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This is blog post #997.

In “come love me (part 1)” I alluded to variations. Over the last few days I have written fragments of where this poem might have gone, had the form or first line or sentiment been different. (See Arthur C. Clarke’s book The Lost Worlds of 2001 for some way mind-twisting variations on HIS story, including an alien named Clindar who strolled to a planet’s surface from above the atmosphere, and an earlier version of HAL 9000 named Athena, who was far wickeder than Hal, saying stuff like “All systems on Poole are No-Go. It is necessary to replace him with another unit.”) Here are some ways this thing could have gone:

 

come love me

“come love me” was the pixelated message
the lover stared until its afterimage
was seen mid-blink. its urgency, its pressage
presaged a tumbling intramural scrimmage.

*****

come love me

COME LOVE ME so beckoned in text
it left the recipient vexed
and so in reply
came HOW SCARY TO TRY
and the wonder of what would come next.

*****

come love me

“come love me,” said the pixelated text.
it pulled him with its offer of delight.
resistless, he typed, “yes,” for he was hexed . . .

*****

But in the end I went with the slightest of variations:

come love me

come love me said the blinking text
come play with fire come share my bed
we’ll doff our clothes and do what’s next
with no regrets and nothing said

come love me he replied at last
we’ll dine on scones & tea & such
our eyes will meet our souls hold fast
our hope will mix our psyches touch

come love me now & bring yr trust
her answer came ten minutes hence
we will be naked as we must
our lust become our sentiments

come love me if you dare he wrote
we’ll shed our bodies get our bliss
we need no flesh to cross the moat
nor lips to frame the perfect kiss

and hour passed
two hours

ten

the silence s t r e t c h e d and
too
despair

they sought a love

had never been

they wanted something
was
not
there

*****

Tragic that these two near-lovers could have gone both ways, with the tiniest leap of imagination, and pleased each other immensely on alternate days. But both were so fixated on getting things done a certain way that it became a battle of wills. I have found again and again that if a battle of wills, and not continual accommodation/compromise, sets the tone for a relationship, that relationship is doomed. I wrote all this to sort it out. I don’t really think that such a text exchange could take place, any more than I think it is natural for people to suddenly burst into song, as in anything that calls itself a Musical or an Opera. They are fables, and so is this; but a fable, such as this, is often a quest for a greater, or underlying, truth.

Let us now put the image in focus . . .

 

 

image

Back in the mid-80s I was in a bowling league. I was the second-worst member of a five-person team. Our two best bowlers were not only very good, but also wise to the ways of bowling-league success and, most vital to the discussion that follows, unscrupulous. They wanted a trophy in the worst way, and so in the early games they indulged in a practice called sandbagging. To Sandbag is to deliberately not do your best, in order to gain an advantage.

These fellows were shameless about it. One night one of them claimed he’d injured his bowling arm, and so he bowled with his other arm, getting, of course, bad scores for all three games. Other times one or both of them would ‘experiment’ with different grips or approaches. All of this stuff mysteriously ended at the end of that part of the season wherein a team’s handicap, or points automatically added to level the playing field of bowler skill, was determined. After that, our two stars bowled to the best of their ability, enjoying the extra points they’d “earned” by not doing their best. (PS: Our team won the trophy. I also got a patch for bowling a game 75 points above my average, which was a semi-dismal 150 or so. I feel that I earned my share of the trophy and my patch, since I was not a Sandbagger at the time.))

Now we come to the image above, my latest acrostic-poem card. It has good possibilities as a work of art, but the execution is rushed and slipshod, and the poem is needlessly confusing. I can draw, and have drawn, far better; I can compose, and have composed, far more coherent verse. Why didn’t I do a better job?

Well, I can claim that my time is severely limited, which is 100% true; and I can tell you truly that I did this particular card to provide a not-too-intimidating example of acrostic poetry, in order to persuade my fellow members of the poetry group Poets All Call to try acrostic poetry themselves. I’m also slightly distracted by the migratory lingering gout that has now settled in my right knee.

But the whole truth is, about this and many other cards I’ve done, that I COULD have done better, and out of respect for the concept, SHOULD have done better, but I simply CHOSE NOT TO, and shame on me.

