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Here is that work in progress from a couple of posts ago. Adding the acrostic and a great deal of detail on the sax, and subtracting the “mood indigo” photoediting effects I had used before, turns it into a different visual experience.

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Here are the words to the double acrostic poem:

Tension eases Music rises
Effortlessly on it goes
Energy averts the crisis
Nestling riffs to curl the toes
Oscillating chordage drove ya
Out of country–Bossa Nova
Rendered Heaven pressed in wax
Rife with Wonder none dare tax

A week ago my dear and wonderful friend of more than twenty-four years, Karen Wilkinson, was alive and well. Friday she was stricken and felled by a brain aneurysm. Monday they removed life support and, I infer, harvested what organs of hers they could use.

While she was still not technically dead, I tried feebly to do creative things. Here’s what I did on Sunday the 4th:

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The would-be poem seems finished but is not. After Karen died, I tried again, and wrote what I intend to read at the Caffeine Corridor poetry event tomorrow night:

fiddle away over and out

there was this girl in a jeans skirt in the spring of 1990
librarian glasses and face and demeanor like talia shire in rocky
but with a violin that spoke for her
boldly stepping into the sound of the livingroom band she’d just joined
and the girl and her fiddle turned three needy guitars into contrapuntal gold
at times trumping them with platinum

years later “roller derby queen” by jim croce reached new heights
when during the instrumental the sound crescendoed
and the fiddle did a trick of stringzipping into the stratosphere
followed by a beat of complete and magic silence
followed by the resumption of the raucous rollicking sound

the girl and her fiddle went with her piano-playing pal to jazz camp
and they grinned and grinned on their return

elsewhere in 2007
much of the band went to a cabin near grand lake colorado
played and played and sang and danced and snored and hiked and played and played
the promised moose never showed but the music flowed and made all all right
and the fiddler bent and swayed with that music and folded her excellence into it

her face focused transcendence
her rosined bow a dervish

sometimes she’d take the fiddle away from her chin and sing
because she wanted to hold voice-hands with the rest of us

and through a miracle of wishful thinking and overdub
i hear her voice and fiddle now together

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This courtly gentleman lives where I work. He is shamanistic, a lover of music from Mozart to David Gates’s Bread, a lover of dancing, of our Verde Valley, and of his fellow human beings. There is something about the tipping of day toward night that wakes him from a nap. There is something about the joy he derives from everyday life that brings an easy smile to his face, and then the faces of the people he talks to.

I’m glad to know him, and I wish the Earth had more of him.

Here are the words to the acrostic of his name:

Can o p t i m i s m come to be
Around when some unhappily
Reflect on spires that do not gleam
Lost love, lost chances, darkened theme?
Of course! Just find a friend who’s fair
Shake Shakespeare and confound Flaubert

Shakespeare wrote HAMLET and KING LEAR and MACBETH and ROMEO AND JULIET and TITUS ANDRONICUS (“probably in collaboration with George Peele,” says Wikipedia) and OTHELLO and other awfulness-containing tragedies. Flaubert is chiefly known for MADAME BOVARY.

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As with a good deal of other human endeavor, this text-based image is a happy-accidental cacophony of One Thing Leads To Another, with an overlay of a consciousness trying to make sense of it all. What luck it was that “Psychosis” is choppable into equal three-character strings, and hey! so is “Symphonic!” And Wow–“Psy” names a pop star of Korean roots, and so does “Cho!” A lookup of “Sis” yields–WOW!!! “Secret Intelligence Service,” aka MI16!!!! And so forth.

Early on in this image I’d intended to ask a musically-gifted friend to compose the three ending bars of the Psychosis Symphony–but the crazy-minded flavor of my acrostics made the route I took here suit the subject more fittingly. There is just enough musical notation to frame the elements, and that is another happy accident.

“Psychosis” words:

Paste-effacement is no basis
Prawn-bowl cause could lead to stasis

Shown shorn wraiths of Anasazi
Sphagnums guest heat into ziti
Spared a tool with Luca Brasi
Scarfed aphasic Nefertiti

Yet heard echoes of glissandos
Yaw pitched metaphoric rondos

“Symphonic” words:

She’ll help with a hum/bello piñon
Suppress an oppressivish minion

You might hear from Lauper, Cyndi
Yearn & search for Don’t Bee koi
Yes, & werebeests’ hoped-for chindi
Yet may garnish fresh bok choi

Might need to enshroud a Jung maniac
Moo, Zeke! It’ll get downright zany, Mac

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Every night I work I fish out one of the beautifully round-bowled spoons from the silverware tray and take it to the desk. There is something about its shape and its reflectivity that just grabs me. Last night I did this drawing, posing the spoon over and over again over the crossword puzzle grids I’d drawn and filled in earlier, and then I put the spoon, though still clean, into the dishwater tub by one of the industrial-strength garbage disposals.

Over thirty years ago I did a 24″ x 30″ drawing with the remains of several chicken dinners variously posed, and I called it “Bone Symphony.” It now hangs in our dining room, thus:

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So this decades-later, much-simpler drawing of mine is “Spoon Sonata with Crossword Counterpoint.” I got lucky with the alliteration. [smiles]

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For a long time a friend of mine was following “A Course In Miracles.” Their definition of Miracle: “A change in perception.”

The pH of seawater happens to be identical to that of human blood. Coincidence?

I do not consider myself a Christian but I am a big fan of some of the things Jesus was said to have said and done; and on occasion I have cheerfully invoked the thanksgiving prayer “Rub a dub dub–thanks for the grub–Yaaaaaaaay, JESUS!”

I am also a big fan of s. harris and his many intelligent and yet belly-laugh-demanding cartoons. Check him out sometime, if you haven’t–he’s Miraculous!

Here are the words to the double-letter-adjacent quadruple quadrimetric acrostic:

Twixt pad of toad & eye of newt
Raw Magic warps the eye & ear
Eternal Music plucks the lute
Aeolian susurrant sea
Dry eyes may mist from things half heard where Miracles are not absurd

At Glendale High School, in Glendale, Arizona, the band of choice for the Friday dance was The Factory, Their drum kit was painted psychedelicately, and looked great under black light. Their cover of “You Keep Me Hangin’ On” (Vanilla Fudge style, not Supremes style) was, no lie, EPIC.

And it still is, more than forty years later! Listening to them at the Glendale 100-year reunion, in December of 2011, was like a trip in the Way-Back Machine.

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