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forty-two years ago a gaudy tropical fish/was flipped by a net akin to a flyswatter/into a saltwater aquarium

to the human watching the fish looked stunned/paralyzed/it did not move so much as a fin

long minutes went by/and at last the fish stirred

stirred as if it were a spoon/handled by a sleepy someone in no hurry/and it made a slow tight circle/around the spot where it had been dropped

and over many more minutes/the slow circles the fish made widened/as if it were tracking the spiral/of an impossible small galaxy/from its core to its outskirts

and eventually it skirted an edge of the tank

and it changed course and started to explore/nosing into and around a loose web/of coral skeleton/and nodding at the fake miniature deep-sea diver

and in not long/it acted as if it were home

i was the watching human/and forty-two years later the memory of that fish/sprang into my thoughts

i was remembering yesterday/being at the potter’s wheel/at a studio open to the public/and an interesting woman i had met some months ago/younger than i but probably by less than a decade/came up to me and asked me what i was making

and i glanced up at her/and felt some voltage of attraction

and my eyes went back to my hands/and i told her that i was throwing off the hump/making bases that would keep the mugs i would later make/a little bit up from the surface/so less heat would dissipate

she was friendly and nice/and i imagined having coffee with her/but the voltage started coming up again

so i kept my eyes on my hands/and after a little more nice chatting/she sensed my shyness/and left me to my work

now i realize how much i am just like that longago fish/and how in a new interactive situation/i start stunned/and must proceed with caution

but the fish/wiser than i/learned to gain familiarity/to liberate itself/to relax

i hope i see her again

Image

SYNOPSIS: Your narrator began composing a sonnet that had the further restriction of the double acrostic QUINTESSENTIAL BREATHLESSNESS. Four lines into the sonnet he questioned the wisdom of continuing, citing “wonkiness.”

Fourteen lines into the sonnet, it is finished, and I am glad I saw it through, though seeing it through involved a partial de-wonkitization of the fourth line. Nor am I at all certain that this is the final version; but there is enough good in it as is to make me proud and happy: it makes ultimate sense, it all ties together with the final couplet, and it tells my peculiar truth.

Again and again I learn that to see an attempt through to a state of completion is valuable and important. Why do I keep UNlearning it? Probably because it is so often easier to quit than to continue. “Who needs THIS [stuff]?” we are so prone to ask, and it is important to ask; but this time the answer was, “I do.”

Here is a transcription of the words:

Quick learner, thou art never long a newb
Upscaler, we must bid thee au revoir
Inamorata, neither time nor tube
Needs mention when you meet a partner’s Ma
There’s more to life than having needs be met
Encyclicals have ne’er made turmoil smooth
Strife’s ruled the rooster; Inquisition, shtetl
Some hurts may take a Miracle to soothe
Ephemeral events may carve out basins
NOW is YOUR time, you whose desire grows
The chest of hope has room, so put your lace in
It’s HEART that puts the Romance in the rose
As Living teaches, we’re conferred degrees
Lush vistas will reward the one who Sees