Faithful readers will recognize this drawing as a different stage from the one I presented in the post “sumta loogat.” It is not exactly a later stage of the same drawing, since the drwing you saw earlier was an exploration based on a copy of a yet-earlier stage of the drawing, as this is, but this drawing is as if I had never made such changes, but instead made similar but different ones, and some not similar. Which is thoroughly confusing, but serves the purpose of trying things, reverting to previous, and trying again.
But this is the original grafitic. The OG, if you don’t mind a bit of cultural appropriation from American Gang lingo. I have come far enough along, though STILL far from finished, to want to make any more experimental copies.
There is something deeply gratifying about taking a long time on a single drawing, though the wild creation horses inside me are rarin’ to finish and move on. A mellowness and depth is starting to get real with this one. Since I don’t avoid flesh-contact with the paper, a slight tome buids as my left pam-thumb-subsection skates around. Despite skin oils, the tone is easily removed, and re-removed, with simple erasure. And the drawing benefits with a buildup of non-erased surface–see, for instance, the ribbonlike shap at top center, which now looks like a light source is highlighting its middle. The drawing is maturing.
It is still an adolescent, though. Adulthood, here we come! 🙂
One with Clay, Image and Text 