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One thing Clark Gable and Jackson Browne have in common is the nonuse of their first names. Wikipedia says they were born Clyde Jackson Browne and William Clark Gable. Another thing they had in common was their alleged scandalous involvement with movie stars. Mr. Browne was with Daryl Hannah and Mr. Gable was with Loretta Young. Ms. Hannah has alleged that Browne physically abused her; Ms. Young alleged that Mr. Gable fathered her child. One story has been discredited; one has not.

Both of these fellows indulged in derring-do. Jackson Browne wrote one of the greatest protest songs of the 20th Century, “Lives in the Balance.” Mr. Gable flew combat missions in WWII.

And why do I put myself in their company? Well, my hair is straight and used to be brown, like Jackson’s; my moustache is semi-sparse, like Clark’s. All three of us did some time in California. None of us is 99 and 44/100 % pure. And all three of us have had a woman close to us die before her time.

But that isn’t it. Not really. The thing is, Jackson Browne and Clark Gable both possess a quality I want. They have both been Champions, and so I wish to be. I’m not a Champion yet, but I’m encouraged by my Champion’s Training of late.

No need to wish me luck, Friends. If I have it in me to be a Champion, Luck is something I won’t need.

A week ago my dear and wonderful friend of more than twenty-four years, Karen Wilkinson, was alive and well. Friday she was stricken and felled by a brain aneurysm. Monday they removed life support and, I infer, harvested what organs of hers they could use.

While she was still not technically dead, I tried feebly to do creative things. Here’s what I did on Sunday the 4th:

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The would-be poem seems finished but is not. After Karen died, I tried again, and wrote what I intend to read at the Caffeine Corridor poetry event tomorrow night:

fiddle away over and out

there was this girl in a jeans skirt in the spring of 1990
librarian glasses and face and demeanor like talia shire in rocky
but with a violin that spoke for her
boldly stepping into the sound of the livingroom band she’d just joined
and the girl and her fiddle turned three needy guitars into contrapuntal gold
at times trumping them with platinum

years later “roller derby queen” by jim croce reached new heights
when during the instrumental the sound crescendoed
and the fiddle did a trick of stringzipping into the stratosphere
followed by a beat of complete and magic silence
followed by the resumption of the raucous rollicking sound

the girl and her fiddle went with her piano-playing pal to jazz camp
and they grinned and grinned on their return

elsewhere in 2007
much of the band went to a cabin near grand lake colorado
played and played and sang and danced and snored and hiked and played and played
the promised moose never showed but the music flowed and made all all right
and the fiddler bent and swayed with that music and folded her excellence into it

her face focused transcendence
her rosined bow a dervish

sometimes she’d take the fiddle away from her chin and sing
because she wanted to hold voice-hands with the rest of us

and through a miracle of wishful thinking and overdub
i hear her voice and fiddle now together

Tick, tick, tick. The Deadline Clock is inexorable. The Glendale Juried art show will cease accepting entries at noon on Saturday, January 3rd. But I and my entry or entries (max: 2) must be there by 10:30am or sooner, because I and my Sweetheart must be miles away by 11:15.

Here is a work in progress, and it has a LONG ways to go–and that’s not counting matting and framing. (Faithful blog readers will recognize it as compositionally similar to “Spectral Sanctums,” but words have been excised and the ubiquitous Spoon added.)

back to the drawing board 010115

I may not meet the dreaded Deadline, but it’s great to be using the drawing board for something other than a dumping ground for stacks of papers and other impedimenta.

Wish me luck, Friends!

Snow is falling here in Cottonwood. Earlier I had made up my mind to drive to the Village of Oak Creek to retrieve a CD a friend had burned for me, which I’d foolishly left in my drawer at work and forgotten to take home. (In my defense, I’d had an unexpected 12-hour shift…) But the falling snow convinces me, with little experience driving on snowy roads, to stay in the warm and cozy. I’ll get the CD tomorrow, and put it in the truck before my shift begins.

