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Today Laura, the human owned by Lena Furbena, gave me another picture of her. I used it to fiddle with an old nursery rhyme. Part of the fiddling was to remove the reference to a fiddle, replacing it, sort of, with a ukulele.

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I’m delighted to report that Lena has accepted my Facebook friend request.

Here are the words to the retooled rhyme:

Hey dilly daily,
The moon’s ukulele
No-handedly played for the spoon.
The little dog’s distance
Due to nonexistence
Was deemed by the cat quite a boon.

What did the uke play to the spoon? Why, “Some Enchanted Evening,” of course. [smile]

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I once loved a girl, her skin it was bronze.
With the innocence of a lamb, she was gentle like a fawn.
I courted her proudly but now she is gone,
Gone as the season she’s taken.
Bob Dylan, “Ballad in Plain D”

When you see through love’s illusions, there lies the danger
And your perfect lover just looks like a perfect fool
So you go running off in search of a perfect stranger
While this loneliness seems to spring from your life
Like a fountain from a pool…
Jackson Browne, “Fountain of Sorrow”

It was a time I won’t forget
For the sorrow and regret
And the shape of a heart
And the shape of a heart
Jackson Browne, “In The Shape of a Heart”

The dance was good. Now let it end.
Roger Zelazny, “A Rose for Ecclesiastes”

I did love a girl. Her skin it was bronze, especially when she sunned. On June 14, 1971, I fell for her hard. In January of 1979 I left her. In August of that year we went to Colorado together for a week, but things were not the same between us and would never be so again. In midsummer 1990 she called me and asked me to come see her, and I did, and it provided some closure for me, and I hope for her. In March of 1993 I did a marathon in the city where she lived (and lives), staying as a guest in her house while she stayed with her husband-to-be. I haven’t seen her since. We used to call each other on our birthdays, but we haven’t done so this century.

There’s a lot left out of the above paragraph, just as there’s a lot of detail lost in the page I scanned and selectively deresolutioned. Restored, it reveals a portrait of her very young self and a double acrostic poem based on her name. She deserves her privacy, and I need a shorter leash on my spilling-my-guts tendency. But this blog, which will be the chief trace of myself left over after my death, is intended to be holographic, and I could not leave her out of it.

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This courtly gentleman lives where I work. He is shamanistic, a lover of music from Mozart to David Gates’s Bread, a lover of dancing, of our Verde Valley, and of his fellow human beings. There is something about the tipping of day toward night that wakes him from a nap. There is something about the joy he derives from everyday life that brings an easy smile to his face, and then the faces of the people he talks to.

I’m glad to know him, and I wish the Earth had more of him.

Here are the words to the acrostic of his name:

Can o p t i m i s m come to be
Around when some unhappily
Reflect on spires that do not gleam
Lost love, lost chances, darkened theme?
Of course! Just find a friend who’s fair
Shake Shakespeare and confound Flaubert

Shakespeare wrote HAMLET and KING LEAR and MACBETH and ROMEO AND JULIET and TITUS ANDRONICUS (“probably in collaboration with George Peele,” says Wikipedia) and OTHELLO and other awfulness-containing tragedies. Flaubert is chiefly known for MADAME BOVARY.

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Today my good friend and Leader of the Facebook Poet Pack, Socorro Olsen, clued me in on an article about words Noah Webster had in his pioneering Dictionary. The article had a word for every letter in the alphabet, and also mentioned his popularization of Americanisms such as squash, skunk, hickory, chowder and applesauce. I had a great deal of fun getting familiar with the words and their meanings by writing this poem with at least one of the words in each line. NOTE: “PACpals” refers to the members of the Facebook poetry group Poets All Call, which Socorro created and in which I enthusiastically have participated for years.

To Noah Webster, Socorro Solis Olsen, and My PACpals

Uptrain us, please, O Webster, N,
We Yoke-mates need our fun.
To bloom and Vernate well and then
Trill Zuffalo and pun.
Though Xerophagy leaves us dry
And makes us Maffle oddly,
An Ear-erecting noise awry
Makes Kissing-crust more godly.
And we may Sheep-bite from your words
Though at first Tardigradous,
No Rakeshames, we, just avid nerds
Whose Babblement’s unmade us.
Such Hugger-Mugger came before,
And now we, After-wise,
Won’t Daggle-tail the couch or floor
With Packthread o’er our eyes.
We may choose to Obambulate
To gain Longiquity
Nuncupatory deals relate
To Wranglesome decree.
Illaqueation sets the trap;
A Quadrin we don’t need,
Our Cycopede will cut the crap
For Fopdoodle to cede.
No dummy, no Gastriloquist,
Just ham on wry Jackpudding,
We’ll Squash the Applesauce, then twist
The Skunk tail, would-should-coulding.

