In this Valley is a poet/As eloquent as Robert Frost, but warmer.
He manages to be Modest and Majestic with equal immenseness, and a propensity/To shift the focus to his friends, for whom/He produces a neverending supply of care and loving kindness.
His poetry stitches reality-swatches of variable size/into quilts that startle or soothe/or absorb your teardrops/and at the same time, in quantum superposition/the quilt is also a symphony. It is remarkable
What thundering crescendos come from a man/who never raises his voice.
Hardship and grief have never managed/To extinguish the twinkle in his eye.
See him: Walking a hospital corridor as a volunteer, firing up a favorite, obscure film for an appreciative audience, hosting a poetry event with jovial anecdotes and well-deep insights, at home wherever he goes, but most so at the side of his beloved Judy.
Now, please, wish him Happy Birthday, as I do, with love.
the potter is back from hand surgery,/given a green light for unrestricted hand-use. the strictures against water-submersion/and lifting anything heavier than a box of tissues/have been waived goodbye.
now it is time to make stuff./he pretends to be receiving a secret recording á la the old tv spy show “mission: impossible.”
good morning, mr. feldspar. the clay you are looking at is a cone-five porcellaneous clay body colloquially known as “cashmere.” it is fine-grained and will fire white in both bisque and glaze. your mission, should you choose to accept it, is to use two one-kilogram portions of this clay, sculpting a birdworthy of gallery display with one portion, and crafting a sixteen-ounce mug of swan-like elegance with the other. as always, if either or both creations prove to be unremarkable, you must disavow the existence of one or both unremarkable creations, rewedging the clay, which isn’t cheap, for a future attempt. good luck, frank. this recording will shelf-destruct in five seconds.
and then comes the fun part,/selecting his mission accomplices from the tools in the studio./like dan briggs and then jim phelps of old,/he peruses the candidates one by one/and puts his choices aside./soon he has françois garrote, the wire tool;/marlo and nero v., the sponge siblings;/natasha stiletto, the needle tool;/arnold t. thyme, the wood rib;/joe kingly, the ribbon trimmer;/and cannes openair, the pry tool.
he beams.
“are we ready, lady and gentlemen?”
they rattle, squinch and scratch in nod-equivalents.
the mission leader smiles, dips marko v. in the bucket-water,/and begins.
right about now the executioner/is flexing his axe-wielding arms/because the cruel crowd thrust thumbs in condemnation/of the unlucky sap whose job title is Entertainer/and must now be entertaining with his amazing flying head
rite here, the bloodletting/the catharsis the appeasement/the conversion of unspeakable to a circus act
right you are and wright i am/brightness is as part of me as my middle name/a gift from my grandmother caroline/who succumbed to kidney failure four years before my birth
and here we are/in our wretched glory/and I with a this minute two-day stubble/feeling it’s time to slice that legion/wielding a tri-bladed bic
something bothers us/and a shave will help me/and 250 milliliters of clean clear cool water will help you/and here’s to our betterment
when i was young and uneasy/in arizona’s glendale elementary school district #40/the regimentation was constant
chorus teacher miss heath/a good-souled if misguided pouter pigeon of a lady/had us sing “this is my country”/and march in place while singing “you’re a grand old flag”
and of course we said the pledge of allegiance/first thing every school day
and our newspapers were the arizona republic/and its sibling the phoenix gazette
both published by eugene s pulliam, rabid anti-communist and anti-bureaucrat
we also read the more provincial glendale news-herald/which was indeed heraldic
and as a consequence/the rules were deeply ingrained in this schoolchild/in the land of barry goldwater
(fun fact: i have grown to admire Mr AuH2O)
and you don’t just shrug off such insistent, relentless regimentation
but you resist/you fight back/even many decades later/to dethrone the despotic beast within
you learn to make functional pottery/and you make yourself an Anarchy Cup
and you learn to prepare food for yourself/and you make your meals anarchic
go on the griddle to go off the grid
buy yourself a halfloaf/of batter than none sourdough/extra sour and lumpish
use its stevedore heel/to have mayoed tuna with dillpickle/for an open-faced breakfast microsandwich/and eating it
then you spread the same tuna on the next, larger slice/and sprinkle sunmaid raisins/on the tuna substrate/and eat that too, washing the bites down to gulletsville/with black sumatran coffee in your Anarchy Cup
and then let sanity prevail, drawing the line/at spreading blueberry yoghurt/on a third, mayoed-tuna slice
instead pouring a second cup of coffee
sweetening and blondiefying it/with half&half and blue agave sirup
and give thanks to Sweet Anarchy
and being kingless, queenless and rookless
and ready to burst from the early-day’s starting gate