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long ago

michelangelo

began his sculpting career

by chiseling a grinning demon’s head

out of a chunk of marble

and his patron liked it

but suggested that

it would perhaps look more catchily demonic

if mike knocked out a tooth or two

so the fledgling sculptor obliged.

..

centuries later a poet said “less is more”

and a little after that henry moore sculpted figures

with holes in them.

..

wh n y ur sente ce h s a mi sing l tter

in most wo ds it b comes a differ nt se tence.

..

we must not only read between the lines

but read within the holes.

20190813_163429

mallet • palate

mordioux no a&p • and some “leaders” copped a plea • let us face it we’re in hell • left bereft no wares to sell • a euphemistic take’s a trait • that fair ignores the teeth that grate

About the open-mouthed fellow on the right: about forty years ago there was an album by King Crimson called IN THE COURT OF THE CRIMSON KING, and though I haven’t seen the album in many years, I would bet that my drawing is at least a secong cousin to the fellow on that cover.

 

The initial sketch, done recently, was an exercise: Use of Quiver-Lines to Emphasize Fear. Did it and moved on. Came back and learned that it wanted to be finished. Brought it to this stage of completion. It is not GUERNICA, nor the Sistine Chapel ceiling and walls, but it should tell a story a little bit different with each viewer.