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Today Laura, the human owned by Lena Furbena, gave me another picture of her. I used it to fiddle with an old nursery rhyme. Part of the fiddling was to remove the reference to a fiddle, replacing it, sort of, with a ukulele.

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I’m delighted to report that Lena has accepted my Facebook friend request.

Here are the words to the retooled rhyme:

Hey dilly daily,
The moon’s ukulele
No-handedly played for the spoon.
The little dog’s distance
Due to nonexistence
Was deemed by the cat quite a boon.

What did the uke play to the spoon? Why, “Some Enchanted Evening,” of course. [smile]

Hidder Midst says nothing and thinks bubbles–a true Superhero in search of an Origin Story. Meta-Man may have more to say than Spielberg’s A.I. or Asimov’s “The Bicentennial Man,” but he may just be all about a pose occluding text. The Book of Ecclesiastes says both “All is vanity” and that there is nothing new under the Sun. But that second one is a trick answer, as far as we mere mortals go. We are NOT “under the Sun.” We are OVER the sun, just as the Moon is over us. Should we fall into the Sun, we’d be falling down.

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Apologies to Brad Pitt for exploiting his name and face, albeit in a good cause.

Synopsized facts about “Who Killed the Electric Car?” may be found on Wikipedia, here: http://en.wikipedia.org/wiki/Who_Killed_the_Electric_Car%3F . It may seem that by now, eight years later, the point is moot, but we’re pumping more than ever out of the ground and into the sky.

“Jean-Luc” is a reference to the character Patrick Stewart played in the STAR TREK: THE NEXT GENERATION omnibus. He was a starship captain who certified his orders with “make it so.”

Unforeseen Difficulty

Unto us an Engine framed, full bore & rectified
Now release we Inner Cowgrrr–yippy ki yi yi
Four-speed shift or automatic–really, what’s the diff
Oil & gasoline intoxicate–just take a whiff
Rolling on a highway beats a loll on the lanai
Eminent domain emissions make it so Jean-Luc
Sifting through us like a line of poorly-lit haiku
Even-handed citizens may want to take a Poll
Eco-minders balk if Greenpeace comes for their Renault
Never mind–y’all drive into the Sunset–say goodby

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Dewey is a rat, and a fun one at that; so says my replacement on the Graveyard Shift, who is Dewey’s human.

Why is Dewey in the midst of Erratic? Just my erRATic sense of play at humor, and vice versa.

Here are the words to the quintuplesque acrostic:

Histrionic nonmouse idling-whiskered bulby-eyed
Eats preys scampers madly–synchronicity gone wide
Let the record show and tell a rat’s lot’s tough and low
Loathsome inhumanity yields rocky rows to hoe
O for Pizza cheesy with a crust that’s not too doughy

(Dewey really does eat pizza.)

Here is a sloppy, silly, having-fun one that started serious: What does it mean to “Act your age”? What age are cigarette smokers acting? How about Fred Astaire–working killer hours to make it all look easy as pie? How old was Tom Cruise when he jumped backwards onto Oprah Winfrey’s couch? And does the acting age of a hotel-user plummet when she or he succumbs to the impulse to use the Mini-Bar, and thereby get overcharged for killing brain cells?

So here is a baby addressing Parlaiment, a rock putting on lipstick, a tree forgetting he isn’t the sapling he used to be, the poor Sun suffering a Gout/Flareup, and your humble author proudly displaying his Duncan Yo-Yo. There are five badly-drawn images, but the label Figure 4 is used twice. There are two triple acrostics, hereinafter referred to as Dumb & Dumber. SOMEBODY needs to Grow Up!

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This is an example of composition as balancing act. About forty years ago Professor Scott of the University of Arizona had us strip works of David (pronounced Dah-Veed) and Poussin (pronounced Poo-Saaan, sort of)  to the essentials of gestural lines. Presumably, if the sum of the angles relative to the bottom edge of a given painting add up to zero, or close, it’s a Good Composition.

I suppose it was an enlightening exercise, but it had all the excitement of diagramming sentences, and about as much practical use.  Then as now I’ll look at a drawing in progress and do my best to intuit how best to engage the viewer with the next enhancement (or, as with some erasure, disenhancement). I’d rather taste the soup of a drawing than diagram its sentence any day.

The acrostics remain without poetry. If the drawing is good enough to remake on non-scratch paper, I’ll do a remake and work out the words. If you’d like to collaborate with an obscure artist/poet, feel free to fill in some poetry. If you do, show and tell via comment, and you’ll make my day!

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One reason there are lots of instruments in the cockpit of an airplane is that sometimes pilots cannot rely on their senses. Their semicircular canals tell them one thing, the view out the window another, and the instruments contradict both. To stay alive, a pilot often has to literally fly in the face of what the body says.

In life, a sense of well-being may just mean that the brain chemistry is literally on the high side of the manic-depressive cycle. Ingesting alcohol or other drugs often imbues the user with undeserved confidence. If you don’t have instruments, like a penlight for the Nystagmus test or a Breathalizer for the measurement of blood alcohol, when in doubt, don’t, no matter what wonderful sense it seems to make, whether it be calling that lost love at three in the morning or shaving/tattooing  your head or entering the wonderful world of amateur day trading. (Sorry to be so parental.)

Here are the words:

Fate denied me being pharaoh
And you say, it’s best that, Gair-O
Lap up your courvoisier
Lapdogs may include Sharpei
Salvage peace/shalom/La Paz
Serenity is no palazzo
Eternity by daw-do-zen
Ernest earnestly got bent
Rovers flying o’er alfalfa
Race past baffleds on El Al

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Carol Hogan is a cutter of sand two ways. First, she’s the editor of SANDCUTTERS, the quarterly publication of the Arizona State Poetry Society. It was she who raised the publication from a black&white chapbook to a color-covered nicepaper showcase with a real spine.

Second, she’s always drawing lines in the sand. She is a female Don Quixote, tilting against the Koch Brothers and other creatures of corporate greed. I’d cast her as Galdalf in a gender-bending version of LORD OF THE RINGS, standing on the Bridge of Khazad-dûm and telling the Balrog “You cannot pass!!” in her quivery voice. (Carol says she lost her voice some time ago, but I did not get details.)

Last Saturday Carol came to my mother’s house to photograph various of my ceramic works. She intends to feature me in SANDCUTTERS as the next in her series of poets who are also artists. She and Mom hit it off well, and there is talk of future visits.

Here are the words to Carol’s double acrostic:

Clasp a tempest–Oh! Oh! Oh
And the beaches stir her so
Rioting with verse & blog
OUT the blahs and ON the gaga
Living on a swift toboggan

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Right now, September 10, 2014, I am in the moment of having a Sweetheart about whom I am head over heels. In the wee hours of this morning, thinking of nothing in particular, I did most of this sketch by the seat of my pants. It is full of drawing errors and clumsiness, but it also has life and love.

usku

undoing lifelack
    salvaging hope in the dark
striving i and thou