After nine and a half hours on the job, the next five-at-least better be in Slumberland.
PS WIP equals Patrick Stewart Work In Progress. I tried doing a PS a few years ago; people thought the drawing was good, but they couldn’t tell who it was.
…sort of. I intended to overlay it with an acrostic poem, but reconsidered.
Had I done so, the double acrostic spelling OFF THE/GRID might have read like this:
O wish us well who have an other Calling
For we are out, at risk, and fun to slur
Forthrightness none too often gets one Hi
The sad fact is that most think it’s absurd
Would the image have been better off with these words overlaying it? Probably not; it’s busy enough; but words and image may one day share a page in a book of my illustrated poetry.
Creation begets digression begets more creation. You want to know more about Latvia. You find a map of Latvia. It occurs to you that the curvature of a bisque-fired teapot might suit a drawing of the map of Latvia more than flat paper would. You draw Latvia and surrounds on your teapot. Lacking a good camera, but having a webcam that works if you record video, you do so. You do a print screen of a still from the video. It is none too good, but intriguing. You click “New Post” and copy and paste the title of the previous post. You tweak the title, which itself a tweak of the one before that one. Here we are. No guarantees that we’ll be stopping at “seven of seven.” There may well be an “eight of eight” or even an “eight of seven.” That’s Creation for you.
Here is a shameful false start on the verses. The meter is fine, the rhyme is good, but each line is self-contained platitudinous nonsense that does not advance story, symbolism nor truth. I have stacks and stacks of such in my seven-year history of acrostic poetry.
It’s time for research: history of Latvia, significance of the ankh, anklet styles then and now. Stay tuned!
The title for this series owes its colonscape to the Miller Analogies Test, Interested parties may quickly find a website that has the lowdown on the MAT, and free sample tests to boot, but all you need to know here is that ” : ” means ” is to ” and ” :: ” means ” as “.
:: you may recall, the double-acroticist looked at his (my) ANK LET beginning, and quickly epiphanied opportunity toappend aitch and tee, yielding ANKH LETT and enabling a DOUBLE Double Acrostic, which is not to be confused with a Quadruple Acrostic. The twin-twin challenges remaining were to 1) finish the acrostic a) so it would makes sense either way; and 2) do the illustration, which must b) incorporate the acrosticization in a single image. The above study is a possible serving suggestion, imagining a Lett woman (identified through her choice of having the flag of Latvia on her ankle) wearing an anklet that bears amongst its links an Ankh. What about LET? some astute observer may ask. Well, my Sweet Girfriend, who shall go named–Denise–LET me take a photo of her lower leg, and I based my drawing on the photo.
Two parts down, five to go. See you fine folks in a couple of days!
Index cards, four inches by six, ruled on one side and blank on the other, are the antibane of my existence. A few dozen of those babies and a couple of sharp Ticonderoga Black pencils and I can fly intercontinentally and be kept engaged and amused throughout the flight. Get a hundred-pack at any office supply and for less than four cents each you have the ideal unthreatening Idea Playground. Bad ideas can be tossed, good ones added to the uncut-diamond pile.
Today I have the acorn of what I hope will sprout into the oak of an exemplary journal page. I started with ANK LET, perhaps a next-in-the-series to my previously posted GOB LET. As I was working out end words ANK and LET were staring me in the face and ANK started hankering for an aitch at the end: ANKH. Ankh: powerful life-symbol from ancient Egypt. “Spirits of ancient Egypt..,” Paul McCartney sang once.
But what about LET? Well, add a tee and you get Lett, which means Latvian. This can go any number of good ways.
End of Part One
Often a creative person feels the urge to create yet no inspiration at all. They stand or sit paralyzed by their keyboards or canvases or clay and nothing sparks ignition. That is tough to go through. This image full of thought balloons is an example of what might occur to a creative mind in the desperate search for a hook to hang a creation on.
Ansel Adams once said that were he confined to his house for the rest of his life, he’d still find rich and endless subject matter for his photography. Your humble narrator says that were he confined to the subject matter Spoon, Water, Glass, he’d find endless ways to beat a dead horse to the ground and beyond with those three elements alone. Luckily, this need never be put to the test, and shall not; and this day’s Evocation of the Three has a special guest with the reflectivity of glass, the fluidity of water and the wieldiness of a spoon.
Words, which may make more and more sense on successive rereadings:
Sipping’s an S-WORD that ends with a G
Parsing BANANAs divests them of peel
Ousting a despot brings more from the sea
Owning that Ownership has its rewards
Note that our s-words may morph into swords
Today I was looking for an unfinished page I’d undone-edly done on Sally Ride. The Science Channel just showed a terrific movie about Richard Feynman’s involvement in the commission investigating the Challenger disaster, and watching it I learned that Sally Ride was the one who’d indirectly pointed Feynman to the O-Rings as the probable cause.
Alas, I’ve thus far not found the Sally Ride page. What I did find was a boatload of abandoned works. Either my enthusiasm for the idea had dimmed, or it was worthy but a lot of work to finish, or I was stumped for a rhyme or an image completion, or the drawing had gone sour, or Other. But all of the ones I’m posting here make me wish I could devote more time to them.
Addled Wit Sharpener
Some day there’ll be a pharmacological solution to addled wits. Were this the day, I’d be a customer.
Poetry As Motion
This is well started, but the figure depicted is the last of what would be several poetically posed–and moving–figures.
Ultimate Gargoyle
I want to sculpt some imposing gargoyles before I die. (I have other plans for after I die. [smiles]) Here is a try at gargoyle design.
3Deified
Intended as a quasi-discussion on the trend toward 3d in movies. But ulteriorly I wanted to immortalize yet another bad pun.
Sixto Rodriguez/Sugarman Finder
This would have been a love song to the film SEARCHING FOR SUGARMAN and its subject. I put it off because I would need a lot of time to do it right.
Revolver Resolved
Earlier this year I was invited to participate in an art show entitled “Children and Guns.” I got this far with my would-have-been contribution before the pain of the subject compelled me to stop.
(End of Part One)
Here is a work in progress. It is Stuck, has been for over a month, but it is a good Stuck. There’s a book by the brilliant physicist Freeman Dyson called Weapons and Hope, now dated in a way but still vital and worth reading, that spoke of Stuckness. He also wrote Disturbing the Universe, which rocks autobiographically.
One hand Gives, the other Takes. What is Given is a blank check. It may represent indefinite wealth or unlimited potential. (To further digress, the awesome meteor-logical Stephanie Abrams, viewable in the wee hours, is often partnered with Al Roker. I wonder if she’s ever deconstructed the word POTENTIAL to POTENT-I-AL. She well could.)
A woman torques and cracks a bone in her foot. That Hurts. She then goes to an Urgent Care center and gets support-booted and caned in the nicest possible way. That Heals. (That’s based on the real event in the real life of my real girlfriend, who rocks every bit as much as does Freeman Dyson, inventor of the Dyson Sphere.)
This is catch-circling and confusing, so it perfectly fits what Cyndi Lauper sang, once upon a time after time:
Caught up in circles
Confusion is nothing new…
My thoughts have wanderlust. And wonderlove. I am unshaven, but even after I shave I’ll be a work in progress at least as long as I live.
One with Clay, Image and Text 