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I’ve spent the last few days in an off-and-on Jackson Browne immersion. Mostly this is due to some advice I solicited from my good friend and Confidante, Genevieve L, asking her for thematic input on my last few posts leading to Blog Post #1000. Among her many wonderful suggestions was to concentrate on a famous person.

So here we are with Clyde Jackson Browne. He has been in the American-Music Group Mind for more than 40 years. Bruce Springsteen, inducting him into the Rock&Roll Hall of Fame, referred to Browne’s landmark LATE FOR THE SKY album as “America’s Paradise Lost.”

This being Part I, I will just add that from here to #1000 I intend to splice the finished image/text of a given Part 2 to the next installment’s Part 1. The next post will be titled “BB(p2)/come love me (part 1).” My Part 2s will be polished and complete; my Part 1s will be raw and exploratory.

Back in a week or so . . .

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This second exercise did not take long, I having learned from the first that simpler is better. I’m also learning that it’s not necessary to grind the pastel into the paper as if it were spackle into a wall. And going from the inside out seems to be better than outside-in.

THANK YOU!!! for your kindly attention.

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Here’s a couple of hours of work, and a couple of baby steps toward the hundred-mile goal of Oil Pastel mastery. I remember sensei Darlene Goto’s words on a blackboard, more than forty years ago: ART IS WORK!! It is if you’re serious about it.

Here is something that is and is not a work in progress. It is not good as is, but there is a revolutionary artwork implied in it; the trouble is that its proper expression would require about a month’s work. So here is yet another one waiting for me to retire . . .

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Words:

Born & bred in angry squalor/raised expecting even smaller /eking pennies on the dollar/acrimony–CHAOS too/turns into hullabaloo/hashtag [#] Welcometothezoo/if the outcome makes us scream/need a strong liaise ur-beam/get our selves a better dream

What could be revolutionary, and is implied, is the degree to which the.text may enhance the message. Note how one line “jumps ship” and usurps the end of the previous line. And with time and effort the words at the last of the poem may themselves give Breathing Room relief.

Will there ever be a 2.0? Time–and space–will tell.

And Fortune . . .

 

cantileverage with p & q

obfuscates the devil & his due

risking on one turn of pitch & toss

kidnaps will to chance & all is lost

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This poem has as its touchstone Rudyard Kipling’s lines from “IF–,” “If you can make one heap of all your winnings/And risk it on one turn of pitch and toss/And lose, and start again at your beginnings/And never breathe a word about your loss . . .” The whole thrust (implication intentional) of “IF–” is man-to-manly-man advice on how to conduct oneself. I committed the poem to memory more than twenty years ago, thinking it great. Today I think certain lines are keepers (“If you can dream, and not make dreams your master/If you can think, and not make thoughts your aim . . .”), yet other lines, such as the one my poem is based on, are problematic.

Is it a good and manly thing to risk all your winnings on one chancy outcome? Was it a good idea to acquire those winnings on chancy outcomes? Speaking as someone with a gambling addiction, for me the answer is No to both.

Just last week I felt myself at risk. I had a little extra money, and I heard Casino Arizona call my name. And an insidious rationalizing voice whispered in my ear that I could handle it now, being older and less manically spiky.

So what I did was tell a friend I was at risk. She listened, and wisely suspended judgment and refrained from instruction, though she said she felt like a bad friend for letting me go off to do whatever the hell I was going to do. (I had gotten to the point of renting a car to enable whatever-the-hell-I-was-going-to-doing.)

I put temptation aside, though, and used the car to have some fun with my daughter, first with breakfast at the Hideaway West, then to Castles-n-Coasters for pinball and vidgame fun, then to Samurai Comics, and lastly to her home to watch the first episode of Season Two of Netflix’s Daredevil. That evening I breathed a relief-sigh for having dodged another gambling bullet.

Now, why is the acrostic “cork quest” and not “pitch &toss”? Because this day’s card started with the drawing of a corkscrew. I liked that it looked a little like a deadly weapon; and it IS a deadly weapon, if used to unleash demons different from mine . . .

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Back in the mid-80s I was in a bowling league. I was the second-worst member of a five-person team. Our two best bowlers were not only very good, but also wise to the ways of bowling-league success and, most vital to the discussion that follows, unscrupulous. They wanted a trophy in the worst way, and so in the early games they indulged in a practice called sandbagging. To Sandbag is to deliberately not do your best, in order to gain an advantage.

These fellows were shameless about it. One night one of them claimed he’d injured his bowling arm, and so he bowled with his other arm, getting, of course, bad scores for all three games. Other times one or both of them would ‘experiment’ with different grips or approaches. All of this stuff mysteriously ended at the end of that part of the season wherein a team’s handicap, or points automatically added to level the playing field of bowler skill, was determined. After that, our two stars bowled to the best of their ability, enjoying the extra points they’d “earned” by not doing their best. (PS: Our team won the trophy. I also got a patch for bowling a game 75 points above my average, which was a semi-dismal 150 or so. I feel that I earned my share of the trophy and my patch, since I was not a Sandbagger at the time.))

Now we come to the image above, my latest acrostic-poem card. It has good possibilities as a work of art, but the execution is rushed and slipshod, and the poem is needlessly confusing. I can draw, and have drawn, far better; I can compose, and have composed, far more coherent verse. Why didn’t I do a better job?

Well, I can claim that my time is severely limited, which is 100% true; and I can tell you truly that I did this particular card to provide a not-too-intimidating example of acrostic poetry, in order to persuade my fellow members of the poetry group Poets All Call to try acrostic poetry themselves. I’m also slightly distracted by the migratory lingering gout that has now settled in my right knee.

