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…sort of. I intended to overlay it with an acrostic poem, but reconsidered.

Had I done so, the double acrostic spelling OFF THE/GRID might have read like this:

O wish us well who have an other Calling
For we are out, at risk, and fun to slur
Forthrightness none too often gets one Hi
The sad fact is that most think it’s absurd

Would the image have been better off with these words overlaying it? Probably not; it’s busy enough; but words and image may one day share a page in a book of my illustrated poetry.

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Yesterday, following my post on Patty Hoisch, my friend, classmate, and fellow insomniac Beth Facebooked-messaged me that she liked Patty’s jewelry and wondered if it were available online. I steered Beth to Patty’s Etsy presence, and, as if to prove that no good deed goes unpunished, Beth subsequently told me that she should have been trying to sleep, but instead bought earrings, and that therefore I owed her $15.00.

Of course she was kidding, and so was I when I asked if a $15.00 drawing would satisfy her claim on my assets. “Even better,” was her instant answer. And then came the alchemy: I decided to do the drawing, send it to her, and make a blog post of the drawing and how it came to be. Here we are, and bless you, Beth, for supporting the arts with your $15.00 earrings purchase. (By the way, my drawing is valued at $150.00. My friends get a 90% discount. [grins])

And here are the words to the triple acrostic:

Forsooth, vermouth, then toothy smile
Regaled, assailed, benailed & riled
Entrapp’d, enraptured, captured well
EGAD! Be glad! Your life’s Unhelly

Readers may hit a speed bump with that final seeming non-rhyme. But if you slop the third line a little into the fourth, you can use the E of EGAD! to make it work. (House rules, folks! [grins again])

PS: This is the second day in a row a page has come to be due to a woman of many talents. Beth has been a medical doctor; she is now an outstanding pastel artist, with still lifes to rival the Old Masters. She’s also, often, playfully edgy, and vice versa. No details on request; sorry! [grins yet again, the grinning fool!]

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A few posts ago I featured my Village Gallery colleague Ricki Losee and mentioned that there was one other artist that I hoped to do a page on. Here is the page, and here is she. Patty Hoisch is a person whose talents include songwriting, song performance, lapidary, jewelry design and meeting management–and I’m just scratching the surface here. She is also patient and gracious, even in the face of a horrible pun perpetrated in her name: I asked her if she were familiar with STAR TREK: THE NEXT GENERATION; she said yes; I then suggested she get a ST:TNG Patrick Stewart action figure, “…so you can be Hoisch by your own Picard.” She should have done me grievous bodily harm; instead she smiled, politely but sweetly.

She has a website, Wild Hare Arts, which showcases her beautiful creations. Here is a link: http://wildharearts.com/

Here are the words to the quadruple acrostic:

When a happy whispered Aaaaah
Infiltrates a cloister’s spa
Let coquettish smiles appear
Delicately chart [or chase] a sphere

In the background of my drawing is a page of the sheet music she wrote for the cello part of her song “Shadow on the Wall.” Her husband Tom plays electric cello, and the two of them make beautiful music together.

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Here is a page with three prominent words. Each of the words may serve as both noun and verb. The three together, as verbs in the imperative, may serve as three simple instructions with optional complication: Puzzle [out truth through experience]; Play [with concepts and correlation]; Ground [your puzzling and playing with a goal-seeking algorithm]. The three may also be read as two ganging up on the third: PuzzlePlay Ground or Puzzle Playground. We’re going to squeeze these words for all they’re worth here.

I’m at a point in my journey as an artist where I feel everything I’ve done so far, and especially what I’ve done in the last seven years, has gained inertia and inevitability so that new work demands to be done independent of my will to do it, along a path I have less and less control in deviation. Example: I’ve been making crossword puzzle grids for months now. I’m not getting any better at making them, but something in the core of my art identity demands that I keep making them, night after night. Sometimes I use the grids to replicate the crossword patterns in the newspaper, so that I don’t mark up the newspaper to solve the puzzle, but this is happening less and less lately. And there’s a growing sense that soon I’ll be going 3D with resin or PVC, making cubes and other volumes that contain text-units (i.e. alphanumerics), and writing poetry more suited to three-dimensional space; hypercrostic poetry, if you will. Perhaps the hundreds upon hundreds of acrostic poems I’ve done have been merely preparative prelude to what I will be doing. It seems daunting/impossible to do what I’m describing, though.

