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Today started well and then got better. Eight hours and thirty-one minutes of sleep. Spinach omelette and coffee. Cardboard serial-plane sculpture of a gorilla well started. Then the capstone: Phoenix Art Museum presented best-selling, Hugo-winning Kim Stanley Robinson, who spoke with eloquence and humor about climate change and comedy.

I had met Stan more than twenty years ago. His mother-in-law and copy editor, Dorothy “Dot” Morrison, was a friend and co-worker with my then wife, Joni. For about fifteen minutes I had the privilege of talking to Stan about his novelette, and Robert Heinlein and his Scribner’s editor Alice Dalgliesh, and hiking, and stuff I no longer remember. I asked Stan which sf authors he admired, and he mentioned Edgar Pangborn, whom I had never read.

In the years between then and now, I read Stan’s THE YEARS OF RICE AND SALT and 2312.  I didn’t get too much into his Mars trilogy, for which he is most famously known, intending to binge-read it the way I did LORD OF THE RINGS one Christmas break in the late 60s.

Stan is a fantastic storyteller and exceptionally intelligent and imaginative. And here he was in town again, about to sign my copy of NEW YORK 2140. He looked up at me and I said, “I was a friend of Dot Morrison. I’ve met you.” He offered his hand to shake and I shook it. Then I showed him the page I’d worked on before and during his talk. It is festooned with quotes from the talk. “Hey, look what you inspired. Double acrostic.”

He half grinned and said “Right on,” his self-confessed Old Hippie coming out.

I didn’t want to Bogart my time with him, so after confirming that Dot, whom I’d lost track of, had passed on, and Stan signing my book, and my telling him I admired his use of the between-lives Bardo in THE YEARS OF RICE AND SALT, I said thanks and goodbye. He said he’d be sure to tell his wife about me, friend of her mother.

Here are the words to the double acrostic:

Resisting the lure of exclaiming Hélas

Incepting a zep’lin as Candle or Bra

Conceiving a model who posed for Maillol

Existence ain’t in the Bardo with Bardot

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Today Greater Phoenix became the Valley of the Partially Eclipsed Sun. I poked a pencil-hole in a sketchbook page and viewed the eclipse indirectly, sketching the nonshadowed part of the page. The time was 10:38 AM, which according to an online source was close to the ideal viewing time.

After calligraphing the double acrostic, which seems sexist but is double-straitjacketed by the acrostic format and my notion of Calypso-esque lyrics, I had the left third of the page to fill. It occurred to me that the Jackson Browne song “Linda Paloma” refers to the corona of the Sun, which is viewable at totality sometimes. This yielded the image-notion of a white dove against the disk of moonshadow.

Words to the acrostic:

Erin go braless all to C

Cali go kitnish at high tea

Lolly go pop! at sound of bell

Iris go eyeroll and send us to hell

Please pretty Ladies I love you–don’t stop

Send me to heaven and then call the cops

Ever so often effacement will go/Wit’ an eclipse and Calypso like so

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She says to pronounce her first name Jay. She tells me her life took a turn in New Mexico. She lays five bucks on a kid soliciting for his youth group, and he tells her a joke. She speaks of life casts she made at the former arts venue Paper Heart. Phrases like “trying to impress the Universe” and “never drive faster than your angels can fly” come easily to her. She went from taste-testing soup to test-driving cars. She is a broiler chef, a mother, a force of nature, an outlaw, and a hell of a woman.

Words to the double acrostic:

Jaunting through a lifelong Hajj

Juxtaposng wound and badge–U

Are the Broth–no soup du jour

And have the instinct to be sure

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It is the first day of the month. It is my personal superstition that it is important to do things on the first day of the month that I want to, or ought to, do every day. It has been a long time since I did a blog post. This First of August ends the drought.

The United States of America, personified by the incompetent, incoherent President Who Would Be King, Donald Trump, has lost its honest, decent way. Incompetent and incoherent as this illustrated sonnet may be, the acrostic of it has its heart in the right place: Let us honor Honesty and Decency.

Words:

Have Love and Care, should Uh-Oh morph to Oh.

Horse fed and curried–curry on, O Pooh.

Omit!! and disregard downed Jericho:

Omniscience and egocentrists do.

 

No Hands on deck means mutiny anon

Nor strand induces cries of oui, c’est bon

Etceteras and gestures à la Bono

Etch handiworks pegged by both Pegg and Ono.

