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gather round the watering bowl

the clay-form array on the ware board looked as if

they were waiting for some water in brother bowl

..

the chess pieces are bone dry

the bowl and birds were just made

and are still wet

..

when all are dry they will be bisque fired

and then glazed and glaze fired

a continuance of a tradition

that began millennia ago

..

and when the glazed ware emerges from the kiln

perhaps there will be another gathering

around the bowl

..

perhaps some non-canterbury tales told

perhaps love made

Bishop Confers with Rook

Hey Rook, said the Bishop, the Queen’s Knight has his eye on me

I am threatened

How about defending me?

.

Can’t, said the Rook

You may well go down in a move or two

But it will be for the greater good

.

I don’t want to die! cried the Bishop

.

Cmon, Holy Father

You guys are born to be sacrificed

They might even make a saint out of you

.

You heartless pile of bricks! the Bishop sniped

You have never given me so much as the time of day

.

Not true, said the Rook

I pray for you every move

That you do the right thing

Now go to King’s Bishop Six

And we will win

.

Reluctantly the Bishop did as told

And the enemy Knight ran him through

And four moves later the Enemy was checkmated

According to the Maker’s plan

.

The Bishop sighed as he was put away

Another game another lancing of the heart

But every piece gets put away sooner or later

And, miraculously,

Each new game starts with Resurrection

And Re-Deployment

Darling

said the King

the enemy is breaking through

and I am vulnerable

.

Sweetie

said the Queen

it is time for me to do what I must

give us a kiss

.

a kiss and she was off

and quickly felled after taking the Bishop
on the enemy’s Queen side

and her capture exposed the enemy’s flank

and the Queen’s Rook quickly moved to the seventh rank

and thanks to the brave Queen’s sacrifice

the enemy was defeated

but her King

was more vulnerable than ever

and devastated.

one chess strategy is to get your opponent to surround their king with their own pieces

then your mild-mannered knight swoops in and attacks their king

and their king can’t move and your knight cannot be taken so checkmate they lose

and this is called a “smothered mate”

which is a good description of the cause of many divorces

so be kind to your mates mates

make sure they have breathing room and wiggle room

abide but do not abrade nor preside

and don’t play chess games to win love

2019 0722 chopped sonnets

It is 5:42 PM on Monday, July 22, 2019. I have finished the drawing above but I have not written the sonnet that goes with the image. I haven’t even conceived the sonnet, except for the acrostic and the vague notion that since the title is “Chopped Sonnets” there should be some disjointedness to it. So my challenge, and what I’ll devote the rest of the post to, is to write the sonnet in such a way that the image enhances it, while following the sonnet form of fourteen lines in iambic pentameter, Shakespearean rhyme scheme of abab cdcd efef gg. (May have to settle for near-rhymes since there will be different end-letters.) But if I ever calligraph the sonnet it won’t be in the image. I may try to make the calligraphy work with the image as the second panel of a diptych.

chopped sonnets

consolidating dance and thought is chess
conquistadores shifting ebbs and flows

hop, skip, and capture, give the king distress–o
hung royalty thrills groundlings ever so

our couple wants to dance the checkered plain
own conquests of dexterity and sheen

push pawnlike through the midground yet unslain
promoted on the eighth rank to a queen

perhaps they’ll then diagonally bite
pawns of the enemy, then pirhouette

en pointe across and check and bait and sleight
entangling lesser talents in a net

disdain and competition mongst the pieces
define the omnivores with exegesis

It’s now 6:32 PM, Mountain Standard Time. Not sure I’m happy with the sonnet, but am 100% sure I’m happy it is done. 🙂

20190217_111126

Two people, or maybe three, or maybe two at different times. A defective chess board, or maybe a more perfect, cruciality-driven meld of game and life.

Most of this was done late December 2018. Today I made modifications. It is not new for an artwork to change with time: the whole film medium depends on that dynamic. Here you have documented static and dynamic, with two specific, but not too specific, times.

life n chess 2019 0102

I have not played chess for a long time. At my best I wasn’t very good. But Chess is great subject matter, 2D or 3D. When I was heavily into ceramic sculpture I made several chess pieces with human heads and sometimes limbs; and I made at least two chess sets. I’ve wanted for a long time to draw or paint all the moves of a chess match in comic-book panel continuity, warping the board and pieces with each move to show the drama that was going on. But that is a MAJOR project and will have to wait.

Life and Chess overlap in the realms of Conflict, Positioning, Caste, and Planning. With chess AI proving sufficiently good to defeat chess grandmasters, it has become apparent that the ability to exhaustively review all possible moves “checkmates” ingenuity and intuition. Perhaps we will be humbled enough to move on to endeavors that are not combative. Therein lies Peace On Earth, my friends.

Life & Chess

Loose astringents may be styptic
Tight dual portraits form a diptych
Friend turned foe may grip may seize
Even with bewobbled knees
& find looseness holds the keys

Notice the mistake I made in line 2. I forgot the second letter was an I, and looking at it thought it was an T, the base of the L doing double-duty as a crossbar. It’s an easy fix–change “Tight” to “Inked” and it even makes more sense, although we lose the dichotomy from line 1’s “Loose”–but let’s let it be. It’s Human.

Image

Many art supply stores have wooden pose-able models in sizes from keychain to full scale. The one double-track-drawn here is about four inches high. I took approximately the same liberties with flexure and expression as Gene Colan did with his renderings of Iron Man, lo these several decades past.

(About seven years ago I sent “Genial Gene” a gushing fan e-mail, praising his storytelling illustration, and he quickly and nicely answered in true gentleman fashion. Just found out three minutes ago that he died in 2011. Alas! Here’s a link for the curious: http://en.wikipedia.org/wiki/Gene_Colan )

Anyway, it occurred to me that these anonymous mannequinesques would make good chess pawns, and I’ve been into grids lately, so…

Here are the words, for the third time, sort of:

Participants should come a’board’–we’ll start ASAP
And then ‘square’ off in reenacted war or game or deal
Whine, loose or drawl: no ‘stale mate’ allowed, nor bargained plea
Nor b’rook’ing op’position’ via mattress glue–too sealy

 

Image

This is part of the chess-piece-based series done in the early 2000s. The surface is a faux finish obtained at Ace Hardware. The original was a fountain, including a birdbathy bowl with the same surface treatment, and a small pump, also obtained at Ace. The bowl started to get mineral-deposit funky, and the fountain effect (out of the top of the head) didn’t really add to the piece, so the bowl and the pump were ditched. Amazing, the similarity in facial features to Denise’s, though this was done years and years before we met.

Image

A few years after the chess series came the tower series. This skyscraperish tower seemed incomplete. I was doing birds at the same time, so I made one to append, with a fond tip of the hat to the classic 30s film KING KONG. The title is “Kingfisher Kong” though the avianesque wallhanger bears little resemblance to any of the Kingfisher clan. If I ever do a remake, the species resemblance will be more true to life.

Image

Here’s a close-up of “Pterence Dactyl,” making his second appearance in these blog posts.

Image

Here’s some miscellany standing guard in the garage. A couple of things using the plaster cast of my life mask; some functional pottery; a Status of Liberty and an Eiffel Tower from Jan Peterson’s “Draw from the Hat” qucik-sculpt assignments; another from the Tower series, and two survivors of the “Some Assembly Required” series, wherein I made vases, sliced them up with a fettling knife, and slipped and scored and reassembled them in non-functional arrays.

Fettling knife–slipping and scoring–roulettes, batts, banding wheels, double-bellied, slab roller, extruder, pug mill–I love the language of Ceramics!

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