True story: some years ago a friend of mine had a dream about me. In the dream I was painting three-dimensionally. –Maybe I’m just remembering her telling me about that dream, and now imagining what it would be like, best I can. (I don’t really have to imagine: Philip José Farmer described a means of doing so, as practiced by his protagonist Chibiabos Elgreco Winnegan, in his Hugo-Winning novella “Riders of the Purple Wage.” It is preposterous and wonderfully, wildly imaginative.)

Howbeit, here are the words to my unhyper acrostic:

Party’s dull–perhaps it needs some ZING
Ugly lull–small hope that most’ll linger
Ziggy Stardust’s not along–nor RINGO
Zebra stripes don’t translate to Urdu
Let’s a Maze–a labyrinthine BOON
Enter energy to knit a wound

 

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And in conclusion, here’s something written in response to a challenge that reads, and I quote, “Write a poem about the Dalai Lama’s lost weekend.”

hello, dalai

who’s that guy at the bar
oh it’s me
lama lama ding dong
hey tarbender
gimme one with everything bwah hahahaha
ackshully
i’ll have a sloe gin fizz
but make it fast

[three drinks later]

hey babe
lao me to innaduce myself
i’m the fourteenth reincarnation
of the big eightfold cheese
of tibetan buddhism

no i don’ have a light
unless enlightenment counts
oh okay seeya

[three drinks later]

row row row yer bodhi
genly down the streeeet
mellowly mellowly mellowly mellowly
lives are too discrete

[three drinks later]

hey babe
lao mi to induce myselv
i’m the lama yer dreams
and i’m up for grabs
and when i undress
i disrobe

hey whey ya goin??!

geez
who yagodda drink to get a screw around here

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Last night Denise and I drove to Phoenix to attend Caffeine Corridor, a poetry event held the second Friday of the month at the {9} Gallery in the heart of Phoenix, Arizona. John Spaulding and Jia Oak Baker were the co-features. Jack Evans, Shawnte Orion and Bill Campana were the co-hosts.

At the open mic, I quoted Ernest Hemingway: “What a writer has to do is write what hasn’t been written before or beat dead men at what they have done.” I then read this verse from one of my favorite poems, “The Garden of Proserpine” by Algernon Swinburne:

Though one were strong as seven,
He too with death shall dwell,
Nor wake with wings in heaven,
Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
In the end it is not well.

I then read an excerpt from my pastiche of this poem, starting with this verse, the analogue of Swinburne’s:

Though he be true as taxes
His strength is bound to vanish
To quell with prophylaxis
And Agamemnon banish
To unborn hero’s limbo
Not Scarlett’s Rhettish slim beau
But gone—it’s Tough Stuff, Jimbo,
Don’t fret when you’re unmannish.

(I bowdlerized the verse slightly, changing “Tough Shit” to “Tough Stuff,” having seen a preteen girl in the audience. Perhaps I should not have bothered; subsequent poets dropped F-bombs and other salty language.)

I confess: I am trying to beat a dead man at what he has done. “The Garden of Proserpine” has 112 lines in 14 verses. My pastiche, which has gone by the absurd title “The Compost of Alginate Windburn,” has 128 lines in 16 verses. My attempt is to be at least as metrically precise as Swinburne, and say more, and be more entertaining.
Here’s a link for those who would like to see Swinburne’s poem for comparison: http://www.poetryfoundation.org/poem/174555

Here’s my poem.

Near where the earth is queasy
Far from the mad and clouded
We cast a glance uneasy
With debt charge thus unprowed/hid,
And cast aside defenses
In search of truth’s clear lenses
For Allouette’s tense is
All past us: she’s a-shrouded.

We are stunned with tears divisive
And laughter full of weep
When rulers indecisive
Make ethicists to creep
We are browbeat by a rock star
Who scabbards at the cock bar
With tentacles of mock tar
That count us all as sheep.

Pale, beyond and on it
Are maggots fiercely feeding
On rife corruption. Wan, it
‘S a scene of pain and bleeding;
And reapers scythed and sceptered
Ride wolfish bones they’ve kept furred
Accosting some inept turd
Who wans to write a sonnet.

We have not made pavilions
Well stocked with ammunition
And ordnance by the millions
And powdered superstition
Till love, grown mock-pugnacious
With thoughts grown unsagacious
Bids us be full rapacious
With kills in the quadrillions.

