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My daughter and I are both fans of David Bowie. In this image I have three lines from his classic song “Space Oddity.” They are encased in three roughly circular shapes, which mark the vertices of a roughly equilateral triangle. Such a triangular dot array is mathspeak for “therefore.”

The oddness of this image is contrapuntally offset by the evenness of the two acrostic, with their identical rhyme and meter schemes. There is also an odd sort of evenness in the balance of the image’s composition. I owe an awareness of balance to a certain Professor Scott of the University of Arizona, who used paintings by Daivd (French; roughly pronounced “dah-veed”) and Poussin (French; roughly pronounced “poo-san”) to make his case for balanced compositions.

Odd & Even

Omnibuses never flee

Digits victorize with V

Definitions carve a plane

& a meaning may remain

Even & Odd

Evanescence of the s&

Volitionalized Marlon Brand O

Everlasters never did

Nor heroes in the curtains hid

I leave you, friendly readers, with the happy notion that you may dismiss any confusion you get from the image, or the poetry, or my notes here, with this simple thought: it’s SUPPOSED to be Odd. 🙂

Image

My daughter Kate, bless her born-in-the-90s heart, is polytheistic. She acknowledges the existence of David Bowie and Eric Clapton, and she acknowledges that both are God. So when I started sketching Mr Clapton, I naturally thought of her, and I chose an acrostic I thought she’d like.

Here are the words:

Elect acoustic, they say ‘G
Enter unplugg’d ecstasy–O
Excellence in modal D’
Even-handed normal C

Riffs that Weep & Seep & Wail
Reggaed sheriff rockful Layla

It’s a slow hand yet with pep
Indicates a Badge is kept

Cream, Blind Faith & Domino
Calypsodic Wisdom’s sown