Archive

Tag Archives: poetry

For today’s prompt we first fill in an Almanac Questionaire and then write a poem with the answers as the foundation.

Almanac Questionnaire

Weather: Breezy
Flora: Beach palms and succulents
Architecture: Bungaloid
Customs: Surfer casual
Mammals/reptiles/fish: Dogs, sea lions, a camel, three prancing iguanas, a bluefish
Childhood dream: Chased by a witch
Found on the Street: Skee-Ball token
Export: Coconuts
Graffiti: WHY, MOMMY, WHY
Lover: A second cousin to the Welsh Witch
Conspiracy: Fezzed Disrupticons
Dress: chiffon and swimsuits
Hometown memory: Scary skateboarding
Notable person: Sidney Greenstreep
Outside your window, you find: A note from a witch
Today’s news headline: GUN FIRES MAN INTO CROWD
Scrap from a letter: “…Darling, do let’s give Andalucia a pass this year. I hear…”
Animal from a myth: Stripey-assed ape
Story read to children at night: Goodnight Keith Moon
You walk three minutes down an alley and you find: A fez that fits perfectly
You walk to the border and hear: “They haven’t found the testicles yet…”
What you fear: The Fez may unattract the witch
Picture on your city’s postcard: Mai Tais frosty and alfresco

Witch. You Were Here!

The ideal spy is a burnt surfer dude
Unlike a Keanu but as not not as rude
On a double-up shift in a line cookie’s snood
Doing stewy Crab Louie per Newbie’s new mood.

And that’s me, and you see that I want me a witch
So unlike the spiked dream of the son of a bitch
That I was as a kid ere the Steve y Nicks niche
Roped me well with a spell that compelled me to switch.

Had my eye for a guy in a velvety Fez
With a touch of Farouk and a dash of the Rez
And a Greenstreep bum sneer and a note from the Prez
Who’d embezzled the topazzed disheveled-head Pez.

With my shift done and Dino the Boss’s “Bye, Pallie”
I disposed of my apron and Snood O’ the Valley
And was out on a stroll when I spied down an alley
A betasseled Wine-Castled bright Fez fit for Sally.

And that’s short for Salvador. That would be me.
I put on the fez and Praise Perfect-Fit Be
But it summoned Disrupticons, fezzed and aspree
With impressionist surge. My discretion said “Flee.”

And yet just like the dream of the Witch long ago
Though I struggled, my feet wouldn’t go with the flow
And in fact seemed cemented. Demented thugs so
Rage-encurdled wished murdle of me. Voice: “What Ho!”

And I looked high above to a fire escape’s angle
And the Ho was my Witch with a Save-Rope a-dangle
Which I eagerly grabbed, and she yanked, to untangle
My peril. “Sweet Cheryl! So Feral! –New Fangle??”

We made our escape up the wrought-iron stairs
Past the WHY, MOMMY, WHY? and half-eaten eclairs
And her gold-tipped left canine, brand new, drew my swears
But she blissed me with kisses I’d missed wellawares.

We floated a boat-loan and left our career
As a couple of spies out of Cape Have No Fear
And we’re Cheryl and Sally, and Mai Tais and beer
Are this Sally’s Salvation–with Witch. You were Here!!

Today’s prompt (“as always optional”) required both listening to and reading James Schuyler’s “Hymn to Life” and then doing a minimum 20 minutes of free-write, following certain checklist criteria outlined by Hoa Nguyen. Nguyen says to select and use “those that further your present tense engagement.” Two items from the checklist are “Include at least four colours” and “Introduce the occasional 3- and 4-word sentence.” There are 17 items on the checklist.

