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crossroads

the trouble with the robert frost
“two roads diverged…” encyclical
is that the two roads are just two.
in real life, it’s so complex:
the crossroads is a dandelion
of three dimensions, maybe more.
some circumstances force a move.
some preferences are imposed.
and fear, that strongarm bully, steals
the will from making wisdom count.
at times a traveler suggests
just with a smile: it’s time to go.

each breath inhaled is choosing life.
each kiss exchanged is choosing love.
each journey says a better place
awaits. but journeys may play false,
with distance that no yardstick tells.
the real journey’s in our heads,
in touching soul-to-soul; in goals
we keep, or not; in choosing words;
in scratching itches till they bleed
then learning that they’re best ignored;
and letting go begins a trek
along a path that must astound.

001

The last Letterman aired tonight. Most of this page was done during the show, but I wasn’t quite done when the show was, so I kept going till 11:59 PM. So it’s all DAY OF the show, anyway.

Day Vid LETTER Man

Daffy hijink’s revels–hey, let’s check the Monkey-Cam
Distribution’s vetted till he has a Big Ass Ham
And at last the nightmare’s done for both Dubya and Bubba
As he’d won the kiss of Julia Roberts–Hubba Hubba
Yes to pairs of World Wide Pants–enough to clothe a nation
Yet we’ll daydream–of a Dave returning to his station

I just finished watching the climactic conclusion to MAD MEN, which has been hyped to pieces and made the capstone to a binge-watching marathon. I trust it won’t spoil things for those who haven’t yet viewed it to say that I hope that the Coca-Cola Company paid through the nose for what must be the ultimate Product Placement. I also wonder if the series was conceived with this punchline in mind. I note the precise timing of the ending with one of the most famous happenings in advertising history.

Remember the scene in WAYNE’S WORLD where Wayne and Garth scoff at “selling out,” all the while holding up blatant product-placement products? Pepsi was one of those products. I wonder if this whole series was Coke’s revenge.

001

Mad (brought to you by Coca-Cola?) Men

Merchandising brought this dream
M I N E D to order per a scheme
AVARICE, you weave your lace
And you net by product’s place
Does this coca-chewing clan
Deal in…cola? That’s the plan

Valley artist Rachelle Olsen, mentioned previously in this blog, made me an offer I could not refuse. If I would write her “Artist’s Biography,” a succinct crystallization of her artistic focus, career and philosophy, she would pay me either in cash or a painting of hers. No fool I, I chose the painting. This evening I go to pick it up. It looks like this:

rachelle painting 051615

Here is what she got in return:

“Rachelle Olsen is the artistic force behind the Phoenix, Arizona gallery

Impossible Blue Studios, which showcases her paintings in acrylics on wood and

canvas. Born in American Fork, Utah, her upbringing was in Flagstaff, Arizona.

Though she is mostly self-taught, she has benefited from the tutelage of Burdell

Moody of the Belleza Gallery in Bisbee, Arizona. Her signature work is the

depiction of realistic subject matter in a geometrically expressionistic manner,

uniting pictorial elements with pixelesque vibrance. There is speculation that her

work partakes of her unique synaesthetic sense, which occurs in about one in 25

people and which transfers sensory input from one sense to another. She may, for

instance, hear a sound and have her brain ‘translate’ it to sight.

“Ms. Olsen’s work has been showcased in such diverse Phoenix venues as the

Firestage Theatre, the Fair Trade Cafe, and “Equinox” on the Art Detour. Her work

is in the collections of Jobeth Jamison, Eric Shelley, and James Wannerton in the

United Kingdom.”

