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COMPLETENESS

Compulsions are more easily conducted through tradition
Confusion’s quelled & then resolved if we’re all on a Mission
Of quirks and failings are we all however we may pose
Obtuse investigation lets us call a guess surmise
Machismo or our “best behavior” muffles up our cries
Micromanaged sorrow tells the news feed so it goes
Put Piggy Banking off its feed–you need a lack of plinks
Put Love and Money on whatever brings the richest thinks

So I wrote in late March of 2010. Neil Armstrong was still alive and smiling, Philip Seymour Hoffman was still alive and performing, and Marty Stoneman was still alive and theorizing. Now two of them are gone, and the third is going: I saw Marty last Saturday but he was never conscious enough to converse. His breathing was a little shallow, but steady. His head was at an angle that seemed odd and uncomfortable, but his spine has been collapsing for years. His flesh was suffused with the color of jaundice, as if some chef had added saffron to the mix. My first sight of him prostrate on the bed gave me a flash of Michelangelo’s “Moses”: that heroic head, stricken with tragic necessity.

With my words came an image that revealed the triple acrostic COMP LETE NESS. Looking at the image today, I realized that it itself was incomplete. I added more words, in the form of a pseudo-haiku:

..,say, One-Small-Stepper:
did you, when you passed away,
make that Giant Leap?

This to me is the “overwhelming question” referred to by T.S. Eliot’s J. Alfred Prufrock. And by Jackson Browne, thus, in “For a Dancer”:

I don’t know what happens when people die
Can’t seem to grasp it as hard as I try
It’s like a song I can hear playing right in my ear
That I can’t sing…

I also enhanced the image somewhat, with Ticonderoga #2 pencil, and eraser, and paper stump. But it STILL isn’t complete; so my second signature on the page has “completed” in quotation marks.

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My mother tells me that Marty was saying “I’m done” over and over again in the last couple of weeks, and that despite a lifetime of nonchalance about the prospect of dying, he has become fearful. I weep and mourn for him. He is still fighting, but he will lose soon.

Jackson Browne finished his song this way:

“…and somewhere between the time you arrive
And the time you go
May lie the reason you were alive–but you’ll never know.”

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Often a creative person feels the urge to create yet no inspiration at all. They stand or sit paralyzed by their keyboards or canvases or clay and nothing sparks ignition. That is tough to go through. This image full of thought balloons is an example of what might occur to a creative mind in the desperate search for a hook to hang a creation on.

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In my Phoenix visit yesterday (about which in a future post) I was happy to see my daughter had given my Green Queen, made, if memory serves, about ten years ago, and given to her thereafter, shelf space. She will preside over this true story:

At the prescription counter of the largest chain store you can imagine, I gave my name and birthdate to the counter person. “That’s just the one prescription, right?” “Yes.” “That’ll be two hundred and thirty-four dollars.”

Sure she was kidding, I asked her if I could have maybe a ninety-percent discount. But she wasn’t kidding.

After giving her my insurance credentials, which they’d had already for a different prescription, she reassessed: “That’ll be twenty dollars.” That still seemed steep so I said, “That still seems steep.”

A higher-up, who was literally higher up than her, drug counter stratification being what it is, ventured that a repackaging and rebilling would net some additional savings. “Come back in twenty minutes.” I did. “Sorry, it’s not ready yet. I’ll put it on CRITICAL.” I waited ten more minutes. “Bowers?” “Yes.” “That’ll be eighteen dollars.” Grumbling, I paid and left.

At home I discovered they’d given me six times my usual prescription amount. Long story short: Unit cost went from $234 to $3–far more of a discount, in the long run, than I’d imagined. Crazy world, ain’t it?

My friend Joe challenged our poetry group to write a poem about metal, but not gold, silver or platinum. I wrote this:

yum yum yum molybdenum
say it thrice it makes you thrum

with it i am o so chummy
want to be molybdenummy

love it quickly love it slowly
worship it as holy moly

moly ringwald moly hatchet
moly fever let’s all catch it

that is why i gave it chase
wound up with a moly face

This morning I frantically riffled through my archives for a second Holy Moly. Here it is:

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Two Holy Molys will see me safe to Phoenix, where I’ll see my mother, my daughter, and, I hope, my ailing stepfather. Au revoir!