unground endpaper glass

this is an old book and the cover is buckram. it smells
like the old library it comes from. it is resting
on a round card table by a window where there are
raindrops sliding down the glass–just a few–in
no hurry, and the bright light from the overcast
sky puts a light shadow of a few of the drops
on the opened pages of the book. page 128
has a trickle painting the word “filigree” on one
line and then the phrase “traipse to” on the next.
the girl sitting at the table
closes the book. opens just the cover.
she sees a wild color-chaos inside–she
doesn’t know what endpapers are. “oh!”
comes with her startlement. she then remembers
being in a sweets-shop
and seeing a pattern
on what her mum called “napoleons.”
mum explained that a knife is drawn
through the still-warm icing
and that makes the pattern.
this pattern must have been made
similarly, but it is much wilder–violet
violent, orange oreganoing at the redder chimes beneath,
a jagjagjag as if static were choreographed
by a balletmaster. ballet. apices of pirouettes
framing a cathedrally jukebox shape.

the girl wonders why on Earth such a riot
occurs just inside the front cover. what does it
have to do with the story? is it
sideshow? is it the cleansing
of the mind’s palate? is contrast
deliberate, to give the reader relief
from this howling cacophony, when the page is
turned and the quiet, stately title arrives?

she does not know, but she does know
she is done with the book
and is now ready to paint,
or color,
or draw.

she looks out the window,
then at it. its smooth
soothing glass
is her title page,
the endpaper riot
of green and greenblue, orange and burnt sienna,
violet and VIOLET
quieted just enough.

she closes the book and goes to her room.

2020 0424 zeps on sticks

zeps on sticks

stubby purple zeppelins
stuck to their stemsticks
bait
for birds
or so they nonthought
for nature intends the birds
and others of her creatures
to gobble
and then excrete
a seedy prefertilized pile

but there is more than one way to skin a grape
and so humans have intervened
have appropriated and exploited
and now the grove of the marketplace
has stomped this bait
or more recently vatpressed it
fermented it
blended it
bottled it
and made of it
a new bait
to lubricate
decadence

Today’s prompt was to find a saying from another culture and base a poem on it.

more obstacles, please

“I regard every obstacle on my path as an incentive to success.” Hazrat Inayat Khan

thanks for the shortness thanks for the abusive older brother thanks/for the girlfriend who/no longer liked me (make/that last one plural and add/”and wife”)

thanks for trump supporters thanks for no hot water thanks for/shelter in place and/extra big thanks for the woman/who keeps flirting/with no desire to act/ually date me much/less more

they have sharpened me/they have given me time/in the desert and they have given me a/more profound desire

and now the challenge now the BECOMING now/i am more now/i can offer more to all/who intersect my world

more obstacles please/and let me earn my/satisfactions

Today’s National Poetry Writing Month prompt urged us poets to look at a poem in a different language (Dutch in this case, for the curious) and write a poem based on a phonetic transcription of the poem. Friends, if you ever want to get Outside of the Box, this may well do it.

Original excerpt:

Federatie Loog Nog Steeds

We zijn zo gezien
Klunzig vuursyteen om
machten te maken langs onze
Geraasd in…

(Note: I tried to access the rest of the original pome but got a “404 Document Not Found message. Provisional apoogies to the author.)

My poem:

Federated Loogie Knocksteeds

We zing so frickin’ gassy
Clumsy fugs staying home
mocking the mockers’ long-ass Weejuns.

Geroff instantly.
you Afterthoughts,
or Gentle Men
will cease.

Crazy World, isn’t it, Friends?

Today’s National Poetry Writing Month 2020 prompt was to write a poem related to objects found during a walk.

the meanderthal

a real-time archeologist
plays ambulatory tic-tac-toe
through the weakly-violated Cartesian grid of greater Phoenix Arizona
and collects
a Lug-Nut, a single Bristle from a Street-Sweeper,
a Tiparillo-Holder with Octagonal Cross-Section,
a Plastic Bottle-Cap with Grip-Ribbing, and–
O MY GOD!–a 1933 MERCURY DIME.

2020 9419 the meanderthal

elation is displaced by S O R R O W
when the archeologist intuits
that the dime was left
deliberately by a
woman facing Death
who had no further use for it.