 

Since candied snow does not exist,and deer

See thousands of near misses, the affair

That grandees of Compulsion make cohere

Tell sandy waves of crazies not to stare.

 

Yet fake and zany posts unstay the staid

Yield fine fandangos for the Chambermaid.

My thanks to my marvelous new Girlfriend, Melony, for providing on request a word to get me going on this post. The word she gave me was “Honesty.”

I know a goddess. That sounds presumptuous or delusional, I know. But there is a goddess in human form who walks the portion of the earth known as the Valley of the Sun, and it has been my honor to spend some time with her.

Her hegemony in the pantheon of personifications is Pattern. Of the more than 37,000 images in her smartphone, never mind her thumbdrives and computers, many of them reveal something mortals such as myself usually miss. Some day, if you are lucky, you will visit a museum to see the latest collection of astonishing images she has compiled. I will not deprive you of the “shock of the new” thrill you will get by posting any of what she has done here.

Many people can say that they have had a sonnet written about them. She has had at least two, done today, and the day is far from over. Here is the non-acrostic one:

Pattern Goddess

A Goddess strolls the earth in human form.
Her bailiwick is Pattern—its discernment,
Appropriateness, shift, free flow or storm;
Disorder’s secret orderly internment.

A lizard’s swept his tailtip through the dust.
The goddess reconstructs the “crime” (it’s not
A crime at all: he’s doing what he must)
And wishes Brother Lizard all he’d sought.

Awareness of her Earthly limitations
Enhances her awareness of the lunar
And its ellipsoid mood-shift imitations,
For Mood is Pattern too, and she’ll attune her

Sensorium to guide her through each strait, sure
To hone her stewardship of Unforced Nature.

Those last two words–“Unforced Nature”–well describe her interaction with the environment. She visits but does not impose beyond the level of rubbing a leaflet to get its scent, as she did on a hiking venture I asked her to include me in, so that I could see through her eyes. We did two hikes that day, and between hikes I did a two-minute drawing of her hand. Later she disclosed that while she liked ladybugs, “it is the cute & curious jumping spider that really calls my name.” So I finished the drawing, with either fakery or “artistry” depending on who you talk to, and included a hand-evoking jumping spider:

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There is also her hand, holding an alginate CAST of her hand, in the circle on the life-modeled hand. Such is her influence that I am more aware of the pattern inherent in motif.

Here is the second, acrostic sonnet:

pattern goddess

paved parking lots have rendered her agog
piled branches give her thrill and chill and zing
a shadow stripéd path’s a travelog
and cracks evoke the dynasty of Ming. o
to be a light-ensorcelled see-er, led
through labyrinths of fractals on a strand
then dot-connect, dispelling woe and dread
the message clarifies and takes a hand
eureka! (“I have found it!”) word or phrase
epiphanatic—it’s the Great Because.
regardful of the Moon, she marks her days
refractively—reflecting what she does.
new wisdom of her making aids our Gnosis.
no wonder she’s attained Apotheosis.

And here is my portrait of her, based on a photo I took of her at dusk during a subsequent outing:

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Somehow, almost against my will, a cat snuck into the drawing. (Sylvia does cohabit with three cats. I haven’t met them.) The Moon over the cat’s ear is easy to understand, though. Sylvia keeps track of moonrises and moonsets, and occasionally informs her friends of ideal viewing times.

I do not Live Each Day As If It Were My Last. As mentioned before, I’d be a weeping mess, shrieking that I didn’t want to die, if I did. But every visit with Sylvia, I treat as if it were my last. A, you never know; B, you just don’t take a Goddess for granted, Friends. 🙂

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Our server Chelsea warmed my old man’s heart not long after she started working with us. It was a particularly busy day, and we were up to our patooties in alligators trying to keep up, and as always, everyone had a plane to catch and needed to be sat to eat NOW. So I was in overdrive, doing dignity-free bussing, bobbing and weaving, seating, wiping tables, saying Hello to the invading hordes and Thank You to the satisfied pussycats on their way out. Toward the end of the day Chelsea said three words to me that everyone I can think of loves to hear, as long as their name and not mine is the first word: “Gary, you’re amazing.” Well, so are you, my friend.

