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Tag Archives: night

The quality of Quiet

Increases some places, some nights

And a nearly invisible woman found

That it could be harvested

Without being lessened. Like a seed crystal

Some of the Quiet she took in this night

As she wove her paths through the downtown

Imposed its calm pattern on her psyche

Without her taking it away.

And when, later, the punks itching for action

Saw through her invisibity and descended on her

With their Hey Baby and their Whey Ya Goin Cutie?

She took the blanket of Quiet she had grown

In her perseverant soul

And dropped it over them

And they gently crumpled to the sidewalk

And fell to sleep,

Slight smiles on their faces.

She took a knife from one, guns from two others,

And walked them to the river and dropped them in

After drawing a shallow red line across the throat

Of the knife’s former owner

To give him and his associates

Something to think about.

Then she left to find more quiet

And perhaps more disarmament.

night light 2019 0120

What with the total eclipse of the Moon coming in scant hours, and my recent acquisition of black paper and white chalk, it seemed time to draw with light.

Here are the words to the double acrostic:

Night Light

Now we were wombed in waters warm and still
In peaceful amniotic near-lanai
Go down where water gives you Zero G
Henceforth let velvet DIMNESS see us through
To be by loving Darknesses enwrapt

This is a non-rhyming poem, so I didn’t begin composing it with the end-words. Instead, and since I wanted to wrap my spot illustration of mother and child with a sort of uterus of words, I wrote the last line, “To be by loving Darknesses enwrapt,” first. And so, curiously, the poem also makes sense from the last line up, if we just change one word on the new last line:

To be by loving Darknesses enwrapt
Henceforth let velvet DIMNESS see us through
Go down where water gives you Zero G
In peaceful amniotic near-Lanai
Now we are wombed in waters warm and still

Writing poetry last-line-first is just like the way Mickey Spillane wrote his Mike Hammer mysteries. He claimed he always started with the ending, then figured out how to get there. Poets, if you ever find yourself running dry, you might do worse than to give the Spillane method a whirl!