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Hallways

Through windowless corridors
The lady with stiletto heels and veil steps,
The snap of her footsteps
Echoing in the narrow spaces.

She stops at one picture of a family of four
With a grinning dog,
Looks at the woman she was,
Shakes her head, and mutters,
“What was I thinking?”

She pulls a fresh long-stemmed rose
From the vase on the little stand
At the juncture of corridors
And de-thorns it,
Shortens the stem,
And puts the rose in her hair
By her ear.

She’s done. There’s a lot more to see
But she remembers most of it,
And it makes her shake her head again.

At the door
She says to her assistant,
“Demolish it, then sell the property
As quickly as you can.”
She holds up a hand
To the sputtering protest
And says coldly and firmly,
“Do it.”

In the town car she tells the driver
To take her to the airport.
Then slides a tear.
“Changed my mind. Take me
To the cemetery.”

Graveside
She places the rose gently
At the foot of her man’s headstone
And whispers,
“See you soon.”

Back in the car
She says, “Airport now.
How is your family, Edward?”

This poem first appeared in slightly altered form in the Facebook poetry group Poets All Call.

(First published in the Facebook poetry group Poets All Call)

Coda

Loves are lost
And irretrievable
Notions tossed
And blurred but grievable
Etched, embossed,
And I believe a full
Life is a song that winds down with a coda
Neath chupah or ceiling or scrolls of pagoda.

Woe-infused
Yet laughter-adjacent
Doom-bemused
Though joy’s ever-nascent
Thrice-accused
Of tales somnifacient
The weary composer welds landmarks with themes
With a filter of dreamstuff and not-as-it-seems.

If a song
Has many verses
Overlong
And laced up with curses
Quell the throng
Until it disperses…
You’ll find common threads in the lilting and lulling
And capstone that ending with smooth-water sculling…

Birth comes with cymbals
And nimble progression
Toddling percussion
Concussive succession
Wrought adolescence
Will test your endurance
Fledgling adulthood’s
Long stood in demurrance
Then the adventures!
The dentures can wait
Yearning and romance
And slow dance and Fate.
Now violins
For the sins and the story
Now muted woodwinds
Rescinding vainglory.
Soft notes that dwindle
Unkindle the flame
Your life’s coda ends
Yet ascends
All the same.

Five years, nine months, and twenty-nine days ago I began my employ with SSP America, one of two firms that manage the restaurants of Phoenix Sky Harbor International Airport. Today at 2:46 PM I ended that employment by clocking out at Matt’s Big Breakfast, next to Gate B5 at Terminal 4. I left on good terms, with the Big Boss, Tommy R, managers Maria, Denny and Eduardo, bartender Sadie, servers Jenna, Netty, and (especially) Melinda, utilities man Juan, and my cashier replacement Esperanza all wishing me well. It is a good ending.

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Here I am with Ninette, whom we call Netty. That’s my mask between us, hanging from my left ear.

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This is bar lady Mercedes. She prefers to be called Sadie. She posts wonderful pictures of her family on Instagram. She also has cracked me up with jokes that are unsuitable for children. And I’ve tried to crack her up as well. Many of the jokes I’ve told her are older than she is.

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Here is utility man Juan, who showed me pics of the coastal city in Argentina where he was born and raised. I told him today that he looks a bit like the “handsome British actor” Anthony Hopkins. 

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And here is Melinda, whose skills as a server are so pristine that my own mother, the Diner from Hell, the Original Karen (OK), the late, great Jane Bowers Stoneman, would ask for Melinda by name when she was working at Lone Star Steakhouse. Melinda is known as the Finder of Stuff and is heavily relied on for that, among many other things. When I told her I’d post her pic she said, “Tell everyone that I’m the one who gave you Covid.” (Possible, but unlikely,) I may miss her most of all.

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The lady pointing at the “Usual Suspect” is Maria W, who has managed our restaurants all over the place. I have the utmost respect for her. She runs everything from 10Ks to ultramarathons and has for many years. She is hard to keep up with. 🙂

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And here I am with the Big Boss, Tommy R, who manages the managers. He is like Heimdall, Bridgekeeper of Asgard, in that his eyes see everything, everywhere. The buck stops with him. And it was to Tommy himself that I surrendered my airport badge and the Micros card with which I clocked out for the very last time.

I’m proud to have put in more than five years with SSP, and so happy to have made so many restaurant friends. I will stop by and say hello as a traveler when I plane-trip my way out of Phoenix. I wish all my colleagues the utmost success, and will miss them profoundly.

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from more than half a life ago
some artifacts remain and so
they raise me up and lay me low

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an uncle and his nieces sit
the inkwash sloppiness may fit
if smiles persist and moods acquit

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some ink dissolved in lithotine
on fingerpainting paper clean
may slosh then be erased–it’s keen

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on plates of zinc with beveled edge
may be a mirror image–hedge
your bets and stack ’em on a ledge

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this fella thought he was so smart
and dabbed and dribbled at his art
a lifetime later? time to start

*****

My brother Brian and I were going through boxes in the carport this morning and found many blasts from the past, from more than a century ago to and through the 1975-1982 period when these images of mine were made. Pride, embarrassment, a pang of grief for my now-deceased niece Lori Marie, and frustrated regret for the art career I never really had swept through me in five seconds or less. “What’s past is prologue,” said Shakespeare’s Antonio in THE TEMPEST. “It’s never too late to do something great,” I wrote in our Glendale High School 20th Reunion souvenir book more than 20 years ago. I hope I was right!