After we agreed on the deal I asked Rachelle if I could feature her in one of my blog posts, and double-acrosticize her and Synthaesthesia. She readily agreed, and here is what I did.

 synaesthesia n rachelle 051615

And here is what it says, synaes-synthesizing all over the place:

Synaesthesia & Rachelle

Sensoria draw lines across the [sand]
You C a sound to freeze U where you [stand]
Nor ought we give the C a [reprimand]
A [beaten] C [delineates] what’s [grand]
Effective photons hit us in the kisser
Salacious tactiles tickle aural viscera
Then translate them into a textual [or textile] doc
Hot contrails stream their vids from Mock to Mach
Essential oils taste green as mink we stole
So fletch that arrow & make William tell
Intentionally odd hues bright & droll
Avail her of a oeuvre si si belle [work so so beautiful]

Most of us have heard of Edgar Allan Poe, but H. P. Lovecraft was a greater influence on the fledgling horror writer Stephen King. Lovecraft’s TALES OF THE CTHULHU MYTHOS (Kindle-downloadable, by the way) gave me the willies about 35 years ago. This is a long-delayed paying-it-forward.

cthulhuku 051315

cthulhuku

h. p. lovecraft had
issues. one of them was a
big fat hairy deal.

Turtle or tortoise? I ran into this alliterative answer this afternoon: “Totally terrestrial Testudines are tortoises.” (The source for this 5-worder is http://www.ncaquariums.com.)

Today I drew a “turtle” based on a friend’s photo found on Facebook. (Alliteration is contagious…) Then I halved “Turtle” to bookend a double acrostic, and having warmed up with halving mayhem, I inflicted impending insidious impact. (Vowel sounds are assonance, not alliteration.)

turtle 051215

Tortoises misnomered meet
Tarryingly in the street
Under streetlamps they compel
Undercarriages to dwell
Run down they won’t praise nor blame
Rather ask you not misname

2012-06-26_11-39-47_983

“The new social media have created a self-awareness and self-absorption that puts the 70s–the so-called ‘Me Decade’–to shame.” –Public Domain

*****

the all-cliché revue

BOOM shakalakalaka BOOM shakalakalaka

DRINK the KOOL-AID
Kum Ba Yah.
DRINK the KOOL-AID
Kum Ba Yah.

I know you are, but what am I?
DRINK the KOOL-AID/Kum Ba Yah.
I cross my heart and hope to die.
DRINK the KOOL-AID/Kum Ba Yah.
And those who don’t can go to hell!
DRINK the KOOL-AID/Kum Ba Yah.
IMHO ROFL.
DRINK the KOOL-AID/Kum Ba Yah.

Now look what you made me do.
NOW look what you made me do.
NOW LOOK WHAT YOU MADE ME DO:
DRINK the KOOL-AID.
Kum Ba Yah.

*****

Review. To view again. First we view with our senses, then we view with our thoughts. It is possible to keep up one end of a conversation using nothing but cliché, quotation, and clichéd quotation. In this century the terms meme and trope have become linguistic common coin. In this century no one need wonder what meme and trope mean: here is what happens when they are searched for.

meme
mēm/
noun
noun: meme; plural noun: memes
  1. an element of a culture or system of behavior that may be considered to be passed from one individual to another by nongenetic means, especially imitation.
    • a humorous image, video, piece of text, etc. that is copied (often with slight variations) and spread rapidly by Internet users.
      trope
      trōp/
      noun
      noun: trope; plural noun: tropes
      1. 1.
        a figurative or metaphorical use of a word or expression.
        “he used the two-Americas trope to explain how a nation free and democratic at home could act wantonly abroad”
        • a significant or recurrent theme; a motif.
          “she uses the Eucharist as a pictorial trope”
      verb
      verb: trope; 3rd person present: tropes; gerund or present participle: troping; past tense: troped; past participle: troped
      1. 1.
        create a trope.

We have been deluged with cute kitty-cats and pithy words-to-live-by. We group-mind ourselves into nonselves. The shorthand of our thoughts becomes ever more semantically empty. Have some Kool-Aid. BOOM shakalakalaka. Kum Ba Yah.

Investigation, using 21st-century search techniques, reveals that “Drink the Kool-Aid” refers to a mass suicide of a religious cult; that “Kum Ba Yah” is an entreaty to the Lord to “Come by here;” and that “Boom shaka-laka-laka” is a chorus lyric in the song “I Want To Take You Higher.”

Have a nice day.

