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To Jack Evans on his birthday

In this Valley is a poet/As eloquent as Robert Frost, but warmer.

He manages to be Modest and Majestic with equal immenseness, and a propensity/To shift the focus to his friends, for whom/He produces a neverending supply of care and loving kindness.

His poetry stitches reality-swatches of variable size/into quilts that startle or soothe/or absorb your teardrops/and at the same time, in quantum superposition/the quilt is also a symphony. It is remarkable

What thundering crescendos come from a man/who never raises his voice.

Hardship and grief have never managed/To extinguish the twinkle in his eye.

See him: Walking a hospital corridor as a volunteer, firing up a favorite, obscure film for an appreciative audience, hosting a poetry event with jovial anecdotes and well-deep insights, at home wherever he goes, but most so at the side of his beloved Judy.

Now, please, wish him Happy Birthday, as I do, with love.

the potter is back from hand surgery,/given a green light for unrestricted hand-use. the strictures against water-submersion/and lifting anything heavier than a box of tissues/have been waived goodbye.

now it is time to make stuff./he pretends to be receiving a secret recording á la the old tv spy show “mission: impossible.”

good morning, mr. feldspar. the clay you are looking at is a cone-five porcellaneous clay body colloquially known as “cashmere.” it is fine-grained and will fire white in both bisque and glaze. your mission, should you choose to accept it, is to use two one-kilogram portions of this clay, sculpting a bird worthy of gallery display with one portion, and crafting a sixteen-ounce mug of swan-like elegance with the other. as always, if either or both creations prove to be unremarkable, you must disavow the existence of one or both unremarkable creations, rewedging the clay, which isn’t cheap, for a future attempt. good luck, frank. this recording will shelf-destruct in five seconds.

and then comes the fun part,/selecting his mission accomplices from the tools in the studio./like dan briggs and then jim phelps of old,/he peruses the candidates one by one/and puts his choices aside./soon he has françois garrote, the wire tool;/marlo and nero v., the sponge siblings;/natasha stiletto, the needle tool;/arnold t. thyme, the wood rib;/joe kingly, the ribbon trimmer;/and cannes openair, the pry tool.

he beams.

“are we ready, lady and gentlemen?”

they rattle, squinch and scratch in nod-equivalents.

the mission leader smiles, dips marko v. in the bucket-water,/and begins.

you should know what you are breathing/ just as with nutrition labels you know what you are ingesting

science to a rescue secular/sensors of a size molecular

so one day the air itself will answer when you ask

and its ai will respond with everything from “pristine” to “ay ay ay”

but meanwhile our meteorologists produce air quality indexes

read them and weep and grab on to your windexes

to Roxanne Doty

the novelist has a dozen dartboards/one for gender one for ethnicity one for occupation and so forth

she has thrown her darts and now her main character is a dwarf from lithuania/who is a cis-male entertainer/with three sisters

well, this will be a roller coaster

doing her due diligence she searches on “lithuanian dwarf”/and learns some history/specific to the grand duke of lithuania/known as vytautas the great

he had done time in the german order/and returned to court in 1392/with a taste for entertainment/in the form of jesters and dwarfs

the novelist’s eyes widen

she realizes that writing way-back, way-elsewhere historical fiction/is something she has needed to do

and that the future henry IV fits right in is a fine bonus

but–all that RESEARCH! all that WORK!

she shrugs and then squares her shoulders

i am no stranger to either

it will broaden my horizon

build toughness of character

she was older than i

and it was long ago that we loved. news

of her peaceful death unlocked a room

and in the room was a bed

and in the bed were our younger selves

enjoying each other as if there

were no tomorrows.

i can’t look at them

but i can hear them in their in-betweens,

with hearing so acute

i can hear fingers stroking hair,

fingertips sliding down sweat-sheened flanks.

.

so many tomorrows later

i don’t have tears

and the grief is a soft whisper

of acknowledgment.

.

leaving the room

i wonder about new loves, if any

with an odd optimism

but also the pang

that comes with the knowledge

that with my passing

passion ends.

a fat guy makes a rainbow in his yard

with thumb on hose-end mist w/disregard,

then prisms turn to dewdrops. abelard

abandons eloïse; a cruel dis card.

they’re many poet laureates, and disbarred

attorneys quote them. it’s a vile canard

to deal a friend on wings of mallards. hard

enfardeling a rhyme that leaves it jarred.

one three five seven

odd numbers e’en intervals

hey, what are the odds?

.

wake up and feel odd

once vertical things e’en out

stay vertical, friends

.

e’en at its darkest

half our planet is dazzling

when seen from above

.

“what’s with the E’ens, Gair??”

“for the punchline, friend: even

Even can be odd.”

You look like you couldn’t decide

To be cat, dog, opossum, or otter

So you got in a blender and transmogrified

To a short, fluffy-furred drink of water.

.

You slink and you scamper about,

An inquisitive seeker of stuff.

With your radar installed at the tip of your snout

It is joy to both skitter and snuff.

.

It is weird to see you on a leash.

You belong to the wild, not to peoples,

They domesticate, sure, and you’re precious, but sheesh,

you need Freedom like churches need steeples.

right about now the executioner/is flexing his axe-wielding arms/because the cruel crowd thrust thumbs in condemnation/of the unlucky sap whose job title is Entertainer/and must now be entertaining with his amazing flying head

rite here, the bloodletting/the catharsis the appeasement/the conversion of unspeakable to a circus act

right you are and wright i am/brightness is as part of me as my middle name/a gift from my grandmother caroline/who succumbed to kidney failure four years before my birth

and here we are/in our wretched glory/and I with a this minute two-day stubble/feeling it’s time to slice that legion/wielding a tri-bladed bic

something bothers us/and a shave will help me/and 250 milliliters of clean clear cool water will help you/and here’s to our betterment

personal anarchy

to my friends Anita and Eric Mahaffey

when i was young and uneasy/in arizona’s glendale elementary school district #40/the regimentation was constant

chorus teacher miss heath/a good-souled if misguided pouter pigeon of a lady/had us sing “this is my country”/and march in place while singing “you’re a grand old flag”

and of course we said the pledge of allegiance/first thing every school day

and our newspapers were the arizona republic/and its sibling the phoenix gazette

both published by eugene s pulliam, rabid anti-communist and anti-bureaucrat

we also read the more provincial glendale news-herald/which was indeed heraldic

and as a consequence/the rules were deeply ingrained in this schoolchild/in the land of barry goldwater

(fun fact: i have grown to admire Mr AuH2O)

and you don’t just shrug off such insistent, relentless regimentation

but you resist/you fight back/even many decades later/to dethrone the despotic beast within

you learn to make functional pottery/and you make yourself an Anarchy Cup

and you learn to prepare food for yourself/and you make your meals anarchic

go on the griddle to go off the grid

buy yourself a halfloaf/of batter than none sourdough/extra sour and lumpish

use its stevedore heel/to have mayoed tuna with dillpickle/for an open-faced breakfast microsandwich/and eating it

then you spread the same tuna on the next, larger slice/and sprinkle sunmaid raisins/on the tuna substrate/and eat that too, washing the bites down to gulletsville/with black sumatran coffee in your Anarchy Cup

and then let sanity prevail, drawing the line/at spreading blueberry yoghurt/on a third, mayoed-tuna slice

instead pouring a second cup of coffee

sweetening and blondiefying it/with half&half and blue agave sirup

and give thanks to Sweet Anarchy

and being kingless, queenless and rookless

and ready to burst from the early-day’s starting gate

with intolerance for caste-based bigotry

and a fierce passion for fairness