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This is my drawing table, a gift from my parents on a Christmas sometime in the early 70s. It has been in Arizona, in Glendale and Phoenix and Cottonwood and the Village of Oak Creek in Sedona, and it has also been in Las Vegas, Nevada. I almost gave it away to someone for no other reason than that he had his stuff on it. I almost threw it piece by piece into the dumpster by my last apartment, faced with the prospect of having to U-Haul it to my new place. (I have just moved out of one apartment and into another one.) I am SO GLAD that luck and good sense and friendship conspired to keep it mine.

The lamp vise-gripped to the right edge of the table was part of the Christmas gift, and it works like a dream still. The stool and the fatigue mat were gifts from my former sweetheart Denise, and my gratitude to her continues. The banjo to the left of the table was another gift from my parents, and I gave it away once, hoping it would be well used; alas, the guy I gave it to never used it, so I took it back. (Alas, to this day I cannot play it.) The painting on the right is a superb nature study of butterfly and reflection by my dear friend and Confidante, Gen L (or E, depending). Another gift, and I am so grateful to be so gifted, and so egomaniacal to suggest that that has a double meaning. (I will play the I’m Just Kidding, Folks card if asked.)

But a crucial gift that keeps the table mine is of time, elbow grease, and the use of a magic red Pick-Em-Up Truck from my TRULY gifted friend, Russ Kazmierczak, Jr., creator of AMAZING ARIZONA COMICS. Russ and his truck moved my possessions entire from 35th Ave/Northern to 29th St/Indian School on two consecutive days. Russ offered me this help some weeks ago, when he found out I would be moving. When I took him up on it, he proved his rarity by cheerfully agreeing, showing up cheerfully on-time-or-early as agreed, co-muscling my stuff and Tetris-ing (his verb) it into the bed of the truck, and shlepping it to where it now belongs. Russ is a keeper, as his wonderful girlfriend Randi well knows. (And vice versa, as Russ well knows.)

So here’s to continuity: of Friendship, of Creativity, and of Love, of companions along the way past and present. Life is as good as we take it.

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At long, long last my Residential Drawing Station is operational, and I have many to thank. The fluorescent drawing-table lamp was a gift from my parents more than forty years ago. The pencil was part of a package of pencils given me by my then-wife, Joni, about eight years back. The light tablet, a marvelous surface to draw on, came on a Christmas from my then-sweetheart, Denise. The Captain America shield/eraser was a freebie acquired at the Jack Kirby Birthday Celebration, courtesy of my friend Russ Kazmierczak, Jr. The Bookmans goodie bag is from my fabulous Steady Girlfriend, Joy. And the coffee? The coffee was, is, and always will be a Gift From The Gods.

The work in progress is signed and dated today, and therefore must be finished by midnight tonight. Got to get cracking. Thanks so much, everyone!!

P1010184This little piggie is glazed with Coleman Red-Orange.

P1010181This little piggie stays home: I’m not going to display it for sale at the Village Gallery, where my stuff hangs out. It’s got Cobalt Turquoise and White Liner going for it, and I can’t wait to put some Cottonwood flowers in it after Denise and I move there.

P1010185This little piggie went wrong, or not: Coleman Red-Orange again, and Cobalt Turquoise, but the Red-Orange morphed to a sort of red iron oxide just below the rim. But the ribbing was consequently better defined with that thinness. Still, I wish I’d kept the vessel inverted/immersed longer in the glaze.

Bowers_G_Black Satinbird_3D_ceramic_12X6x9_1This little piggie DID go to market; after being rejected by the Yavapai College Juried Art Show, I gave it shelf space at the Village Gallery, and a $35.00 price tag. Within 24 hours it was purchased by the spouse of one of my fellow artists–and there was a thank-you note in the cash envelope! Moral: Rejection need not be Forever.

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And this little piggie is going Wee Wee Wee all the way to the Valley of the Sun. It was commissioned by, and made especially for, stellar Valley poet Bill Campana. I’ve upended it to reveal the signature/date format I use. Feb 6 on top, 2013 on bottom, and my signature in the middle, with the O of Bowers coinciding with the center. Atypically, since this is a commissioned work, I’ve added “Made exclusively” (below Feb 6) and “for bill campana” (above 2013. Bill texts almost entirely in lowercase, including his name) to the foot inscription. (The bottom of a functional ceramic vessel is called the Foot. Other body parts, like Lip and Belly, come into play as well when a vessel is described.)

It has been too long since my “One with Clay” featured clay. Feels good!