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From midnight to seven today I was doing my Graveyard Shift Front Desk thing. Drove home to Cottonwood, communed with Cookie the cat on the couch and caught about forty-five minutes, then drove back to the Village of Oak Creek for my solo shift at the Village Gallery. It was busy and then not off and on from 10am to 6pm. When it was unbusy I looked through my almost-filled notebook for unfinished stuff, being too beat and disheartened to start something new, and found a portrait of Etta James. It was a welcome distraction to work on the portrait and to concoct some poetry based on the liner notes of one of her CDs, which we have at the Gallery. Now I’m here at home, very tired but wired too, and so I finished the page, scanned it and photoedited it as you see. Ms. James died two years and eleven days ago. I so wish I’d seen her perform.

Here are the words to the acrostic:

Even Angels board the ouija
Elves and trolls and you too mija
Thus goes one LA girl’s anthem
Took her Bleus but shan’t decant them
Thrilled a Fuqua Chessed a piece
Tapped a needle for release
Ahh: AT LAST she’s made good choices
Adding hers to Heaven’s voices

This blog post is written in sadness and dedicated to my stepfather, Martin L. Stoneman, who is in hospice and not expected to live much longer. Like Marty, the post is quirky and focused on linguistics.

The first joke I ever heard, circa 1960, was not quite a joke: “Guess what?” “What?” “THAT’S what!!”

Years later the “joke” had evolved: “Guess what?” “What?” “CHICKEN BUTT!”

Young children find this funny, referring as it does to hindquarters. Why butt-related referrals are funny is easier for human beings to understand than it is to verbalize. My own answer is that it’s related to that aspect of humanity that impinges on what is considered private or scandalous or both–but I’m already wrong. I understand but hash up an explanation.

I have an addition to the Guess What/Chicken Butt canon. It is not funny but has the value of repurposing. (Sidebar: “repurposing” is a recent Flavor of the Month new usage…) If a kid ever Guess What/Chicken Butts me, my reply shall be “Wax wroth, Chicken Broth!”

This is sure to baffle the kid. It does a lot in four words that are much the same as the ones that he (or she) used. It rhymes; it uses language that though correct is becoming archaic, it anthropomorphizes a food product produced by poultry-slaughtering creatures, and such a product, given a soul, might well feel wroth indeed toward the slaughterers; it does more:

It extends the song of humanity.

Ever wonder how jokes invented and told by kids in a playground can zip across the country in a matter of weeks, and quickly become part of the tapestry of culture? As this is written, January 30, 2014, the latest fad/quirks of the language include phrases like “at the end of the day…” and “I know–right?” that are semantically tenuous yet serve the purpose of making the conversants a micro-community. It’s a dynamic language, in a dynamic Universe, and part of the joy of living, the song of humanity, is hearing a new form of speech and learning to use it. So my answer to the question of why kid-jokes propagate so quickly is that, common-speechwise, they are exciting and addictive, being not just more of the same.

Too bad Marty isn’t writing this. He spent a huge chunk of his life on linguistics, and a subchunk thereof on discussing linguistics with your humble blog-poster, his stepson. I hope I get the opportunity to read this to him. It will demonstrate the impact he’s had on the song of humanity.

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One of the great shames of my 21st Century life is that in this century I have never been less than 200 pounds. I’ve been working hard this year to make that untrue, but I am a glutton whose appetite often becomes a runaway train. This page hints at my struggle.

Here are the words to the triple acrostic:

When hunger strikes at three o’clock and cravings grow and grow
I STRIVE to minimize the want–I Strive to stem the flow–I
Strive: austerity with grace: a Winner’s tale to tell
Potential TRIUMPH wrestles with a SWEET TOOTH hard to quell

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This one will neither go away nor allow itself to be finished, so here it is in draft, with hopes that its growth proceeds.

Here are the words to the double acrostic:

He had his genius charm–his diamond rough
Or flawed, though hard–a fear of such as flu
Was long self-exiled, shy of folk & bug
And yet of Flight he never got enough
Romantic leading ladies knew largesse
Detractors harried up a Hellish mess

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Two days ago my Sweetheart was on the phone with her daughter. We had intended to go to the Adopt-For-Life shelter and rescue one of their Kitty-Cats; so as a friendly reminder, and not to interrupt the conversation, I quickdrew the above and held it where Denise could see it. She smiled and interrupted the conversation to tell me the shelter wasn’t open, it being MLK Day.

One day ago we left home at 2:00 PM and returned with Cookie:

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She is rocking our world.

Stellar poet Bill Campana made this comment when I posted Cookie on Facebook:

you can’t write a cat poem unless you have a cat.

I soon replied:

for you, bill:

catku

sylvester’s sister
in glorious black & white
graces our presence