For Day 16 of National Poetry Writing Month we are supposed to write a poem full of overblown superlatives in praise of somebody or something..

glory bee

beatrice the hearts are thumping
all for you around the earth
sheep are bleating joints are jumping
all proclaiming all you’re worth

listen to the canyons howling
fox hyena wolf and dog
even bathrooms start unscowling
toilets here and yon unclog

we’ve been well and truly goddessed
basking in thy benediction
glory bee though thou art modest
thou’rt the stuff of science fiction

thou’rt the stuff of epic poems
thou’rt the stuff of stovetop stuffing
thou’rt the awe of sherlock hoems
and thy pornstars need no fluffing

giggling thou art windchime musicks
casting spells with merlin’s magicks
half-and-halfing tea and mueslix
kissing off cyanophagics

bliss away our deepest sorrows
tiptoe through our thirsty psyches
aphrodite our tomorrows
fleet our steps with golden nikes

Today’s prompt: “Today, I’d like  to challenge you to write a poem inspired by your favorite kind of music. Try to recreate the sounds and timing of a pop ballad, a jazz improvisation, or a Bach fugue. That could mean incorporating refrains, neologisms and flights of whimsy, or repeating/inverting lines or ideas – whatever your chosen musical form would seem to require! Perhaps a good way to start is to listen to your favorite piece of music and “free-write” for the duration  of the piece, and then use what you’ve written as the building blocks for your poem.”

freewrite prep:

sometimes jackson browne is easy listening
sometimes less so despite his oiled voice
“lives in the balance” is masterfully unsettling
“sky blue and black” makes me cryabit for the loss
of my so great friend
but it is good to be uneasy
it is even good to wallow
as karen said she did
while playing beethoven’s “moonlight sonata”
which she said left her sopping
and jackson browne now sings
“if you ever need holding
you’re the hidden cost and the things that’s lost
in everything I do
YEAHHHH, and i’ll never stop looking for you…
that’s the way love is”

and the way love also is
is quicklikeabunny goneinaminute
when it’s at its best….

****

Geez Louise, did that open up a vein. All right, then, let us begin.

Uneasy Listening

In the course of one day
The mix tape may lull
and then excite
and then inspire
NEED A SKETCHPAD A PENCIL crankcrankcrank

and then the music fades without loss of volume
Because focus Because otherrealm Because it does not fit
AND Then there is a bit of discontinuity
And THEN the music returns to the ear

and the sequence is off
and the mood Doesn’t match
Through no fault of the performer
nor the receiver/it’s just a jump cut/that’s life

find McCartney/Lennon/Billy Preston/georingo

GET BACK
GET BACK
GET BACK twear youonce blongd

twiddle that dial
no–Why So Sirius?
Seek The Specific
Heal The Unease
find Jackson Browne
and let him sing for both of you:

I’M
ALIVE

And then get centered with Mitchell, Joni
with the roundabout
cyclic delight
“The Circle Game”

Gooooood…

And then Prine
Lost-But-Not John
“When I Get To Heaven”

smoke em if ya got em John
we love you
have a Vodka Ginger Ale for me

Ease
Restored….

Friends, I’ve written a poem a day in April for National Poetry Writing Month 2020, but this is the first one I’m sharing here. I may post some others, or do an “anthology” in a future post, but here’s this one for sure.

Each day there has been a prompt. Here’s a copy-and-paste of today’s:

“Our optional prompt for the day is based on the concept of the language of flowers. Have you ever heard, for example, that yellow roses stand for friendship, white roses for innocence, and red roses for love? Well, there are as many potential meanings for flowers as there are flowers. The Victorians were particularly ga-ga for giving each other bouquets that were essentially decoder-rings of meaning. For today, I challenge you to write a poem in which one or more flowers take on specific meanings.”

