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her face is in pieces/her eyes impossible jumping beans in cups/her suffering hand somehow segmentedly joined to her in-pieces face

but loud and clear what is expressed and communicated is that this woman is in an abyss of pain

and that the utter blackness behind the pieces of her face is the abyss Itself

she is captured in a painting that looks like a stained-glass window depicting an inhabitant of one of the circles of hell

and since suffering is infinite and eternal/it is easy to imagine/that there are many more depictions/of many kinned inhabitants

and if the painter picasso/is still capable of expressing in paint/such grotesques/via sanction via a similar deific authority/to that of the earthy lorenzo “il magnifico” de’ medici

picasso is simultaneously in the Heaven of Visionaries/And the Hell of those who cannot unsee

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Poem written after a viewing of “The Weeping Woman” by Pablo Picasso

Recently TIME Magazine profiled a retrospective of Jeff Koons. Mr. Koons is a good four months younger than I am, yet he’s seen work of his sold for a cool 58.4 million dollars. Once I sold a piece of mine for $250.00, but then the gallery took its 20%. Sigh.

It reminded me of this page, of a pioneer of not only Art but of an artist’s self-promotion:

001

Here are the words to the acrostic sonnet, with apologies for the clumsiness of Line 5:

What Picasso Had

Well, Pablo had a round head–that’s for starters;
His Bald and Bulbous Noggin was a Moon;
A gorgeous Harem–Demoiselles & Martyrs;
The cheek to make a napkin-drawn cartoon

Pay for three demoiselles’ Euro-Vacation;
Intensity of Focus . . . FEAR of Death . . .
Chicago’s streets to sculpt a Big Sensation;
A knack for Marketing with Every Breath.
Some envy his long life, his wealth, his Women,
Success like that some Art aspirants strive for;
Oh, nothing’s wrong with Fame to smile & swim in,

However, it’s unseemly to connive for.
Ahhh–I’ll not judge him. ART’ll; FATE’ll; GOD’ll;
Don’t know–but I won’t use him as a Model.

(Of behavior, that is. He was a real and true Jerk. See SURVIVING PICASSO for a taste of his Jerkiness, not to mention a stellar performance by Sir Anthony Hopkins. Quoth Wikipedia: “Picasso is shown as often not caring about other people’s feelings, firing his driver after a long period of service, and as a womanizer, saying that he can sleep with whomever he wants.”)

 

Image

It’s over a hundred years since le Cubisme made its first appearance, spearheaded by Pablo Picasso and Georges Braque, with perhaps a precursive boost by Paul Cézanne. The movement purported to offer a different way of looking at things, by chopping up the image with different views of its subject. Then came Comic Books, which chopped up the page with different slices of represented life. Now comes the self-aggrandizing Gary W. Bowers, who presents the same subject at slightly different viewpoints and times, thanks to camcorder technology and nifty photo-editing software. (Andy Warhol gave me a precursive boost with his image multiplicities. Thanks and RIP, Andy!) New Cubism lives!