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Long ago–1991 to be more exact–Keanu Reeves, Lori Petty, Gary Busey, the late great Patrick Swayze, and ace director Kathryn Bigelow joined forces with a superb ensemble cast to make POINT BREAK, a movie whose fine bizarreness and insane spirituality are on a par with REPO MAN, THE FISHER KING and SLAUGHTERHOUSE-FIVE, to name three more of my top ten favorite films of all time.

I’d wanted to see POINT BREAK since I read Roger Ebert’s three-and-a-half star review about a decade ago. Last week my work buddy Matthew loaned me his DVD copy. I’ve been studying it–watched it once with English subtitles, once with Spanish subtitles, once with frame-freezing for sketching. I’ve seen all the special features and deleted scenes. I’m not quite ready to do a double-acrostic illustrated POINT BREAK poem, but will be soon. Meanwhile, here are two learning sketches.

 

 

 

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Today I finished an abstract doodle with poetry and some coherent image. Here are the words:

Recurrence to motifs refer
Add frankincense and then de-myrrh
Note, Samson, how reliably
Delilah cranks your Model T
O sure as Hm is spell’d H
M Your actions will from that place stem

(Hm really is spell’d H-M, just like Sh is spelled S-H. This is an example of how, to make the acrostic fit AND rhyme, you have to go to the extreme of ending the line on the next line, which sounds impossible, but that’s what they said about the square root of negative one, about which, see one of my previous posts; sorry, its title escapes me.)

I am throwing in my Patrick Swayze portrait in remembrance of the late, great Roger Ebert, who years ago saw fit to bring it to the attention of his Twitter followers, bless him.

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