And here’s what I wrote, and originally published about twenty minutes ago on my Facebook timeline:

****
the fickle delphinium

i blossomed and woke up in a crop
of my bachelor’s button brothers
who had yet to bloom.
“pardon my dust, buds,
i am going to work my magic
and go look for love.” with that
i shook the potting soil from my roots
and went mobile.

almost immediately i saw HER.
Great Horticulturist, but she was
as pollinatable a thing
as ever tickled Georgia O’Keeffe’s fancy.
but by the time i got there
some showoff hollyhock was already sidling
and giving me a sidelong sneer to boot.
didn’t matter. i moved in.

soon we three discovered
how fickle a flower could be–she played us,
dismayed us, and stem-to-stern near-flayed us.
she LOVED being fought over. she could use
a simper like a whip, a sigh
like a blowtorch. “cage match, boys,” she half
DEMANDED as she sun-seekingly spread.
“winner take all.”

well, he had the brawn, but i had the wit,
the speed, and the wherewithal. got in
some sepaljabs and jabbered into his
pistil-holder, “dude! bet you don’t even know
what rhymes with delphinium!”
“like i give a steermanure,” he growled.
“you should, holly hock-a-loogie. delphiniums
LOVE poetry.” i twined off a petal of his.

“she loves you KNOT.” i queen-anne’s-laced him
to the soil. he was melbafied. (toast.)
WOW, was she ready to cross-pollinate. I found
that her breathy oxygenated coo jazzed me more
than a swarm of bees. “i DO love Poetry,” she cooed.
“what DOES rhyme with delphinium?” uh oh.
NOTHING does, according to the rhyming dictionary!!
think fast, buttonhead!!

“my darling, my dearest delphinium!” one line down,
four to go. retrofit!!! “i see you’re….deLICIOUSly…”
whatwhatwhat–AHH! “,,,SKINNY! YUM!” (whew!)
dammmm, was she throwing pollen!! the scent
was flaring my petals!! “a blossom so lavish/i’d
LOVE to enravish…” NOW WHAT??! void! blank!!!
–AHA!! “let us DUST UP a posh CONDOMINIUM!!”
and, though fickle as hell, she was thus made mine.

****

Hope you have an April-Flowery day, Friends!

2020 0409 nadine swag

This gorgeous collection of printed matter and other miscellany is “merch” if offered for sale, “swag” if given away. But it is neither. I didn’t buy it, but I earned it. Valley literary lioness Nadine Lanier incentivized full participation in a challenge she called “Pandemic Poetry Prompts” by promising a bag o’ loot to the “winner,” i.e. the person (or, as it turned out due to the perseverance of our poetry colleague Suzy Jacobson Cherry, persons) who hacked their way through all twelve prompts.

One prompt was “start a prose poem with ‘The last time I saw __________,’ filling in the blank with a famous actor. Here’s what I did with that:

****
The last time I saw Robert Duvall

The last time I saw Robert Duvall he was shape-shifting just like the John
Carpenter movie and he was Boo Radley then Tom Hagen he was THX-1138 and of course the Great Santini and the napalm sniffer but then he shuddered and fell into a
myriad of bit parts

****
Another prompt asked for a send-up of the song “My Favorite Things” from The Sound of Music, using the pandemic as subject matter.
****
safety first

latex and sani for doing our tasking,
mucus confinement with bandanna masking,
six feet or more so we do not infect
these are the steps we may take to protect.

empty arena and echoful stadium
radioactive as simon-pure radium
concerts and renaissance fairs we reject
these are the steps we will take to protect…

bright pink carnations alone in the garden
walk with our doggies and moods will unharden,
internet Porn (within reason) select
for a good time that will also protect…

when you’re sneezing
use a tissue
do not touch your
face
preserve your life liberty smilies that way
and then you’ll amaze
with grace

****
But the toughest challenge was the last one. Nadine asked us to write an Ode to the Coronavirus. And by Ode, she didn’t just mean any set of words in tribute to someone or something; she meant for use to use a Pindaresque Ode framework for the poem. And she suggested, among other things, to check out the Odes that John Keats wrote in the year before he died at 25.