We are not sure of value
And zest is not demure
When winning a new pal, you
Must sell and grin and lure;
And lust, grown vaguely cryptic
Ensorcels us in diptych
Then stings our face with styptic
Once shaven shearly sure.

Though he be true as taxes
His strength is bound to vanish
To quell with prophylaxis
And Agamemnon banish
To unborn hero’s limbo
Not Scarlett’s Rhettish slim beau
But gone—it’s Tough Shit, Jimbo,
Don’t fret when you’re unmannish.

Enacted is a mock eclipse
With cardboard and a flashlight
Betokening apocalypse
Red-needled by the dash light
And clutch and brake and revver
With press of pad or lever
Will, with our help, endeavor
To fire the embered ash light.

Predation is pre-dated
By simple cell division,
When reproduction’s sated
Replete with finished fission,
But soon or late they’ll home in
On prey declared a foeman
Becoming Satan’s showman
Whilst sneering with derision.

The rending of a sinew
The rendering of fat
The bald heart-rending menu
Of lean meat for a Sprat
Can incantations stifle
And able-bodied wife’ll
Take aim with bow or rifle
At all but feral cat.

Despicabilitation
Depends on whom you ask,
In furtive assignation
Bedecked with code and mask,
But wanderlust will fill in
For demoiselle and villain:
A mouth to gather krill in
When nourishing’s the task.

They launch us as a seedling
And soon we grow a sprig
And life’s incessant needling
And reason’s whirligig
Give rise to shoots and branches
And if Hop Sing fair blanches
The Ponderosa ranch is
Not home to cur nor pig.

If only Arch and Jughead
Were here to make their peace
And Betty, nude, her bugbed
Too rasped for lust’s surcease,
The turkey man would carve all
The white meat off and starve ol’
Geronimo, who’d marvel
Whilst signing the release.

And what of the Titanic?
It took a body blow
And fell, hydrodynamic,
To ocean’s floor, laid low.
We never learned that lesson.
Our hubris got a guess in
That flukes occur, so dress in
Your camo: time to go.

And so we’ve gone, repeatedly,
And so we will till dead,
We preen so undefeatedly!
We’ve striven, driven, bred!
But anguish nips our ankles
And peace with honor rankles,
The world puts paid to prank else
It turns to char instead.

The winter’s tale is done now.
The snow has covered all.
We’re freshly out of fun now.
The hallmark lacks a hall.
So if we are degraded
As biomass, and shaded
With taupe since light has faded
Cache out your wherewithal.

And all will be forgotten
As weird ralphcramdenness
As passions misbegotten
That burned in randomness
And cosmic fuzz prevailing
Will still the gnashic wailing
And lose our ships unsailing:
Abducted, ransomless.

Did I beat him? I think the best answer is No and Yes and It Doesn’t Matter. The attempt stretched me as a poet. I’m happy to suggest such an attempt to all my fellow versifiers, including you (yes, you!)…

everyone was baseball today
from residents of peoria
to the guy with the russian accent hawking his sno-cones
from the chewers of gum who wish it were tobacco
to the neverplayagain first base coach whose skin is naugahyde

everyone was baseball today
the guys singing the national anthem mispronounced ‘perilous’
just as they must
the bigshot with the 242mill contract got picked off third whilst daydreaming
(on an island? on a magazine cover? in a desirable woman?)
the dutiful dugout guys signing autographs sometimes warm up to a kid with a sharpie
the ump easing into a chatup with a guy who’s lucky just to be at spring training
and will soon be gone forever

CRAK! went bats a-r-c went the white pillish sphere hustle! went young legs turning a double play
cleated-up-green-grass wafted over us down the third base line
the sky was baseball the woman with the twofoot lens was too and the cheap-food vendors
and we all grinned with baseball today

Seven-odd years ago I did a page contemplating obsolescence and the fight against it. My first line was “Tyrannosaurus Rex was once a Large & Sexy Beast.” The page entire looked like this:

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A couple of days ago I posted a picture on Facebook that my Sweetheart, Denise, took of me after I’d worked a graveyard shift and then slept a few hours, acquiring an epic Bed Head. Here is the picture:

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I labelled it “Celebrities Without Their Makeup (Non-Celebrity Edition).” Got over 30 Likes and this echoic comment from my dear and Magic friend Mary: “Sexy Beast.” So if my arms start shortening, I’ll know I’m in real trouble.