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This page has been hanging fire since a year ago March, and since I’ve got the breakthrough-I-hope HEIRLOOM TOMATOES and SUSAN GROCE, PRINTMAKER acrostics waiting in the wings, I thought it’d be a good warmup and character-builder to finish it. Chandler wrote detective fiction that was about more than slinky dames and flying bullets. John D. MacDonald and Michael Connelly, I am sure, would cheerfully acknowledge a debt to him.

Here are the words to the double acrostic:

Cull California for its Vine, its Creeper
Have Scheming Dames all lure for Loot: what Drama
And Big Sleep may not be for Big nor Sleepy
Nor Loveliness fare well when Tomcats tom
Detection with its Dicta and its Tao
Lets Danger threaten Life & Limb & Hymen
Entice, intrigue, inveigle–draw a Shroud
Rig Marlowe with a case as hard as Diamond

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Long ago, on a college campus far to the south-southeast of where I am now, I was enrolled in a printmaking class. It was in that class that I first became aware of the person and artwork of one Susan Groce. Our paths did not cross much at all, but I could see that she had something in her artwork that would serve her well and take her far.

Just shy of a week ago I was on YouTube, looking for a version of Jim Croce’s “I Got a Name” that included lyrics. I found it and was listening with pleasure, (“Oh–MOVING me down the highway–check”) when the long gaze at his last name sparked the recollection of Susan of the quite similar last name. I then wondered what became of her, and soon I found out: She’d bloomed as an artist, exhibiting internationally in at least three continents, and had become a full professor and department chair at the University of Maine at Orono. WOW! That’s a career in the visual arts beyond the dreams of just about all of us aspirants.

More on Susan, and a triple-acrostic poem (SUSAN/PRINTMAKER/GROCE) will follow in a soon-subsequent post. Meanwhile, here is a study of the good Professor playing Celtic fiddle, surrounded by thumbnailesque images from her notebook and from electron microscopy. Stay tuned…

 

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a smile at the corner of your mouse

on your face a mouth that smiles
in your head a mouse
wiggles waves and scampers miles
thinks your skull’s a house

string cheese is his guilty pleasure
stolen from your bites
puts it with his other treasure
secrets and delights

that is why at times a tickle
in your throat or nose
tells you that his path is fickle
as he comes and goes

you may say he isn’t really
anything at all
but his tale’s a peach a dilly
he will answer–call!

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the cat demands i watch her eat

insignificant and nearly useless human quoth cookie the cat telepathically
you shall now justify your existence
by hovering over me whilst i crunch the dry offering and lick the wet
neither are quite to my liking
and you would be well advised to improve on future offerings
but for some reason your hulking form helps with the taste
and calms me

she has not-quite-promised to put in a good word with the creator
if i and her other underling perform as required
telling me in no uncertain terms
the creator is feline
and hinting
that the creator may actually be she

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tableau vivant

taxes levied leveled Levi
blimey barney’s stoned but viva
eager beamers roar & win
ukuleles sound like mint

TAB LOW/WE WANT

The candidate survived the peer review
And then her father died, as if on cue
Bulimia & travel left her raw

LOVE set her world aright & flipt her shwa
Obsessing over Style & cred & thin
Will make us OVERLOOK a crucial hint

I don’t want to clutter up the post with annotation, but I will say that Bulimia and Depression seem highly correlative. Also: I think the image has good potential for snap/crackle/poppery that has not yet been realized. I did two other scan/edits that were even less successful:

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Every night I work I fish out one of the beautifully round-bowled spoons from the silverware tray and take it to the desk. There is something about its shape and its reflectivity that just grabs me. Last night I did this drawing, posing the spoon over and over again over the crossword puzzle grids I’d drawn and filled in earlier, and then I put the spoon, though still clean, into the dishwater tub by one of the industrial-strength garbage disposals.

Over thirty years ago I did a 24″ x 30″ drawing with the remains of several chicken dinners variously posed, and I called it “Bone Symphony.” It now hangs in our dining room, thus:

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So this decades-later, much-simpler drawing of mine is “Spoon Sonata with Crossword Counterpoint.” I got lucky with the alliteration. [smiles]

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Peaceful inside; outside, glop
Evanescent crackle/pop
Route that jet to Barcelona
Craft that Lisa: first name Mona
Even fish can get a fin in
If it’s oil on Belgian linen
VIM, my dearest, needs a Spine
‘D suit a darling Clementine

The crude drawn house inside the skewed window pane hearkens back to the early early Sixties. The teacher had us draw houses; I drew three or so. I distinctly remember that the one I drew with windows and a door got a gold star. The one with windows but no door got a silver star, and the one without windows got no star at all, even though it was a faithful rendering from memory of the windowless west side of our house.

Since light takes time to travel (usually 186,000mi/sec or so but can be as slow as 32ft/sec if passing through pressurized liquid helium, so I’ve heard) all glass windows are a sort of time-machine perception portal. The light from some stars has taken a galaxy’s rotation or so to get to our naked eyes.

 

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My dad was a Gamblin’ Man, and it negatively impacted both his marriages. He also had an appreciation for the unadorned female form–impact unknown, to me at least. I have inherited both these proclivities, and have found through the school of hard knocks that the healthiest way to deal with them is to own up to them, avoid casinos (three-plus years of gambling sobriety and counting!), and love the one I’m with to the exclusion of others, physically anyway. But I still itch, and I still look, so sometimes I “own my shadow” and take a look at one or the other of them, or, in this case, both.

Here are the words to the Gritlock acrostic:

Gamblers fly high then hit the wall
Rise & shimmy & slip & fall–O
It’s a harrowing story arc
Taut with tragedy; tawdry; stark

Here are the words to the Gridluck acrostic:

Got three squares in the office pool
Righteous fare for a Looky-Lou
Idle eyeful of tawny chic
Dares not touch but he’ll take a peek