THAT was a chore. That was a brain-buster. Iambic pentameter with rhyme scheme ababcdecde. Multiple stanzas. Compounding this is the grim fact that there is nothing romantic about COVID-19.

So I got to work, and it took hours for the first draft, and more time for tweaking. My finished product sounded preachy and too-much-information-y. But I did meet the challenge, and the poem does have its moments:
****
Ode on a Capricious Turn

The oral airway launches with a sneeze
A seed of plague, and someone breathes it in,
In time it gets once-healthy lungs to wheeze
With killing fluid. Then the gasps begin,
And oxygen exchange becomes diminished.
The interstitial stiffness does the honors;
The muscles tire. Necrosis is the thief,
And absent intubation, someone’s finished.
These days have turned some Grinners into Goners,
And Joy has been transmogrified to Grief.

Unlike the flu, this thing has no vaccine.
It is, no joke, breathtakingly contagious.
It’s spread throughout the planet. It’s obscene
How groups STILL congregate. It is outrageous!
A family of nine ALL go to shop!
A church in deep denial STILL holds service!
The haircuts! Mani-Pedis! Kids in playgrounds!
The deaths will mount, and MAYBE then they’ll stop
Or will they still “No worries–I’M not nervous…”
And take their trade from cancelled flights to Greyhounds?

Some say “Game-changer,” but this is no game.
This is The Reaper. Serf to Antoinette
Will many fill sarcophagus’s frame
Who play the chancy Russianesque Roulette
And think their age group makes for them a shield
Or, fatalists, decide their number’s up
No matter what they do. They shrug. DON’T lave
That lathered Twenty Seconds. Thus they yield
In cowardice, with hemlock in a cup,
And TAKE SOME WITH THEM to a needless grave.

Each day that passes, and you’re symptomless,
Thank all the gods that be, and some that aren’t,
That you have easy breathing, the largesse
Bestowed by Whom declined to serve the warrant.
Please KEEP it that way, People, with your actions,
With prudent practices and social distance,
And be the after-deluge still-here crew
Enjoying your survivor’s satisfactions,
That gratifying Seek a Stolen Kiss dance,
That Earth Inherited. It’s up to YOU!

****
As mentioned, my friend Suzy also did the twelve-step obstacle course, and she did it admirably. Nadine promised us both some book-goodies; and we also read some of our poetry by invitation at a Zoom event conducted by Phoenix Poet Laureate Rosemarie Dombrowski. (Zoom is, forgive the phrase, really taking off as the means of choice for not-in-person get-togethers.)

Per Social Distancing protocol, then, a few days ago there was a knock on my door, and I waited ten seconds, then opened the door. There was not a soul in sight. I don’t even know if Nadine delivered the goods personally or had it done. (It would’ve been nice to see her smiling eyes above whatever mask she was wearing, but Better Safe Than Sorry!) And–LOOK at this stuff! Can’t wait to read The Martian, which I enjoyed immensely as the movie with Matt Damon, but have yet to enjoy as the original novel. And–anthology chapbooks galore, fizzing with local academia! And a beautiful wine-colored T-Shirt emblazoned with “Virginia G. Piper Center for Creative Writing”!! Even a ROLL OF TOILET PAPER, which due to panic buying by “Covidiots,” is in frightfully short supply here in the Valley of the Sun! Bless her!

Nevertheless, the next time I get an invite from Nadine to rejoin her Tribe and jump through her prompt-hoops, I intend to say, with a straight face unless I am wearing a mask, “Nay, Nay, Nadine. Unless you want me to write a Persona Poem from the viewpoint of a horse. Then I shall cheerfully write ‘Neigh, Neigh,’ Nadine.”

Thank you, Friends, for reading my Bad Pun of the Day.

And, Nadine, thank you for helping me become a better poet!