Shame on me, because you, the viewer, deserve the best I can do in the presentation of my artwork: you are giving the most precious thing you have in the world, Time Out Of Your Life, to paying attention to what I’ve done. And I am grateful that you do so, and I don’t want to waste your Time.

So–what advantage do I gain by not doing my best? Foremost, I think, is the indulgence of my laziness. I have chosen to work only so hard and no harder.

Second, I’m getting older astonishingly quickly, and I have so many ideas and ideas are my strong suit, and if I don’t record my ideas they tend to evaporate on me. If I spend too much time on one idea it is at the expense of others I may record, and won’t.

Third, just like those bowling teammates I had, I hope to look good-by-contrast later. Blog Post #1000 is fewer than 75 posts away. I am hoping it will be the best thing I have ever done in my life, arts-wise. That post may well serve as the equivalent of a master’s thesis, or an application of upgrade from apprentice to journeyman status, or, time not permitting, my valedictory farewell . . .

Thank you for your sweet Attention, my friends!

Here are the words to the OK-but-not-great acrostic:

Silly humans! They don’t know

Amorousness. Tally ho

Finding out about a partner

Enters realms Erle Stanley Gardner’d

NOTE: Erle Stanley Gardner wrote the Perry Mason books. With this line I compare growing intimacy to courtroom trials, with their Objection, Your Honors and their And Is It Not Also A Facts. As for “safe word,” it is a neologistic phrase referring to a word a lover may use to indicate, no kidding, that the other lover ought to cease and desist whatever s/he is doing, pronto. The phrase became popular after the release of the movie Fifty Shades of Grey, which I have not yet seen.

Mr. Joe Blow acts inappropriately. Those who know and love him shrug. “Oh, well–that’s just Joe being Joe.”

Sometimes we self-fulfill expectations by cutting extra slack for friends with failings. But my dear deceased friend Karen had a better head on her shoulders. When alcohol consumption had a negative impact on her musicales, she laid down the law: No More Booze. And she made it stick. And it was for the better.

We are not stuck with who we are. Not only might we reinvent ourselves, we might build ourselves. What can I do to make things better? is one of the most important things to ask.

IMG_20160421_081309

Wiggle in the eyedropper, euglena
Wait until ready for the multicell arena

Howl unto the moon–to madness cater
Have your way outlandishly, O Satyr

OR: lustrously become a nurse
Of this wounded Universe

IMG_20160306_085616

Today is Victoria’s birthday. My mission was to write a birthday poem using words Love, Beauty, and Truth. I spent fun, odd time working on acrostic arrangements thereof, but came to feel that simple and ungimmicky would be best. Here, then, is

To Victoria on Her Birthday

In LOVE we find both Hope and Fear.
The tragic BEAUTY of a tear
Reveals the TRUTH as something felt:
We want, we need, we give, we melt.

Happy birthday, dear, dear Victoria!

IMG_20160306_090321

My incredibly word-adept poet friend Victoria H. has a birthday coming up. I texted her to ask for three words to use in a poem for the occasion. She answered “love beauty truth.” I then asked her what she wanted for her birthday. She answered “world peace and clean water .  . .” I answered, “By the power vested in me as a child of the Universe, I give you Europa, a world at peace and with clean water. Congrats.”

But what I will really give her is the best poem I can do. I’m working on it . . .

0305161132-00

I did a butterfly for Beauty, two adult humans embracing for Love, and the profound phenomenon of the Earth-Moon system revolving around the Sun for Truth. May or may not show up in the poem. Stay tuned for Part 2!

 

 

the real me 02232016.jpg

the real me

when searching for the real me
a thousand falsehoods i did see
and then a chiding voice said “you!
look elsewhere or you’ll lose the true.
you need more sisters and more brothers.
the real you resides in others.”

these words come through an addled head
whose attention is fractured by coughs and snuffs and muscle cramps

there’s relief on the horizon
for it was worse yesterday and worse yet the day before and much worse before that

but the illness bids me write
telling me there is something important i cannot say when well

telling me “in vino veritas” (in wine there is truth)
may take a back seat to “in malum veritas” (substitute ‘illness’)

telling me to tell you that illness is not all microorganistic in nature
that the body’s ills are more easily conquerable than the spirit’s

and that there is an epidemic
symptoms: hatred, blame, impulse to destruct, ungenerosity

and that each spirit must find its own cure
and in doing so will encounter a new symptom: despair

****
****

well, i’m going back to bed, for bedrest has been helpful
and i am going to love you all, unjudgmentally

Three Novembers ago I participated in National Novel Writing Month. I succeeded in that my word count exceeded 50,000 and my story had a beginning, a middle, and an end or two; but it was a horrible, disorganized mess with “unpublishable” written all over it. Still, I’m glad I went through all that.

