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To Jack Evans on his birthday

In this Valley is a poet/As eloquent as Robert Frost, but warmer.

He manages to be Modest and Majestic with equal immenseness, and a propensity/To shift the focus to his friends, for whom/He produces a neverending supply of care and loving kindness.

His poetry stitches reality-swatches of variable size/into quilts that startle or soothe/or absorb your teardrops/and at the same time, in quantum superposition/the quilt is also a symphony. It is remarkable

What thundering crescendos come from a man/who never raises his voice.

Hardship and grief have never managed/To extinguish the twinkle in his eye.

See him: Walking a hospital corridor as a volunteer, firing up a favorite, obscure film for an appreciative audience, hosting a poetry event with jovial anecdotes and well-deep insights, at home wherever he goes, but most so at the side of his beloved Judy.

Now, please, wish him Happy Birthday, as I do, with love.

Five years ago Thursday I was watching Jack Evans, “the Godfather of Phoenix poetry” according to Phoenix New Times, co-host and perform in the Caffeine Corridor series, and I was fortunate enough to have pencil and scrap paper on hand and a ringside seat, so I did a sketch. That that was five years ago attests to the longevity of Caffeine Corridor, and of Jack.

Today I was delighted to see that Jack had made that long-ago sketch his Facebook avatar, probably in acknowledgment of the five-year anniversary of my sketch. Jack, you REALLY MADE MY DAY, doing this! Thanks so much!

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coronation

This was written and performed at the {9} Gallery for the Caffeine Corridor poetry event last night, May 10, 2013. Judy Green-Davis gave me the word Coronation and I wrote it about six poets before my Open Mic performance of it. (This is the capsule version; a previous post of mine seems to be lost to the ethersphere.)

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This page is about Sainthood–Sainthood in my book, anyway. The prime criterion for Sainthood, seems to me, is Kindness. So I surround my four modest acrosticized lines with eight of the Kindest people I know, and I draw two of them.

Here are the words to the acrostic:

O Saints who call Urchins ma cher/mon petit
No matter if helping O. Twist or Pu Yi
Come teach us a lesson on living a Dream
Enfolded in Kindness with Love as its theme

Here are the people I’ve listed:

Judy Green-Davis
Jack Evans
Charlene Sims
Dick Wilkinson
Diane Norrbom
Cary Stoneman
Barbara Mills
Brian Bowers

Judy, either about to be ordained or just ordained, is married to Jack, “the Godfather of Phoenix poetry,” who’s been a volunteer at an assisted living center and who hosts both poetry events and movie viewings. Charlene, also known as Starry Bright, taught me an important lesson in empathy with her blog post about the three gatekeepers we need before we say anything. Dick Wilkinson is a ninety-two-years-young philosopher and raconteur, gentle and wise. Diane Norrbom is one of our family matriarchs and a goddess of nurturing. Cary stood by me and calmed my nervousness on my wedding day, December 10, 1988, and has given of himself to family and friends numberless times before and since. Barbara, also known as Hobbit, has made a career of elementary-school teaching, and her poetry reveals extraordinary depths of wisdom and caring. Brian, my brother both biologically and spiritually, nursed our grandfather in the last months of his life, comforting a dying man in great pain as no other could. Whatever I can do to honor these fine people, it’s not enough.

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Friday afternoon Denise and I drove to Phoenix in the most horrendous varietal winter weather I’ve ever encountered. Thank Goodness Denise, who is a superb driver AND grew up in northern Arizona, was driving. We went there to attend the Caffeine Corridor poetry event, and the only real time-chunk I had to do my daily journal page was at the event itself.

Here are the words:

My, mic time’s a bootstrap upon which to strop
Itinerant MINSTRELS will posture & cough
Compelling distracting one mundane one boffo
Roughedg’d as a sledge or as slight as chiffon
O open thy honeycomb’d throat–then begone

Though it sounds as though Mr. Snidely Dismissive might have penned the words, the real viewpoint character is the one who’s about to perform–and is worried about the audience reaction to HIS performance, and is consoling himself with the range of talent that has so far graced the stage.

The triple acrostic refers to the fact that at this poetry event there is no microphone, yet the first segment of the event is still called “Open Mic.”