It is Mother’s Day as this is being written. Jane Stoneman, my mother, was camera-shy when I asked to take a picture. But she had no objection to my sketching butterflies. The Butterfly is my mother’s totem creature. So this is an odd portrait of my mother, not from life, not psychological, but metaphysical.

IMG_20150510_084512

And here is another image. This one combines image and text, some hidden.

001-10Here are the words, hidden or not:

Balanced on a thermal puff
Undulant in gardens floral
Tethered to migration’s taxi
Thinned unto endangering
Extralocal through & through
Roving through this continent

001-9~2

My last blog post, “A Ten-Poem Day,” included a scrambled-up version of the above portrait. i’d originally planned to switch images if and when Socorro gave me the go-ahead to post. now, though, I’m inclined to give Socorro a post of her own.

About eight years ago I saw an Internet ad for a social website that said “Under 50 Need Not Apply.” I was 52, and a site for over-50 folks sounded good. That site was the late, lamented eons.com. It was my first experience with social media. I didn’t do Facebook till much later.

One of the first things I found was a poetry group called Callling All Poets, which Socorro had created. I joined it and loved it, participating enthusiastically.

Her username on Eons was Pajarito. We called her PJ. She was, and is, encouraging, uplifting, and motherly. Not for her was the deconstructive critique, nor putdowns of any kind. Anyone wanting input on their writing need only ask; it would come by private message if potentially embarrassing.

Of course, a few times people joined who didn’t subscribe to the ethic of encouragement and uplift. I  remember two in particular. One was scathingly sarcastic; the other one was a legend in his own mind who wanted us all to benefit from his superior approach to poetry, and no other approach would do. Socorro dealt with them both with honest directness, first with a warning and then with the classic heave-ho. She has always stayed a nurturing course.

And when Eons foundered, Socorro took us to Facebook. Now we are Poets All Call, 70 members strong.

I’ve written hundreds of poems expressly for Socorro’s group. It is a nice nesty poet’s haven. And she is a wonderful leader and friend. I’ll always be grateful to her.

socorro 02 050515  001-9~2

Today, as most Tuesdays, I conducted “Title Tuesday,” wherein I supply five poem titles for the Facebook group Poets All Call, and anyone who wishes may take a title and run with it.

The deresolutioned drawing above is of the originator of Poets All Call. I sent her an instant message asking her if it would be OK to post the drawing but I have not heard from her. If she says Yes, I’ll put the resolved image next to the deresolutioned one. If she says No–but that is moot. She said Yes.

She is a leader in the best possible sense. The group is full of encouragement and camaraderie, and we all feel free to post challenges. That’s how “Title Tuesday” got started, in the eons.com based percursor to PAC, which was called Callling All Poets. (The three ells in Callling–that’s not a typo. Long story.)

In addition to posting titles, I invite group members to post titles of their own. Two did, five each. Before the afternoon was over I wrote poem #10.

I close with the poems I wrote. Thanks deeply to Socorro, group leader, and Genevieve and Denise (yes, that Denise) for the titles.The titles are in boldface.

is it the same one

a

love came a knockin sunday last
and i ast
“is it the same one as ’71
to ’79 and then over&done?
is it a heart-stoppin reely big dealie one
or will its stripes change jus like a chameleon?”
i knew the answer but blowin off steam
helps tell the diffrence tween substance n dream.

1

love and a river are never the same.
no one is praisable. no one’s to blame.

b

“well, love,” i then said,
“so bare is my thread
that i cannot afford all the knee squats n lunges,
n concrete awaited who’ve taken the plunges,
so scuse me for turnin around on my heel.
there’s no room for argument, wheel nor deal.”

2

some love’s sound and some love’s fractured,
some love’s true, some manufactured.

c

that was sunday. tuesday’s now.
there’s a heartache, i avow.

3

the love arrives unbidden
the love leaves traces deep
some scars are seen some hidden
some fantasies won’t keep
but we are not contriving
when sweethearts win our love
with waking-so-aliving
and feeling like a dove.

d

[silence]

4

[quiescent hum]

the windswept waltz

let us Dance to the Tune of the Amber-waved Breeze
let the Rustle of Wheat make us Weak in the Knees
let the Shiver of Wavelets make Ripples of Hope
and let Two windward Spirits join Souls and eLope.

