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Artists need to push themselves, and push the boundaries of the possible, but it’s not always particularly exciting, controversial or wrenching to do so–sometimes it’s even mundane, as you see. I’ve got this genre niche, acrostic poetry with a graphic component, and today it was time to have another go at minimalism. The triple acrostic reads “Auld Time Sake.” There is one word per line.

Amateurs are people who devote time to doing something they love. Ultimata are declarations that things must happen a certain way or there will be dire consequences. Leemerik is an odd spelling of Limerick that is a near-anagram of Lee Remick. Demesnée is a woman’s name derived from Demesne, defined as land adjoining a mansion that is owned and enjoyed by the mansion’s owner. Demesne is pronounced dehMANE, phonetically similar to Domain, which I’m guessing isn’t a coincidence.

This all may seem random, and the word selection odd, but a sizable amount of deliberation went into the acrostic’s construction. “Auld Time Sake” is phonetically nearly identical to “old times’ sake,” but now the words are of equal length. Each line has two characters between “Auld” and “Time,” and three between “Time” and “Sake.” This is a more pure-acrostic approach than I usually take.

Of these seven words together like this, endless collage-like images may come to mind, and limitless storytelling along previously unexplored avenues is possible, just as a selection of three main ingredients and four subordinate ones might keep a chef busy for years.

I placed the sketchbook containing the page in front of an image of Emma Thompson and John Lithgow embracing as they perform in the recent release LATE NIGHT. Their tandem performance in this scene brought tears to the director’s eyes, and to mine. The addition of that frozen frame in the background somehow added a good context to my page.

 

 

There’s an energy drink called Red Bull whose slogan is “Red Bull gives you wiiiiings,” give or take a few i’s. Since penguins already have wings, and they’re as visually whimsical as the slogan, I thought I’d throw some i’s at them and see how they liked it. They have not objected.

The original unfinished drawing was done for a 3D design class I had at Scottsdale Community College last year. It was for an assignment to sketch ideas for a cardboard stratification sculpture of an animal of our choosing. The instructor, the superheroically-named James Gamble, didn’t think the penguin form was right for the assignment, since he wanted us to have the sculpture be built on legs and build volume on the way up. He regarded the penguin as too static, even though my sketches were trying to sell that they were anything but. So he had me work from my sketches for a gorilla instead. My gorilla sculpture was a disaster. I hope to make a decent sculpture of a penguiiin some day.

As a final bit of whimsy, I drew without looking at any photo source two impossible reflections of what I tried to make look like Emma Thompson in the eyes of the penguiiin seemingly staring at the viewer (Note: penguin eyes don’t work like that. But since this is not a Penguin, but a Penguiiin, these eyes do. And that goes for all other anatomical discrepancies!). Two reasons: 1) I adore Emma Thompson–she gives ME wiiings; 2) it’s a REALLY WEIRD RIFF on the song “Bette Davis Eyes.” Ladies and Gentlemen, behold, for the first time in human history, a Penguiiin with Emma Thompson eyes. 🙂

Tomorrow is a special day. The Emma Thompson Project, Segment 6 of 6, will be published. I will then move on to other matters, and the magnificent Ms. Thompson may breathe a sigh of relief. (I’m NOT a stalker, but I seem to be playing one on WordPress. 🙂 )

Meanwhile, all but one of the images that follow may be considered in the same vein that a rocker’s bootlegs may. They are unofficial, not part of the Project, just “I didn’t go yet” loosening-up. The page with the sonnet, though, will play a part in Segment 6. If I can wrestle the sonnet into a less forced-seeming array, I will. But if not it will be on the final image word for word. It is a more ambitious job of wordsmithing than the one I did for Theodore Sturgeon: fourteen lines, iambic pentameter, double acrostic saying EMMA THOMPSON IS EXTRAORDINARY, mutant Petrarchan rhyme scheme, with exactly one of her past, present or future movies or series resident on every line. The extraordinary Emma Thompson, intuition says, must have an extraordinary sonnet.

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Today I fought impatience, clumsiness, and the distraction of the 3rd round of the PGA Master’s tournament, alternating between study-sketches of Emma Thompson with her costars Dustin Hoffman and Sir Anthony Hopkins, and Emma Thompson with three other Emma Thompsons. Catching her likeness is still a hit-or-usually-miss proposition. I have trouble with her chin, her exquisite but caricaturish mouth, and her overall likeness, which in my still-incapable hand ranges from Cate Blanchettish to Florence Hendersonish. Persistence and practice will take care of that, I hope.

Here are the images:

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Here is a pose that is challenging–a sort of one-eighth-profile-from-below-with-a-twist-of-open-mouth–but the photographer (sorry to say I haven’t found the photo source) knew what she or he was doing: Thompson’s exuberant joy and optimism are well showcased.

There’s a movie out now, EFFIE GRAY, for which Thompson wrote the screenplay. She’s won an Oscar for her screenplay adaptation of SENSE AND SENSIBILITY, and is the only actor to win the Academy Award both for screenplay writing and acting. But this latest of hers has not done well in the critical arena, nor if box-office receipts measure success. I’m not in a position to judge, since I haven’t seen the movie (hope to remedy that soon). But, Friends, she’ll be back on her horse again trying, I guarantee it: even the cursory review of her career I’ve had reveals she’s Never Quit through and through.

My sincere apologies go out to Emma Thompson. In trying to learn her face I’ve brutalized it, taking Kimon Nicolaides’s advice to not be afraid to overwork a drawing in order to learn. Then I did another face study which was UNDERworked. Meanwhile the acrostic poem I cobbled up is full of vagueness, that nonspecificity that may not apply to Emma Thompson much but does not not apply to her. In my defense, Ms. Thompson, the final image and poetry will benefit from these early egregiousnesses.

That said, I did find a cracking good quotation from Meryl Streep that says a lot about the real Emma Thompson as reported by the real Meryl Streep. Therefore, along with what I’ve learned by falling on my face with my versions of her face, plus the inclusion of the all-important word Wit in the acrostic, I’m compelled to declare victory in the execution of stage 2 of 6 of The Emma Thompson Project.

001-5Quoth Meryl Streep regarding Emma Thompson: “She works like a stevedore, she drinks like a bloke, and she’s smart and crack and she can be withering in a smack-down of wits, but she leads with her heart.”

Words to the THOMPSON EMMA double acrostic:

The screen & stage enjoy her vital flame
Her honesty–an ethical gendarme
Harmonics with some dissidence the theme
Outstanding nuanced capturing the aim
Might find her as a widow on a farm
Morose and grappling with her self-esteem
Perhaps a crisis or a death may loom
Perhaps a challenge to her wit & charm
Swept by the wind or by a careless broom
Old–young–carefree, or full of belladonna
No telling what the consequence of karma
Nor even what variety of fauna

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Having drawn (bp) a successful conclusion to The Stan Getz Project, this reporter decided to stay on the horse, and so begins The Emma Thompson Project. Why Emma? Short answer: her brave smile.

A legal pad is a good place to begin. It’s cheap and safe. When you’re getting to know a face, it pays to try several times.

“Thompson Emma” is better acrostic fodder than “Emma Thompson” would be, but this is just get-acquainted time and, in the course of learning about Ms. Thompson’s life, a more apt acrostic may present itself. As I’ve said before, Art Spiegelman’s MetaMaus taught me the value of rough drafts for concept exploration.

Since this project is on spec, i.e. uncommissioned, there is no deadline and are no pre-agreed parameters. My main goal is to produce an image that, were Ms. Thompson to see it, will cause her not to smile bravely, but to grin happily.

More to come anon, Friends!