Here is an oblique salute to comic-book artists, who must think of their multiple illustrations on a page both as individual images and as elements in a greater composition.

I seem to remember an issue of GRAPHIS Magazine, perused in the Glendale Community College Library (which has since evolved, or something, into a “Media Center”) by me in the early 70’s, that was devoted to the comic-book art of old-school Jack Kirby and (then) new-wave Neal Adams. But before the issue got to those two gentlemen they asked themselves who the FIRST Comic-Book Artist was, and they offered Francisco Goya as a possible answer: he’d done a multi-panel sequence of a monk disarming an armed robber.

All two-dimensional artwork is one or more Wander Windows. The quality and delivery effectiveness of the window wander capacity depends on a few factors, skill of the artist being but one of them. Interaction, not mere execution, is key. (Wow, that sounds pompous; sorry!)

Here are my acrostical words:

Wallops whaling with Kapow
As the foe goes Yai-Kai-Yai
Now the damsel frames a frown
Double-Dee’d unless she lied
EC Comics’ Anti-Hero
Rousted bouts down Pain&Fear Row