The moral of this non-story is that sometimes the best thing to do is no thing at all. Thus this page:

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Now let us be quite candid
Uplift & have & hold
Then we’ll be even-handed
Hubraics countermanded
It does no good to scold
Nonaction is an unflipped coin
Gong yet unbashed an unboinged boing

Cosmos Combos

C: configures space&time: speed of light is C
Oscillations play the temp–atoms dance allegro
Silver’s born in nova’s cosh…pressured, stars go Boom
Matters dark & otherwise; Womb to Zoom to Tomb
Off on hyperbolic jaunts! Conic secs by Lego
Seen through a galactic lens, we are but debris

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This post is inspired by Stephen Bishop’s song “On and On,” taking its title from one of its lyrics. Two other lyrical sections of the song are also quoted.

The song has stuck in my head for nearly forty years; I like it but it haunts me. I like the rarity of a man singing about a man crying who is not the man himself.  I also like its singer/songwriter, Stephen Bishop, who was billed “Cool Guy With Guitar” in the landmark comedy ANIMAL HOUSE. He was the one whose guitar was smashed to pieces by John Belushi’s Bluto, who handed the severed neck back to him with a sincere but I-had-to “Sorry.”

Toss Up My Heart words:

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Though they’ll have Tito Puente there’ll be an empty seat at Hialeah
Of the 600 outmunitioned almost all died in Crimea
Such odd haphazard history may have you ask What For
Seek ye serendipity becomes my soul’s retort

See Where It Lands words:

Swollen willows weep–it’s offal
Section Eights have FILLED Golgotha
Every time stuff hits the fan
Each soul tries to understand
Evanescence–drifting sands

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I’m finally free of that albatross of a Manuscrypt [sic] for a while–sent it off just before noon. That also means I’m free of the blog-posting restriction I imposed on myself. So this is a celebration. POS can stand for any number of things–Point of Sale, for instance. Sybil has come to mean “crazy multiple-personality person” in recent years. It? IT is what IT is. Ease is what we all non-strivingly strive for some time or the other, and this is the time for this guy. More later. Over & out for now!

001Here is the consummate environmentalist. She fearlessly spoke out against the profligate use of pesticides, which she wisely renamed “biocides,” and her successful battle against the propaganda and dirty-dealing of such as DuPont was the single most important factor in the creation of the Environmental Protection Agency. Thanks to Wikipedia, YouTube, and any number of environmental websites on the Internet, her passionate voice may be heard instantly by anyone with computer access. Her message is just as timely as it was in 1962, the year of publication of her Silent Spring, whose title refers both to the loss of birdsong due to pesticide collateral damage and the potential Earthwide silence should the rapists of Mother Earth continue their fell practices.

I am working on a double-acrostic poem and page on her which will be the final needed ingredient for my manuscript of Natural Distractions, the poetry/image collection that I’ve been working on every day. Here is the work in progress:

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ETA on the completed manuscript, and with it the completed Rachel Carson page, is tomorrow morning. Upon its completion I’ll convey it to David Chorlton, a fine environmental defender in his own right, for editorial assistance. Stay tuned! [determined smile]

This morning Denise told me something that inspired first the acrostic bookends and then the words within them. This page and this post, therefore, are dedicated to her, with my love.

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Throwing guidebooks in the trash
Rids us of the “have-to” cache
Useful more to sense our aura
Eminent as one adorer
Safe within that two-souled breast
There will grow our Fearlessness

There are some words that seduce the poet through ululation. Ululation is one such. Then there are uvula, Pavuvu, Honolulu–and alula.

An alula, also known as a spurious or bastard wing, is a substructure of the bird’s wing that when flexed changes the airfoil of the wings, raising the pressure differential of upside and underside airflow, which helps prevent the bird from stalling. My first encounter with this word was as a teenager reading Robert A. Heinlein’s “The Menace from Earth.” His protagonist, one Holly Jones, resident of the Moon, liked to fly using her top-of-the-line Storer-Gulls. Controls encircling her thumbs allowed her to flex her alulae.

When the happy mashup of Honolulu and a peregrine falcon showed up on my radar, I could not but celebrate with this page, which is really a celebration of the word alula and its plural alulae.

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falcon alulae

flight is pull & swoop & hula
atmosphere the crafter’s tool
lift her over honolulu
climb with her into the cool
oft aloft: the sky’s bathsheba
never stall–“thumbs” up, meine liebe