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Tag Archives: desire

the apneatic man wants air/and gasps/and gets some/as he awakens.

his mouthbreathing has made him thirsty./down the hatch some water goes.

now his appetite rears up/and tells him he needs steak and shrimp/at his favorite sports bar & grille./his appetite adds,/furtively,/that it would be nice/if a certain woman were there.

the certain woman IS there./she glances up when he comes in./he sees that his usual seat at the bar is vacant/and he strolls over and takes it.

he and the woman/have always sat at opposite sides of the bar/and have never exchanged words.

now, though, they look at each other./across a distance of twelve feet or so/they share the fact/of awareness of the other’s existence.

the restrooms are on his side of the bar./as she passes him on the way to the ladies’/he summons enormous courage/and gives her another glance/and says a casual “hey.”

after she is done in the ladies’/she gives him a little grin as she passes/and says mutedly/”hey yourself, cowboy.”

she rejoins her friends and says something/and they glance his way/and one murmurs sotto voce/and they giggle.

his heart flips around a little. he thinks of how/from the moment he awoke/he had needs, for air and then water/and they were quickly met. he is here for sustenance…

and perhaps companionship…

it could happen…

and then his mood is shattered, his hopes are dashed.

she has pulled from her purse (o God no) a pack of cigarettes.

TILT. game over./nothing can ever happen between them.

thankful that the bar lady hadn’t gotten round to him, he quickly exits, squinching his eyes to the still-high sun.

help me live say organisms

to the oxygen and cee oh two of the air

and to the soils and nutrients of the earth

help me become say babies

to the elders who feed and umbrella them

help me eat say the holders of signs

and the exchangers of money for foodstuffs

.

they are the needers of Help

and it is curious that needer and nadir

are so phonetically similar

.

help me reap say the movers and shapers

to the law-twisters they buy

and otherwise control

.and it is curious that reap and rape

are so phonetically similar

[Originally published in the Facebook group Poets All Call, earlier today.]

five such things

there are five such things as desire
want
ambition
lust
appetite
dissatisfaction

and there are five such things as death
cessation
mortality
zero
discontinuity
oblivion

but there is only one such thing
as you where you are
receiving this message from me
wherever i may be
telling you that you are loved
and that you deserve
good tears and lusty laughter
and the overhauling
of pain
with riotous joy

there are eleven thousand
nine hundred and thirty-two
such
things
as

 

There’s this great Bob Dylan song whose title is repeated four times in its forthright chorus, thus:

I Want You
I Want You
I Want You
So bad
Honey, I Want You.

In its image-rich first verse there is reference to Silver Saxophones, thus:

The silver saxophones say I
Should refuse you . . .

Everything on the page I just made followed. It may be flavored by my recent partnerlessness (notice, for instance, how the word WANT is emphasized), but hey, so many love & longing songs have been fueled by such. I wonder if Mr. Dylan’s song had such roots. The Truth is out there, no doubt, but let’s find out later, if at all.

i want you 022815

Here are the words to the triple acrostic:

Idle wallowing won’t play
If we’re wishing woo today
If that candlelight won’t do
Inch & pinch & bill & coo
Itches scratched may be très fou

TRIVIA: In the film BREAKFAST AT TIFFANY’S, Holly Golightly uses the phrase “très fou,” thus: “I suppose you think I’m very brazen or très fou or something.” It means Quite Crazy.

HISTORICAL NOTE: The movie 50 SHADES OF GREY is currently playing in theatres around the world.

Image

SYNOPSIS: Your narrator began composing a sonnet that had the further restriction of the double acrostic QUINTESSENTIAL BREATHLESSNESS. Four lines into the sonnet he questioned the wisdom of continuing, citing “wonkiness.”

Fourteen lines into the sonnet, it is finished, and I am glad I saw it through, though seeing it through involved a partial de-wonkitization of the fourth line. Nor am I at all certain that this is the final version; but there is enough good in it as is to make me proud and happy: it makes ultimate sense, it all ties together with the final couplet, and it tells my peculiar truth.

Again and again I learn that to see an attempt through to a state of completion is valuable and important. Why do I keep UNlearning it? Probably because it is so often easier to quit than to continue. “Who needs THIS [stuff]?” we are so prone to ask, and it is important to ask; but this time the answer was, “I do.”

Here is a transcription of the words:

Quick learner, thou art never long a newb
Upscaler, we must bid thee au revoir
Inamorata, neither time nor tube
Needs mention when you meet a partner’s Ma
There’s more to life than having needs be met
Encyclicals have ne’er made turmoil smooth
Strife’s ruled the rooster; Inquisition, shtetl
Some hurts may take a Miracle to soothe
Ephemeral events may carve out basins
NOW is YOUR time, you whose desire grows
The chest of hope has room, so put your lace in
It’s HEART that puts the Romance in the rose
As Living teaches, we’re conferred degrees
Lush vistas will reward the one who Sees

Image

“Ars longa, vita brevis.” That’s Latin for “Art long, life short.” But sometimes in our short life, we have to wait a seeming forever for something we want. Sometimes we have to get in a line to get it. Sometimes we have to get OURSELVES in line to get it. And some heartbreaking times we find that what we waited for, and what we behaved ourselves so pristinely for, was not quite what we wanted, or even at all what we wanted. So the next time you’re in a line, with a lot of time to kill, ask yourself: Is THIS what I REALLY want?