagined conversation.
Second, She has a voice. How does She speak? Does She implant thoughts in the man’s head, does She make air vibrate, or did She employ corporeal form Ă  la Dr. Strange’s odd compadre Eternity, who resides in the universe of Marvel Comics? Or is the man imagining it all?
But first and foremost, the man addresses the Universe as “Sir.” I think he is wrong to do so. The Universe is forever gestating, creating phenomena without end. And all of Her creations are still in Her womb, for She IS the womb.
So, playfully-or-not, I reboot Crane’s notion, thus:
Gary Said to the Universe
Gary said to the Universe,
“Ma’am, I exist!”
Here is some proof:
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I finished that just this morning. And here are some vessels, Ma’am, made from your very own clay:
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Ma’am, I just want to say I’m grateful to be here.
And ask you: Did God make you?”
“Yes, we are,” replied the Universe.
“As to your question,
We can but reply
‘Here we are.'”
“I don’t understand,” I answered.
“You cannot understand,” She replied.
End of reboot, except to say
I’m neither believer nor atheist,
And this is Exhibit A.