(chorus)

the Waltz it is Windswept from Hither to Yon
and all Love and all Kindness is Windborne of Dawn.

if our Burdens are Many and Riches eLude
and the Path we must Take has turned Rutted and Rude
we will Face what will Come though our Cloak-cloth is Thinned
and look Forward to Respite on Welcoming Wind.

(chorus thrice)

Morning Star

A sliverous shard of near-New Moon
Tops the predawn horizon. It is a bow
With invisible pulled string and launchable arrow
Aimed by an invisible archer, Diana, huntress.
She aims

Not at the Morning Star, her recurrent companion,
But at consuming Sol whose blaze might engulf them both.

Might becomes Does.
The Morning Star, defeated by superior candlepower,
Disappears against a blue-becoming sky.

the crumbling criterion

it’s a bird
it’s a plane
it’s . . .

well, it’s what appears to be a human being
white male six four one ninety
wearing spandex in primary colors
with a symbol on chest and cape
and airborne with no visible means of support

and he was conceived by a boy and a boy
jerry for jerome and joe for joseph

the criterion was “super”
so first they made his skin hard his legs strong
and the rest of him strong as well
later “super” extended to everything from flight readiness
to gusty freezing breath

“super” may be short for “building superintendent”
or a prefix meaning “big” or “above” or “greater than”

had it not been for friedrich nietzsche
and then adolf hitler
two jewish kids from cleveland may never have given us superman
and such is the power of psychic alchemy
for hitler’s criterion “super” crumbled
and jerry’s and joe’s grew
truth justice and the american way
strong

seasons

salt the spring
then pepper summer
allspice takes a fall
the winter frosting sugar spun
as fabled revels have begun
unto a sprigged unlumbered wall
zing- &
hum-for-
all.

replacements

slice & saw & splice & sew
that’s a brand new knee you know

laptop tablet kindle nook
pulplessly transcend the book

online order flowers
click on st john’s wort–ship
who needs drugstore hours
who needs old school courtship

boots on ground make blood and bones
send in clowns and add the drones
what’d you say? they’re headed here?
nice knowing you. [they disappear.]

One Too Many

Battles of wills do
Make losers and winners
Wars head for hills too
That spark over dinners
Tempests may toss one
From teapot to street
Dustup and loss one
Admits in defeat
Heavy the heart is
Yet beats in despite
Lesson in part is
To win, do not fight.

inky fingers

as a reef is coraled
so a finger’s whorled.

as a soap is sobby
if it is your hobby
to mix ink with brayers
better say your prayers
sure as zings the slinky
fingers will get inky.

as a topping’s fudgy
paper will get smudgy.

as a playboy’s flirty
you will feel so dirty.

like pacquiao after drubbing
you will need envigored scrubbing.

hard to get hands squeaky clean.
don’t you panic. this will mean
no one’s perfect. you may borrow
inky pads for fun tomorrow!

The Colors of Possibility

Sienna and Umber raw or burnt promise
A communion with the earth.
Pthalocyanine blue delivers wintry chill.
The oxides may take you to a lumberjack camp,
So make sure alizarine crimson goes with you as well
For shirts and spillage.

Sky pilots seek the cerulean.
The lead-white-faction risks all for the creamy clouds
That titanium white fails to deliver.

And yellows are tricky. The possibilities
Often elude. Cadmium
Seems to necessarily include
Adulterants. Get your Naples and Lemon on,
And no matter what your painting teacher told you,
The possibilities are not endless
Without Black.

May Be Nothing

That little roughness off the shoulder
The pinching sensation when flexing forward
The premonition the distant wail
That undeliverable mail

A stain that won’t come off a plate
Scratching at 3:28
Dizziness when walking slowly
Dumpster odor full unholy

May be nothing may be little
May be supple may be brittle
May be stumbles may be slips

May be the Apocalypse