Here are the words to the double acrostic. As I indicate in the image, I’m grateful to Joni Mitchell, who wrote “Chelsea Morning” more than four decades ago. I have it playing in my head this very minute. And I am grateful that titles of creative work are not subject to copyright. “Chelsea” is seven letters long, and so is “Morning,” and “Morning” has an O in it, which enables me to rhyme-cheat a little.

clock in at dawn a. m
how Diners haw & hem–O
extracting wishes for
lean lusciousness this morn
see someone fine as Princess Di
ethereal as she’s benign
and Time is worth the whiling/when teaming brings the smiling

My old man’s paternalistic, patronizing, mansplaining awfulself comes up with this additional description, which is patently unfair: “She’s a good kid.” No. She’s a fine person, appreciative and kind.

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My vacation, which started a week ago and ends at 6AM Thursday morning, has seen some really hard work and really fun play. Yesterday was hard work: I helped my brother Brian set up his yard sale, and that involved heavy lifting and moving of dozens of items, including one of the biggest pre-flat-screen TVs ever made. About nine hours later all unsold items, including that honker of a TV, and display apparatus, including a long, heavy, falling-apart table about as heavy as the TV, had to be re-stashed. Wisely, Brian had me put the table where it could be conveniently taken to the alley for bulk trash pickup.

So today my back and legs are sore but my brain is fresh as a daisy, thanks to a long and heavy series of sleeps, commencing at 7:30 PM and continuing through the night. And for the first time in quite a while I felt like doing some hard brainwork/artwork/ acrostification in the service of portraiture. I’d just watched THE FOUNDER, the story of Ray Kroc’s discovery and gradual appropriation of the McDonald brothers’ revolutionary fast food method. It is more fascinating and horrifying to watch than a train wreck. And yet again I was left with an admiration of Michael Keaton’s skill and versatility.

I went a day overdue returning THE FOUNDER to Redbox, and it may take yet another day, and another $1.62 down the drain. I’ve been sketching, not only Keaton, but others involved in this incredible movie, and I’ve yet to do Jeremy Renner, actor turned producer, and Laura Dern, whom I also admire, who plays Kroc’s first wife, and gives an outstanding performance as a strong, supportive woman who was exploited, neglected, taken for granted, and ultimately cast aside. She will go next to Michael, smaller but with more time taken to get her right.

And then there is the acrostic. I’ve met the challenge of making MICHAEL the same length as KEATON, by conjoining the A and E in a way we don’t often see any more. I think the poem will be iambic, because I’ve had much more experience with iambic versifying than any other meter, and I will need all the help I can get with this one, since I intend to make each line of exactly equal character length, as befits a “true” acrostic, unlike the cheats I usually do. That is why the area between MICHAEL and KEATON is gridded. (Hint to aspiring acrostifiers: Microsoft Excel is a good place to do double-or-more acrostic construction. Format the cells to be of equal length and width, put your acrostics in the first and last columns, give yourself plenty of in-between columns, and hack away. NOTE: An easy way to add columns is hot-keying Control-Plus; subtracting, Control-Minus.)

But “Aesop,” the most familiar and least confusing of the AE possibilities, is trochaic, not iambic. But “Aesopian” IS iambic, and so one minor hurdle is jumped. There will be many others, especially since I stuck “batman” in there, in lower-case incognity.

Is this hard work or hard play? It is both. Please stay tuned!

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It started at a Redbox. The DVD of THE ACCOUNTANT had just come out, and I was eager to see it. Ben Affleck as the autistic, arsenel-stashing CPA for drug cartel bosses and other criminal bigshots. Also starring Oscar-winning J. K. Simmons. Action, pathos, forensic accounting–yum yum yum!

While I watched the movie I sketched Affleck and co-star Cynthia Addai-Robinson. After I finished watching the movie I posted the sketches on Facebook. To my astonishment, the sketch of Ms. Addai-Robinson was Liked by one Seth Lee. Hey, that’s the name of the young actor who plays Affleck’s younger self . . .

. . . And, Hokey Smokes, it IS the actor, and martial artist, who plays Affleck’s younger self!! He did a fantastic job, too. He is a Natural. Step aside, Bruce, Brandon, Stan and Ang! There’s a new Lee in town, and he does back flips with the greatest of ease.

