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I bought an ice-cream cone for my friend of 37 years, Donna Atkins Parella. Today is her hmmdee-hmmph birthday. Sadly, she’s not here, so I ate it in her honor. Donna Sue, I owe you one . . .

The acrostic was done on the platform, and then in one of the cars, of the Valley Metro Light Rail. When I was on the platform cars kept stopping in front of me, waiting for the light to change. Kimon Nicolaïdes once said “draw anything,” so I drew one of the cars. Then the not-quite-word “carlessness” came, I being a pedestrian, and the words obediently followed . . .

Chevy Impala was used to attain
ATTITUDE ALTITUDE though no jet plane
Recent additions have hybridish graces
Ramp up, pedestrians–off to the races

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It is March 20, 2016, sometime before 8am, Mountain Standard Time. I’m at the McDonald’s just off 19th Avenue on Northern, with about 45 minutes’ wait before the next #80 (Northern/Shea) bus. I would be on the light rail, but a uniformed security officer told me there’d been a bad accident just south, and I’d have to take the bus.

All this date/time/place/event stamping is due to the all-text drawing above, based on thinking I’d done earlier this morning. The first thought was a two-word phrase that popped into my head unbidden: factory air. “Factory air” was a phrase car dealers used back in the mid-60s to describe the air conditioning that came with the car they were selling. A dealership named Westward Pontiac touted its wares on TV. Their pitchman, one Hal Sideler, said they were “right on the price, and right on the corner of north 7th Street and Highland, just a block south of Camelback.” (Highland is actuallya quarter mile south of Camelback. Used-car salesmen of the 60s had a deserved reputation for exaggeration, if not  outright lying. They bragged that the car they were selling was “clean.” ??? They would put “OK” stickers in the corner of the windshields. ???)

“Factory air” reminded me of commercials of the past, and then TV shows of the past, and then an obscure cartoon called Klondike Kat. This was a talking cat of the Royal Canadian Mounted Police whose adversary was one Savoir-Faire, a talking, ne’er-do-well mouse. “I’ll make mincemeat out of that maouse!” Klondike Kat would say. And Savoir-Faire would say, “Savoir-Faire ees EVERYWHERE.” Well, that rhymes with Factory Air, and so took its place as Phrase II.

At that point I started actively thinking of Phrase III. It would have to rhyme with the other two. Almost immediately another catchphrase came to mind, near the top of the mind-landfill, unthought-of for the longest time (and yet people use the phrase to this day to describe an intelligent person). “Smarter than the average bear” is Yogi Bear’s catchphrase description of himself. (Many cartoon characters have catchphrases. Snagglepuss’s was “Exit, stage left.” He also said things like, “I might expire. –DIE, even.”)

All three phrases fit nicely on an index card, semi-psychedelicized for Art’s sake. And all of us have landfills of the mind (or broom closets of the mind, if you prefer) where the pieces of days past, be they phrases, scents, moments, sensations, or ghosts (ultimately, all things past become ghosts), lay heaped.

Today three pieces got recycled.

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The word cereal comes from a Goddess. The word really is an offshoot of Reality itself. As I poured myself a bowl of raisin bran, I  thought it would be nice to marry them, bookending some ordered-chaos words with a quadruple acrostic.

creation’s non-arc
eerily evokes a tree
radiation stellar
elevates its clientele
alleluia to the hula
lyric-etched vinyl

This may remind a few of a large drawing I made over a year ago. That drawing, alas, seems to be lost forever. This may be the start on a replacement.

 

 

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the real me

when searching for the real me
a thousand falsehoods i did see
and then a chiding voice said “you!
look elsewhere or you’ll lose the true.
you need more sisters and more brothers.
the real you resides in others.”

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In earlier posts there were prototype/preliminary sketches of Daniel. They were unsatisfactory. I showed them to Daniel and said so, and he was kind enough and interested enough to provide a couple of photographs for me to work from. The above index-card portrait is the result, which did seem to capture both likeness and personality to some extent. Daniel seemed pleased, and also authorized its use in this blog post.

The next in the series will be Erika, whose credo is “Live each day as if it were your last.” Please stay tuned!

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At long, long last my Residential Drawing Station is operational, and I have many to thank. The fluorescent drawing-table lamp was a gift from my parents more than forty years ago. The pencil was part of a package of pencils given me by my then-wife, Joni, about eight years back. The light tablet, a marvelous surface to draw on, came on a Christmas from my then-sweetheart, Denise. The Captain America shield/eraser was a freebie acquired at the Jack Kirby Birthday Celebration, courtesy of my friend Russ Kazmierczak, Jr. The Bookmans goodie bag is from my fabulous Steady Girlfriend, Joy. And the coffee? The coffee was, is, and always will be a Gift From The Gods.

