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Tag Archives: LaShawna Douglas-Muhammad

2021 0704 nes178

It had been bugging me that I hadn’t done a segment of my n.e.s. series for a long time, so here we are. Again we see Good Idea, Slapdash Execution, but I kind of like the primitivity this time.

The “Gare Bear Lines” emblazoned on the plane is an inside joke for those co-workers, starting with Katie Hoffman and most recently with LaShawna Douglas-Muhammad, who call me Gare Bear (or Gair Bear, as some would have it)–I am grateful for their easy-going affection. If I ever own an airplane something like this will be going on the fuselage.

This morning I basked in the presence of LaShawna Douglas-Muhammad, whom I had not seen for at least a year. We’d arranged to meet and I’d asked Shawna what her favorite flower was. It is the Plumeria, which I had never drawn nor painted. For the last couple of days I’ve gone about remedying that, and the drawing I made included this acrostic poem:

plumeria & lashawna

plain yoghurt & UNawful falafel
LOL so fine & so ciao bella
umbrella tree & blossom oasis
miraculous & sweet floral mesh
entice & fill with euphoria
relieve & cure Sorrow
in a thous&fold refrain
a flower & you, dear Shawna

In close to an hour that seemed like about five minutes we talked over Starbucks coffee about co-workers past and present; baseball, especially the Dodgers; managers and management styles; certain health issues; California, where we are both from; our fathers and other family members; and the tough last few months, with their tragic losses and with the loss of friendships consequent to the Capitol insurrection of January 6. One fascinating bit of trivia I learned is that her grandson Cairo does not like his Grandma’s lipstick.

It was, to understate it, a WONDERFUL visit, Shawna being both a good talker and a good listener. We hope to see each other again in a couple of weeks or so.

2021 1016 shawna and plumeria

2021 0116 plumeria and shawna

 

2019 0728 hack work

This post is dedicated to Jack Kirby, comic-book artist extraordinaire, who had an astonishingly prolific career. He was the John Henry, Steel Drivin’ Man of comics. And sometimes, and sometimes disparagingly, he was referred to by his colleagues as “Jack the Hack.”

The thing about Hackwork, though, is that it is deadline-driven. Comic books as published in America during most of Kirby’s career HAD to come out once a month, every month, without fail. And the better you were, the more demand for your work there was, and the more deadlines you had. Sometimes the deadlines were so many and so crushing that the quality of work suffered.

Writer Harlan Ellison, whose prolificity was legend, wrote “‘Repent, Harlequin!’ Said the Ticktockman,” a story about the insidiousness of deadlines. Introducing the story in one of his antholgies, he quoted a mogul saying, “I don’t care if it’s GOOD, as long as it’s Tuesday!”

And in the intro to Phoenix Without Ashes, the novel of the Starlost he co-wrote with Edward Bryant, Jr., he told us about something Charles Beaumont told him when he moved to Hollywood, which was that attaining success in Hollywood was like climbing an enormous mountain of cow flop, in order to pluck one perfect rose from the summit–but, alas, after you have made that hideous climb, you have lost the sense of smell.

So this post is also dedicated to all hard-working people who dive in and get it done, day after week after month after year after decade. I want to specifically mention two Facebook friends of mine. One is Tom Orzechowski, who as letterer/calligrapher for the Uncanny X-Men and other mutant-related titles, and whatever else they threw at him, maintained a consistently high level of quality, of artistry, in his work. The other is my work colleague LaShawna Douglas-Muhammad, who worked her way up from line cook to manager for SSP America with class, determination, and sheer hard work. Tom and Shawna are two of my heroes and role models.

HACK Work

Have a Deadline!!! Don’t be sloW
Ah–your Hand flies to & frO
Crank & fizz like PerrieR
KIRBYESQUE IS A-OK

Edit/Add, 6:48 PM: After a text conversation with the hyperkinetic creator of AMAZING ARIZONA COMICS, Russ Kazmierczak, who’s done mountains of quality deadline-driven work of his own, including multiple stints of producing an ENTIRE ISSUE of his fine publication in a mere 24 HOURS, I want to emphasize that the concepts of “hackwork” and “s/he’s a hack” have been often unfairly applied to dedicated, hard-working creatives. Prolificity often results in quality of work much higher than may be attained by waiting for inspiration to strike. Olympic hopefuls realize that being the best means punching that workout timeclock with consistency and high frequency, rain or shine, feel great or feel awful, “in a relationship” or “just got dumped.” It is a quality of Champions.