L’Envoi

Old Hickory took a powder.
Hey, buddy–pass the Chowder!

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in a soundproofed room
you are still bombarded with signal
and depending on your instrument of translation
may receive modulated radiation from the electromagnetic spectrum
the least exhalation of breath and the most harrowing shriek and all between flow through you constantly though encrypted

but shut off the phone and be alone again
with your own pulsed heart and
your own rhythmed breath
heart’s lobed beat
lungs’ swelled fill

beat and fill

quiet

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the main sound on the predawn desert mountain trail
is the scrape of your soles on scree cinders
but the near silence allows calibrated gain

and then are heard the thwips
and rustle
and padpadpad
of fauna and flora

stop on a rock and blink away the runoff from your brows
turn away from the view of the parking lot and look at the panorama you made
with nothing but a footborne change of elevation

and you’ve earned a silence of approbation

and when you break it with a twist
of your waterholder’s top
and then with the buhbloop of good and cold
over your tongue and down your throat
it’s hard not to “aaaaah!” with satisfied volume
and then enjoy a low-hummed resilencing

bent a little by the miraculous, bone-conducted sound
of your blinking eyelids

NOTE: My illustration for this poem is the first crack at Scratchboard I’ve had in thirty years or so. Consequently, the inherent strength-through-contrast of the medium is offset by the clumsiness of the practitioner. The next ones will be better.

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Yesterday I was behind the desk at the Independent Living Retirement Community where I work, and Laura, the Pet Visit lady, offered me any of the three photos of the pet, one Lena Furbena, she’d brought to visit. I selected one and asked permission to use it as a photo source for an illustrated poem. Laura kindly granted permission, and here we are.

Lena has her own Facebook page. Here is a link: https://www.facebook.com/lena.furbena?fref=ts She claims study at Yavapai College and work at Bossa Rosa. Apparently she enjoys moonlit walks and dirt baths.

I don’t know her well, but from the vibe I got from my brief visit with her, this emerged:

Love-Kitties often loll & paw & goof
Lick sharpened claws & blink & blink at you
Enjoying your discomfiture, they purr
Enjoined, they do a thing that lacks a verb
Now Cat & Human share a warmth serene
No discord interferes with what they glean
An afternoon in Harmony’s corona
A Love-Cat LIVES in Northern Arizona

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Half a Secret

If there were such a thing as half a secret
There would be such a thing as half aloof
So goes the half aloft and closet peeklet
Entangled in the clothing of the proof
Less entropy prevents a leaky roof
Ferality unmeeks the meekest meek pet

Reveiled

In veils we find
The mystery
Sought by the blind
Encounter. We
Leave type and kind
For History.

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Apologies to Brad Pitt for exploiting his name and face, albeit in a good cause.

Synopsized facts about “Who Killed the Electric Car?” may be found on Wikipedia, here: http://en.wikipedia.org/wiki/Who_Killed_the_Electric_Car%3F . It may seem that by now, eight years later, the point is moot, but we’re pumping more than ever out of the ground and into the sky.

“Jean-Luc” is a reference to the character Patrick Stewart played in the STAR TREK: THE NEXT GENERATION omnibus. He was a starship captain who certified his orders with “make it so.”

Unforeseen Difficulty

Unto us an Engine framed, full bore & rectified
Now release we Inner Cowgrrr–yippy ki yi yi
Four-speed shift or automatic–really, what’s the diff
Oil & gasoline intoxicate–just take a whiff
Rolling on a highway beats a loll on the lanai
Eminent domain emissions make it so Jean-Luc
Sifting through us like a line of poorly-lit haiku
Even-handed citizens may want to take a Poll
Eco-minders balk if Greenpeace comes for their Renault
Never mind–y’all drive into the Sunset–say goodby

cantankerously unobstreperous

curmudgeons may include him, her, and you
and dogs who howl and bay to fill the moon
not mentioning an undynamic duo
that carries on more frenzied than haboob
antagonism coexists with brothers
neanderthalic whims take to the street
kerfuffle ends, but soon will be another
euripedes was ofttimes indis-crete
rasputin took some hits, but none too deep
olivier became a drilling foe
upended abel’s brother was no keeper
soliloquizing hamlet sez hell/o
life reads as epic, wit reads like a senryu
you turn a scowl to grin–you pay your dues

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Can you find the twelve curmudgeons in this sonnet?

Don’t bother, he said grumpily.

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This image was taken on my phone camera, e-mailed to onewithclay@hotmail.com, photoedited on my Samsung laptop, and posted above. I love 21st Century tech. Normally I’d have scanned the page, but I’m not at home. That’s why it doesn’t look like the usual.

As for Shame, it unduly warps our feelings, our behavior, and our relationships. It’s a shame I can’t say more, but I’m late for lunch. [sad face]