Here are the words to the double acrostic:

Some who act get early starts
Some are fans of martial arts

Expertise in swim or sync
Elevates to gold from zinc

Triumph teaches–slumps do too

Hack a comeback score a coup

& each fall presages RISE
& another winner’s prize

Friends, keep an eye on this young man. He has definitely got the chops for an outstanding career.

Jamie Dedes is alive, though she was given but two years to live in a prognosis delivered before the end of the last century. She credits her son and “an extraordinary medical team” for her continued existence. Though I don’t know her well–I don’t even know how many syllables are in her last name, much less how to pronounce it–I would venture to add that Moxie also has something to it.

For she has Moxie in abundance. She cares enough about poetry and its practitioners to have created and maintained an outstanding resource-blog called THE POET BY DAY, which connects poets via showcased poet exemplars, essays, links to items of interest to poets, her own poems, and on Wednesdays, those springboarding challenges known as prompts, which are invitations to write about a specific thing, or on a certain theme, or some other limiting, focusing factor.

And it was a week ago Wednesday that I responded to one such prompt. This one:

Write a poem, a fiction or a creative nonfiction piece telling us how you envision a feminine God or about the feminine side of God.  What might S/he be like?  Does/would such a view change the way you feel about yourself and the world? Would it change the world? How? You don’t need to believe in God or in a feminine aspect of God. This is an exercise in imagination not faith. Have fun with the exercise and if you feel comfortable, share the piece or the link to the piece below so that we might all enjoy.

For some reason this prompt struck a chord and got me going. I don’t know if there is a Supreme Being. I have certain feelings but I don’t trust them, being a rationalizer and wishful-thinker. A much more intelligent man than I am, Stephen Hawking, envisions a cosmology that, in the words of Carl Sagan in his introduction to Hawking’s A Brief History of Time, gives “nothing for a Creator to do.” In other words, Hawking’s universe has no need for a Creator.

But if there IS a Supreme Being, it makes sense to me, since the Supreme Being brought us all to be, that since that Being birthed us all, that She be a mother. And so I took a weird word from a conspiracy theory about our 44th President, Barack Obama, for a title, and was off to the races imagining God as Mom:

*****

birther

o god
thou residest betwixt r and t

god s be thy name
birther of us all
mixmistress of galaxies
crecher of clusters
ovulatrix of ylem

thy mother’s care is in the dew
thy admonishment is in the don’t
and when we want to play in the woods of reckless fun
thou respondest “we’ll see”
which almost always means “fat chance”

thy human smartalecks speak of heat death
it is merely a pause
in thy menopause
and soon thou’lt bake us cosmic cookies again

thanks for Ever
y
Thing,
maman

*****

Sure was fun to write, and oddly, bouncily, spiritually uplifting. Things just seemed to naturally occur: the Heat Death of the Universe resonates with the “hot flash” of menopause–hey how bout that, menoPAUSE–perhaps prelusive of the Big Crunch and the next Bang–and double up on “baking us cosmic cookies” with us being some of the cosmic cookies She bakes–and Everything with the y, possibly the Spanish “and,” joining Ever and Thing–and the French word for Mama, maman, slightly hinting at both “amen” and “ma MAN.” Wrote it first, realized it later. Could it be that She helped? Fun to think so.

I posted “birther” in the Comments section of Jamie’s post, and she replied that she loved it and wanted to include it in her following-Tuesday post. I happily agreed, and supplied a photo and my poet’s curriculum vitae at her request. She published my and three other poets’ responses to her prompt last Tuesday, and I was proud and happy enough to be in such august company that I put a link to her post on my Facebook Timeline.

As fate would have it, the next day was Jamie’s Birthday, and it was there I learned about her “Sixty-seven Years on the Razor’s Edge.” You can too, and I think you should. Here is a link: https://wordpress.com/read/feeds/56465423/posts/1350565805

One thing I’d left out of my poet’s biography was the fact that my specialty is Acrostic poetry, i.e. poems where the first and/or last and/or midstream letters of the poem form words. In my gratitude to Jamie, and wanting to show off a little of this weird skill, I composed and illustrated a birthday acrostic for her, thus:

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Here are the words of what may be the first birthday-occasion, acrostic, limerickal, end-words-all-rhyme-or-nearly-so poem in human history:

Jamaica may thrill, undenied,
And Nawlins is burstful with pride;
MARVEL at, though, who’s hied
In the clouds with her stride,
Energetically shifting the tides.

Thanks again, Jamie, for Ever y Thing!