Here is Chapter 29 of Auld Lang Synapse, unedited.

****

Chapter 29: The strange, continuing tale of Calvin and Iliana

Calvin reworked the faces and forms of his figure study to remove the resemblance to Iliana. Then he photographed the result and e-mailed a gallery, got funding for foundrification, employed the lost wax technique to turn it to bronze, and had it cast. It had never occurred to Cyril and Iliana that he would do this, and they hmmmmmed—but Cyril bought one of the castings through a dummy anyway. To Cyril’s (rare) astonishment, this infuriated Iliana, and she left Cyril Kowznofski for good, taking a substantial quantum of the smartest of the smart dust with her.

Exceeding her allotment of doorstep-drama scenarios by at least six, Iliana rang Calvin’s doorbell yet again.

This time he didn’t come to the door. He used the intercom instead: “You’re torturing me, Eely. Kindly get lost.”

“I’ve left Cyril for good.”

“So?”

“I want to be with you. I REALLY want to be with you. I miss you so much!”

“Are you going to suddenly become monogamous, Eel? You can’t. You won’t.”

“Maybe things will be different with the dust. I have some. I want to try it with you.”

Long silence. Calvin’s muscles were bunched, the bite-muscles most of all. Iliana waited on the darkening porch, weeping softly.

The lock clicked. “I’m in the studio. Please lock the door behind you.”

Iliana did, and turned lights on in the night-dark house as she went through it. She was surprised to see a dish in the sink and a rag on the floor of the kitchen—outside his studio Cal was fastidiously clean. She was gratified when a quick peek into the bedroom revealed no circumstantial evidence of recent effbuddy visitation. After a moment’s reflection, she decided to bring the dust and its support apparatus to the studio, rather than leave it in the bedroom where it would most likely be used.

In the studio, Cal was making either tall vases or bird-bodies. –No, it was birds: one leather-hard flamingo lay on its side on one of the tables.

“Hi.”

Furrowbrowed “Hey.” Cal squeezed a water-laden sponge on the rim of the form he was throwing on his wheel, and the inside and outside wall got a little water-skin from it. He pulled the form to another five inches of height, then switched the wheel off and toweled his hands and arms. She saw bleakness in his eyes as he regarded her.

“Iliana, I don’t know what it’s like to use the dust. I never have. I don’t know if I ever want to. Why should I?”

Iliana, simply: “For love, Calvin. For love of the woman who belongs to you.”

Quoting a song, Cal said, “What’s love/But a second hand emotion?” He was a Tina Turner fan, and he could not sing worth beans.

Iliana just looked at him through teardrops.

Eight minutes and thirty-six seconds passed.

“Tell you what—let’s go get something to eat, and talk about it.” So they got in Calvin’s green Green Jeeper and went to Red Devil Pizza. Iliana had red wine there, and Cal a root beer, and they shared a big antipasto salad and an extra-large mushroom/sun-dried tomato/artichoke-hearted pie with extra cheese. The while, Iliana told Cal about some of the more exotic discoveries Kowznofski had made with different formulations of dust, and described what made the batch of dust she’d brought so special.

“This stuff is like a blender with different speeds. You don’t strobe back and forth, you blend. If it’s at 50 percent you, Calvin, will be able to see through both of our eyes, and hear my thoughts and yours at the same time. At 100 percent we’re in each others’ bodies. But at 5 percent you just get a hint of me. This is especially good for people like you, who’ve never dusted before.”

“What’s being with Kowznofski like, Iliana,” Calvin asked, with a bit of self-loathing for having asked.

“I never did it with him. I’ve never done it with a lover, Cal. Not to say that Cyril didn’t want to. You and I will both be virgins to this.”

“Cmon, Iliana. Don’t tell me you never dusted with anyone.”

“Didn’t say I didn’t. I dusted with my chess teammates. For their sake, not mine. I did get a little out of the session with Katsuji, though. He is wily.”