But the whole truth is, about this and many other cards I’ve done, that I COULD have done better, and out of respect for the concept, SHOULD have done better, but I simply CHOSE NOT TO, and shame on me.

Shame on me, because you, the viewer, deserve the best I can do in the presentation of my artwork: you are giving the most precious thing you have in the world, Time Out Of Your Life, to paying attention to what I’ve done. And I am grateful that you do so, and I don’t want to waste your Time.

So–what advantage do I gain by not doing my best? Foremost, I think, is the indulgence of my laziness. I have chosen to work only so hard and no harder.

Second, I’m getting older astonishingly quickly, and I have so many ideas and ideas are my strong suit, and if I don’t record my ideas they tend to evaporate on me. If I spend too much time on one idea it is at the expense of others I may record, and won’t.

Third, just like those bowling teammates I had, I hope to look good-by-contrast later. Blog Post #1000 is fewer than 75 posts away. I am hoping it will be the best thing I have ever done in my life, arts-wise. That post may well serve as the equivalent of a master’s thesis, or an application of upgrade from apprentice to journeyman status, or, time not permitting, my valedictory farewell . . .

Thank you for your sweet Attention, my friends!

Here are the words to the OK-but-not-great acrostic:

Silly humans! They don’t know

Amorousness. Tally ho

Finding out about a partner

Enters realms Erle Stanley Gardner’d

NOTE: Erle Stanley Gardner wrote the Perry Mason books. With this line I compare growing intimacy to courtroom trials, with their Objection, Your Honors and their And Is It Not Also A Facts. As for “safe word,” it is a neologistic phrase referring to a word a lover may use to indicate, no kidding, that the other lover ought to cease and desist whatever s/he is doing, pronto. The phrase became popular after the release of the movie Fifty Shades of Grey, which I have not yet seen.

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slicing darkness we despoil
poison taints our alveoli
overcoats & furs & bling
tee times free of Vijay Singh
tame the land & blame the rest
yes, we flunk the Ethics tests

Questions? Comments? Requests to stop repeating myself?

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I bought an ice-cream cone for my friend of 37 years, Donna Atkins Parella. Today is her hmmdee-hmmph birthday. Sadly, she’s not here, so I ate it in her honor. Donna Sue, I owe you one . . .

The acrostic was done on the platform, and then in one of the cars, of the Valley Metro Light Rail. When I was on the platform cars kept stopping in front of me, waiting for the light to change. Kimon Nicolaïdes once said “draw anything,” so I drew one of the cars. Then the not-quite-word “carlessness” came, I being a pedestrian, and the words obediently followed . . .

Chevy Impala was used to attain
ATTITUDE ALTITUDE though no jet plane
Recent additions have hybridish graces
Ramp up, pedestrians–off to the races

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It is March 20, 2016, sometime before 8am, Mountain Standard Time. I’m at the McDonald’s just off 19th Avenue on Northern, with about 45 minutes’ wait before the next #80 (Northern/Shea) bus. I would be on the light rail, but a uniformed security officer told me there’d been a bad accident just south, and I’d have to take the bus.

All this date/time/place/event stamping is due to the all-text drawing above, based on thinking I’d done earlier this morning. The first thought was a two-word phrase that popped into my head unbidden: factory air. “Factory air” was a phrase car dealers used back in the mid-60s to describe the air conditioning that came with the car they were selling. A dealership named Westward Pontiac touted its wares on TV. Their pitchman, one Hal Sideler, said they were “right on the price, and right on the corner of north 7th Street and Highland, just a block south of Camelback.” (Highland is actuallya quarter mile south of Camelback. Used-car salesmen of the 60s had a deserved reputation for exaggeration, if not  outright lying. They bragged that the car they were selling was “clean.” ??? They would put “OK” stickers in the corner of the windshields. ???)

“Factory air” reminded me of commercials of the past, and then TV shows of the past, and then an obscure cartoon called Klondike Kat. This was a talking cat of the Royal Canadian Mounted Police whose adversary was one Savoir-Faire, a talking, ne’er-do-well mouse. “I’ll make mincemeat out of that maouse!” Klondike Kat would say. And Savoir-Faire would say, “Savoir-Faire ees EVERYWHERE.” Well, that rhymes with Factory Air, and so took its place as Phrase II.

At that point I started actively thinking of Phrase III. It would have to rhyme with the other two. Almost immediately another catchphrase came to mind, near the top of the mind-landfill, unthought-of for the longest time (and yet people use the phrase to this day to describe an intelligent person). “Smarter than the average bear” is Yogi Bear’s catchphrase description of himself. (Many cartoon characters have catchphrases. Snagglepuss’s was “Exit, stage left.” He also said things like, “I might expire. –DIE, even.”)

All three phrases fit nicely on an index card, semi-psychedelicized for Art’s sake. And all of us have landfills of the mind (or broom closets of the mind, if you prefer) where the pieces of days past, be they phrases, scents, moments, sensations, or ghosts (ultimately, all things past become ghosts), lay heaped.

Today three pieces got recycled.

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The word cereal comes from a Goddess. The word really is an offshoot of Reality itself. As I poured myself a bowl of raisin bran, I  thought it would be nice to marry them, bookending some ordered-chaos words with a quadruple acrostic.

creation’s non-arc
eerily evokes a tree
radiation stellar
elevates its clientele
alleluia to the hula
lyric-etched vinyl

This may remind a few of a large drawing I made over a year ago. That drawing, alas, seems to be lost forever. This may be the start on a replacement.