The work in progress is signed and dated today, and therefore must be finished by midnight tonight. Got to get cracking. Thanks so much, everyone!!

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My last blog post, “A Ten-Poem Day,” included a scrambled-up version of the above portrait. i’d originally planned to switch images if and when Socorro gave me the go-ahead to post. now, though, I’m inclined to give Socorro a post of her own.

About eight years ago I saw an Internet ad for a social website that said “Under 50 Need Not Apply.” I was 52, and a site for over-50 folks sounded good. That site was the late, lamented eons.com. It was my first experience with social media. I didn’t do Facebook till much later.

One of the first things I found was a poetry group called Callling All Poets, which Socorro had created. I joined it and loved it, participating enthusiastically.

Her username on Eons was Pajarito. We called her PJ. She was, and is, encouraging, uplifting, and motherly. Not for her was the deconstructive critique, nor putdowns of any kind. Anyone wanting input on their writing need only ask; it would come by private message if potentially embarrassing.

Of course, a few times people joined who didn’t subscribe to the ethic of encouragement and uplift. I  remember two in particular. One was scathingly sarcastic; the other one was a legend in his own mind who wanted us all to benefit from his superior approach to poetry, and no other approach would do. Socorro dealt with them both with honest directness, first with a warning and then with the classic heave-ho. She has always stayed a nurturing course.

And when Eons foundered, Socorro took us to Facebook. Now we are Poets All Call, 70 members strong.

I’ve written hundreds of poems expressly for Socorro’s group. It is a nice nesty poet’s haven. And she is a wonderful leader and friend. I’ll always be grateful to her.

My sincere apologies go out to Emma Thompson. In trying to learn her face I’ve brutalized it, taking Kimon Nicolaides’s advice to not be afraid to overwork a drawing in order to learn. Then I did another face study which was UNDERworked. Meanwhile the acrostic poem I cobbled up is full of vagueness, that nonspecificity that may not apply to Emma Thompson much but does not not apply to her. In my defense, Ms. Thompson, the final image and poetry will benefit from these early egregiousnesses.

That said, I did find a cracking good quotation from Meryl Streep that says a lot about the real Emma Thompson as reported by the real Meryl Streep. Therefore, along with what I’ve learned by falling on my face with my versions of her face, plus the inclusion of the all-important word Wit in the acrostic, I’m compelled to declare victory in the execution of stage 2 of 6 of The Emma Thompson Project.

001-5Quoth Meryl Streep regarding Emma Thompson: “She works like a stevedore, she drinks like a bloke, and she’s smart and crack and she can be withering in a smack-down of wits, but she leads with her heart.”

Words to the THOMPSON EMMA double acrostic:

The screen & stage enjoy her vital flame
Her honesty–an ethical gendarme
Harmonics with some dissidence the theme
Outstanding nuanced capturing the aim
Might find her as a widow on a farm
Morose and grappling with her self-esteem
Perhaps a crisis or a death may loom
Perhaps a challenge to her wit & charm
Swept by the wind or by a careless broom
Old–young–carefree, or full of belladonna
No telling what the consequence of karma
Nor even what variety of fauna

Tick, tick, tick. The Deadline Clock is inexorable. The Glendale Juried art show will cease accepting entries at noon on Saturday, January 3rd. But I and my entry or entries (max: 2) must be there by 10:30am or sooner, because I and my Sweetheart must be miles away by 11:15.

Here is a work in progress, and it has a LONG ways to go–and that’s not counting matting and framing. (Faithful blog readers will recognize it as compositionally similar to “Spectral Sanctums,” but words have been excised and the ubiquitous Spoon added.)

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I may not meet the dreaded Deadline, but it’s great to be using the drawing board for something other than a dumping ground for stacks of papers and other impedimenta.

Wish me luck, Friends!

Denise’s family is visiting. Her granddaughter was drawing, and I offered her $2 to draw Dixon, the family dog. She accepted the challenge but declined payment. “How about this?” I counteroffered. “You draw Dixon, and I’ll draw whatever you want, and we’ll trade.” She asked for a cute pig. I asked for the pig’s name and she said Phillip. I drew this:

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She drew this, and I’d say I got the better end of the bargain:

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Exchanging kid stuff proves to me that you’re NOT only a kid once. You can be a kid any time you draw pictures with another kid.