“That’s it?”

“Not quite. I put in some volunteer time at the Hospice, but I was asleep and pain-blocked. I have a video. She got to dance ballroom and flirt. It was chaperoned, and a good thing.”

Calvin Enwright could not but smile. “Well, good for you on that one. No pets? No touch of the strange in those weird ‘petting zoos’?”

“No. I’m TELLING you, Calvin. I didn’t want to be really close with anyone but you.”

They finished what they wanted of the pizza and had the rest boxed up. On the drive back they briefly discussed what the dust did and what they would do with it.

Now they were in Cal’s studio, both facing small dust cannons (not much different than the equipment found in the optometrist’s office that administers the glaucoma “puff test”). They closed their eyes, Iliana flipped the switch, and their faces were puff-dusted.

They opened their eyes and looked at each other. Calvin shrugged. He felt no differ—

He got a hint of double vision, an odd overlap of tactility—

They stood and faced each other. Iliana said “Make something on your wheel” as Calvin mouthed her words—

Calvin told Iliana without words to find some music and dance for him on the platform. He (hint of they) got the wheelhead spinning, moistened it with a corpuscular sponge, and threw a five-pound plug of the Rod’s Bod clay body hard on the center of the wheelhead. Dreamily, Eely began undulating to a breathy Macy Grey song. Cal could feel the pole against her back and the silk of her scarf sliding over her collarbones as she swooped sideways. Looking down, they found that Cal had formed the bowl of a loving cup from the Rod’s Bod.

They shut off the wheel/climbed down from the platform/walked in lockstep to the loungey front room/sprawled onto a couch, one’s knee on one’s outer thigh.

Control of the transfer was mutual or other-directed; they couldn’t tell. Tactility was wild; a hand skimming on an other-bodied flesh sparked gentle lightning. As this happened they wandered through the memory trove of their one larger mind, sharing their first kiss and discovering that they really had been in perfect synchronization of want of it. This took them to desire and the removal of their clothing.

In the bedroom the minds parted for a time; the possession switched rhythmically and faster than a Ping-Pong match; when Iliana felt the wall of her own vagina through the tingling nerves of Calvin’s penis, they both gasped and quickly joined minds again. A guidance of motion that they had never achieved as individuals informed this new lovemaking, but that was mere enhancement to the mind-bliss. Orgiastic good-memory cascades and newfound-hope exploration drove them toward (theythey could tell) the inevitable peak—

The dust timed out. Suddenly they were exclusively in their own bodies and blind to shared thought.

Calvin gripped Iliana’s head and locked eyes with her. “We don’t need the fucking dust, Eely—look at me!!”

She did, and saw him, she saw him truly as she never had before, and felt him as well, and he her, and they weren’t blind any more, and they came just then, in astonishing slow silent motion. One of them wept on behalf of them both.

Side-facing, eyes closed, they wordlessly held each other until they fell asleep.

Miles away, Cyril Kowznofski, who had everything any of his post-Werewolf dust do beam a perceptual transmission of the dusts’ possessors to his sensory-recording studio, cursed himself for a weak-willed –voyeur but did not go so far as to commit the higher crime of invading Cal’s and Iliana’s privacy by viewing their doings. He did mark the datastream Special, and had a speed-dial-esque access code for it, should he weaken further.

****

(First appearance: Facebook, Poets All Call group, 26 July 2015. Poet Joseph Arechavala had posted a challenge to “wrote about any subject in Shakespearean English.” I have lost count of the number of sonnets I have written, but I know it was well into the three-hundreds in 2010, so i’m confident that i’ve gone beyond “ccclxxiii” and may shoehorn this into the canon.)

sonnet ccclxxiv

when we are by possessions too possess’d
and risk a heart for diamonds and the like
that heart is sour’d. acquisitive unrest
gives satisfaction chase, but fails to strike.

yet when we are by love most full unraptur’d
and risk our life and fortune for such love
possessions immaterial are captur’d
and we are dyed with rainbows from above.

the risk of loss is real and in its season
that dreaded loss will come, if soon or late,
and though with wrenchéd heart we plead for reason
some life is reasonless; such is our fate.

with time we may enjoy what had been felt
and then into eternity we melt . . .